On her second album Ursgal Mongolian singer Enji creates a unique blend of Jazz and Folk with the traditions of Mongolian song. Currently based in Munich, her lyrics tell personal stories about unbearable distances, the oddness of being on earth and the simple truths in life. She’s accompanied by Paul Brändle on guitar and Munguntovch Tsolmonbayar on double bass. ...(展开全部) On her second album Ursgal Mongolian singer Enji creates a unique blend of Jazz and Folk with the traditions of Mongolian song. Currently based in Munich, her lyrics tell personal stories about unbearable distances, the oddness of being on earth and the simple truths in life. She’s accompanied by Paul Brändle on guitar and Munguntovch Tsolmonbayar on double bass. Born in Ulaanbaatar, Enji grew up in a yurt to a working-class family. Having always been drawn to music, dance and literature, she initially wanted to become a music teacher with little ambitions to compose or be on stage. A program by the local Goethe Institute sparked her passion for Jazz and eventually led her to become a performing artist. Inspired by the music of Carmen McRae, Ella Fitzgerald and Nancy Wilson, Enji started writing songs of her own, cherishing this newfound means of expression. Ursgal is the first record featuring her original compositions.
曲目
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1. Zavkhan 03:28 2. Diary Of June 9th 02:31 3. Gandii Mod 03:45 4. I'm Glad There Is You 03:45 5. Khorom 05:02 6. Sevkhet Bor 04:44 7. Ursgal 05:46 8. Aya 03:14 9. An Untitled Hill 04:53
与其说“唱”还不如说是在“吟”,非常喜欢Gandii Mod、Sevkhet Bor和Ursgal中的人声表现(非常民歌化,不过与一些人对蒙古音乐的刻板印象相比显得会过于轻柔,很喜欢她到假声的那一段转音的处理)可以理解为何配合人声表达将乐器力度也减弱了不少,但是力度的变化显得有些欠奉,而且有些缺乏节奏变化的趣味性了。即使Diary of The June 9th有增加变化的想法,但是呈现效果依然是...与其说“唱”还不如说是在“吟”,非常喜欢Gandii Mod、Sevkhet Bor和Ursgal中的人声表现(非常民歌化,不过与一些人对蒙古音乐的刻板印象相比显得会过于轻柔,很喜欢她到假声的那一段转音的处理)可以理解为何配合人声表达将乐器力度也减弱了不少,但是力度的变化显得有些欠奉,而且有些缺乏节奏变化的趣味性了。即使Diary of The June 9th有增加变化的想法,但是呈现效果依然是一个效果不错的小品,不过瑕不掩瑜。Zavkhan和Aya应该是乐器编排最得我心的了。(展开)
0 有用 滋酥 2024-04-18 11:23:36 马来西亚
喜欢喜欢
7 有用 大大大大大白猫 2021-08-14 10:55:17
与其说“唱”还不如说是在“吟”,非常喜欢Gandii Mod、Sevkhet Bor和Ursgal中的人声表现(非常民歌化,不过与一些人对蒙古音乐的刻板印象相比显得会过于轻柔,很喜欢她到假声的那一段转音的处理)可以理解为何配合人声表达将乐器力度也减弱了不少,但是力度的变化显得有些欠奉,而且有些缺乏节奏变化的趣味性了。即使Diary of The June 9th有增加变化的想法,但是呈现效果依然是... 与其说“唱”还不如说是在“吟”,非常喜欢Gandii Mod、Sevkhet Bor和Ursgal中的人声表现(非常民歌化,不过与一些人对蒙古音乐的刻板印象相比显得会过于轻柔,很喜欢她到假声的那一段转音的处理)可以理解为何配合人声表达将乐器力度也减弱了不少,但是力度的变化显得有些欠奉,而且有些缺乏节奏变化的趣味性了。即使Diary of The June 9th有增加变化的想法,但是呈现效果依然是一个效果不错的小品,不过瑕不掩瑜。Zavkhan和Aya应该是乐器编排最得我心的了。 (展开)
0 有用 W.L.N 2022-01-31 11:06:55
100/100
0 有用 desmonte 2023-11-24 13:04:05 美国
A
0 有用 龙三 2022-02-06 22:45:59
适合慢下来的心境
0 有用 🍓 2024-06-05 09:23:57 浙江
美丽,静谧
0 有用 無情 2024-04-14 09:55:41 上海
才知道是蒙古歌手,唱得很舒服!
0 有用 禅是一知喵 2024-04-05 01:49:10 上海
蒙古爵士已經next level了
0 有用 普通垃圾回收站 2024-04-02 20:05:49 重庆
-
0 有用 滋酥 2024-04-18 11:23:36 马来西亚
喜欢喜欢