Antwood (a.k.a. Canada's Tristan Douglas) returns to Planet Mu with his second album 'Sponsored Content'. The album is more reflective than his debut, last year's 'Virtuous.scr'. The relentless mood of the first album has given way to a more melodic, stripped out sound. It still shakes with speed and energy, but with more space, more moments of delicate sadness and strange cy...(展开全部) Antwood (a.k.a. Canada's Tristan Douglas) returns to Planet Mu with his second album 'Sponsored Content'. The album is more reflective than his debut, last year's 'Virtuous.scr'. The relentless mood of the first album has given way to a more melodic, stripped out sound. It still shakes with speed and energy, but with more space, more moments of delicate sadness and strange cyborg pop. What comes to the fore in 'Sponsored Content' is Tristan's gift for melody, coupled with the uncanny feeling that somehow his strange music is an entire ecosystem of it’s own. It's best explained by Tristan himself: "This record was made during a very challenging year. Some of these challenges were for the best, some were not, most were both, others were neither. The music is inextricably tied to these events, whether I like it or not, and I’ve begun peeking out from behind my self-imposed veil of heavy conceptualization; revealing things about myself that my previous album Virtuous.scr didn’t."
"In the past year, I found that ASMR, which I had previously used as a source of foley in my music, was a fairly effective sleep aid. I’d been using the videos in this way for a few months, when I noticed a popular ASMR YouTuber announced a plan to incorporate ads into her videos; quiet, subtle ads, woven into the content. What bothered me about this was that these ads would target viewers, such as myself, during times of semi lucid vulnerability. This disturbed me, and I unsubscribed." "Sponsored Content explores this idea of subversive advertisement, at least superficially. It’s obviously about the ubiquity of ads and the commodification of online content. The unlikely placement of ads in the music aims to force the listener to become hyper-aware of being advertised to rather than passively internalizing it. But after the record was finished, it became undeniable that really it wasn’t so much a “concept record” about advertisement; it’s as much about intentionally devaluing the things I’ve invested myself into, and over-complicating my work. When I realized this, I considered taking the ads out, and playing the music straight. But I left the record as it is: honest, flawed, with a little humour, and slightly up its own ass." "I collaborated with El Popo Sangre (a.k.a. Paulin Rogues) for the visuals after he showed me his short film “Fantasy” which used several tracks from Virtuous.scr. He and his team at UNICORN added a depth to the project I could never have done on my own."
1 有用 乔治洗衣机 2017-10-07 02:07:42
4.0- future sounds
0 有用 claro 2020-09-15 19:34:41
行的,What is technology
0 有用 Lam生說給力 2024-12-09 11:51:29 美国
我真的要被哭声吓哭了。好像是第二次听了第一次没敢听完。。。
0 有用 / 2020-09-07 21:49:50
音乐怪,封面也很美
0 有用 falseAss 2018-09-08 16:02:50
还挺怪
0 有用 阿绿 2022-10-17 20:13:44 辽宁
吓死
0 有用 十年九夏 2022-04-20 14:15:42
This record was made during a very challenging year. Some of these challenges were for the best, some were not, most were both, others were neither.
0 有用 被词语所杀 2020-08-26 20:16:41
前些时间朋友圈有个音乐圈的跳街骂亚逼,认为亚逼就是反主流却极其土逼的体现,挺有意思。但其实听音乐这事儿吧,全看个人耳道G点长在哪儿,除了大部头对音乐的深刻理解,我个人在自身实践中也有点点体验,在我不是音乐人的前提下,认为音乐之于个体本就是件蛮私人的事儿,就像有些人就是喜欢闻机油味儿一样,死也不能拒绝的上瘾,听音乐也有几丝丝的玄学,感性理性谁规定了不可以一起调味呢,并且听音乐其实也还包括一丢丢的生理... 前些时间朋友圈有个音乐圈的跳街骂亚逼,认为亚逼就是反主流却极其土逼的体现,挺有意思。但其实听音乐这事儿吧,全看个人耳道G点长在哪儿,除了大部头对音乐的深刻理解,我个人在自身实践中也有点点体验,在我不是音乐人的前提下,认为音乐之于个体本就是件蛮私人的事儿,就像有些人就是喜欢闻机油味儿一样,死也不能拒绝的上瘾,听音乐也有几丝丝的玄学,感性理性谁规定了不可以一起调味呢,并且听音乐其实也还包括一丢丢的生理反应,想象时常听到某些曲时那些一地觉醒的鸡皮疙瘩吧......所以听觉方面自己就喜欢啥听啥,主观愉悦自我能达到颅内高潮就完事儿了。因无法接受异己者而惯性跳脖子的人,你可以保持自我,也可以不具备兼容性,但也不至于非要把自己的脑瓜子拧下来在别人的精神领地搞嫁接和插秧。 (展开)
0 有用 claro 2020-09-15 19:34:41
行的,What is technology
0 有用 Lam生說給力 2024-12-09 11:51:29 美国
我真的要被哭声吓哭了。好像是第二次听了第一次没敢听完。。。