Giacomo Meyerbeer, the master of Parisian grand opéra, was hugely successful in his time and a major influence on Verdi and Wagner. His music has fascinated Diana Damrau since her student days. With her brilliant coloratura, lyricism and dramatic power, the soprano rises triumphantly to the vocal and expressive challenges of arias from 10 of his operas, singing in French, Ita...(展开全部) Giacomo Meyerbeer, the master of Parisian grand opéra, was hugely successful in his time and a major influence on Verdi and Wagner. His music has fascinated Diana Damrau since her student days. With her brilliant coloratura, lyricism and dramatic power, the soprano rises triumphantly to the vocal and expressive challenges of arias from 10 of his operas, singing in French, Italian and German. Two of the arias receive their world premiere recording with this album. The idea of a Meyerbeer album has been close to Diana Damrau’s heart since she first recorded for Erato back in 2006. She became fascinated by the composer’s music as a student in Würzburg, when she was invited to perform his cantata Gli amori di Teolinda. “I immersed myself in Meyerbeer’s world,” she explains, “and was excited by his multifaceted writing for the voice, by his orchestral colours, his theatrical instincts, the powerful and varied way in which he expresses emotion, his splendid melodies and, last but not least, his ability to capture precisely the right ‘national style’. If you compare his Italian, German and French works, it is like listening to three different composers.”
曲目
· · · · · ·
Le Prophète, Act 1: "Mon coeur s'élance et palpite" (Berthe)
Robert le Diable, Act 4: "Robert, toi que j'aime" (Isabelle, Robert)
Alimelek, oder die beiden Kalifen, Act 1: "Nur in der Dämm'rung Stille" (Irene)
L'Étoile du Nord, Act 3: "Ah, mon Dieu !... C'est bien l'air que chaque matin" (Catherine, Chorus)
L'Africaine, Act 5: "Là-bas, sous l'arbre noir... Fleurs nouvelles" (Inès)
Il Crociato in Egitto, Act 2: "D'una madre disperata... Con qual gioia" (Palmide, Aladino, Chorus)
Le Pardon de Ploërmel, Act 2: "Comme cette nuit est lente à se dissiper !... Ombre légère" (Dinorah)
Ein Feldlager in Schlesien, Act 3 : "Oh Schwester, find' ich dich!... Lebe wohl, geliebte Schwester"
Emma di Resburgo, Act 1: "Sulla rupe triste, sola... Ah questo bacio " (Emma, Chorus)
Les Huguenots, Act 2: "Ô beau pays de la Touraine" (Marguerite, Urbain, Coryphée, Dame d'honneur, Ch
0 有用 海上的亞德里安 2017-10-26 18:30:06
还行,也就还行。乐团比演唱出色。
0 有用 CarlLoewe 2017-05-06 01:16:01
比想象中的好多了,达小姆还是可以做到不咆哮的,然而低音有老太趋势,影子之歌和德语选段仍然比较电锯。十字军在埃及段不错。
0 有用 小木艾歌 2017-09-11 18:53:28
第一次听梅伊贝尔的这部歌剧 精美的咏叹调与激昂高难度的花腔完美结合,演唱着富有穿透力和张力的演唱百听不厌,真是听觉盛宴!
0 有用 小木艾歌 2017-09-11 18:53:28
第一次听梅伊贝尔的这部歌剧 精美的咏叹调与激昂高难度的花腔完美结合,演唱着富有穿透力和张力的演唱百听不厌,真是听觉盛宴!
0 有用 CarlLoewe 2017-05-06 01:16:01
比想象中的好多了,达小姆还是可以做到不咆哮的,然而低音有老太趋势,影子之歌和德语选段仍然比较电锯。十字军在埃及段不错。
0 有用 海上的亞德里安 2017-10-26 18:30:06
还行,也就还行。乐团比演唱出色。