Mitsuko Uchida's scholarship of the works she performs and the energy she displays when playing have won her a dedicated following and a place as one of today's great piano legends. She has always been revered for her intense musical connection with the works of Mozart and Schubert; her many recordings of their works have become iconic and she has won numerous awards. In more...(展开全部) Mitsuko Uchida's scholarship of the works she performs and the energy she displays when playing have won her a dedicated following and a place as one of today's great piano legends. She has always been revered for her intense musical connection with the works of Mozart and Schubert; her many recordings of their works have become iconic and she has won numerous awards. In more recent years, Mitsuko Uchida has turned her attention to Beethoven. Her first disc of Beethoven piano sonatas earned great critical acclaim: "Anyone looking for an honest yet deeply sophisticated approach to Beethoven-- never theatrical, never merely scholarly--would do well to look to Ms. Uchida's new CD"--The New York Times Now Decca presents Ms. Uchida's new recording of Beethoven's Piano Sonata No. 28 and the Hammerklavier Sonata, considered to be Beethoven's most complex and challenging piano compositions.
0 有用 ␀ 2015-04-26 12:54:02
弹的太深情,受不了。
0 有用 mulder 2018-09-05 01:06:21
音乐人生片既视感
0 有用 Iamchagall 2024-06-30 04:04:36 上海
曾经一段时间,我一直都不觉得内田光子的贝多芬弹得出色。一是因为有太多珠玉在前,譬如古尔德、古尔达、肯普夫、米开朗杰利、甚至布赫宾德,这些人对于贝多芬的演绎已经登峰造极;二是内田光子的风格尽管内敛,但仍过于诗意、纯粹和透彻。再说直白一点,她是典范的莫扎特,但也因太过于莫扎特,以至于那种贝多芬作品里的沉重感和对命运的拷问,她很难将那种重感释放出来。然而,这到了晚期贝多芬走向抽象哲学的阶段,内田光子的特... 曾经一段时间,我一直都不觉得内田光子的贝多芬弹得出色。一是因为有太多珠玉在前,譬如古尔德、古尔达、肯普夫、米开朗杰利、甚至布赫宾德,这些人对于贝多芬的演绎已经登峰造极;二是内田光子的风格尽管内敛,但仍过于诗意、纯粹和透彻。再说直白一点,她是典范的莫扎特,但也因太过于莫扎特,以至于那种贝多芬作品里的沉重感和对命运的拷问,她很难将那种重感释放出来。然而,这到了晚期贝多芬走向抽象哲学的阶段,内田光子的特色在这个地方可谓得天独厚了。Op.101内田光子女士的弹奏真是精彩辉煌、充满哲学和歌唱性,起立鼓掌👏❤️ (展开)
0 有用 简 2020-05-22 05:51:20
内田光子,牛气
0 有用 酱生蚝有毒! 2015-09-03 21:44:28
色彩丰富,感情浓厚
0 有用 Iamchagall 2024-06-30 04:04:36 上海
曾经一段时间,我一直都不觉得内田光子的贝多芬弹得出色。一是因为有太多珠玉在前,譬如古尔德、古尔达、肯普夫、米开朗杰利、甚至布赫宾德,这些人对于贝多芬的演绎已经登峰造极;二是内田光子的风格尽管内敛,但仍过于诗意、纯粹和透彻。再说直白一点,她是典范的莫扎特,但也因太过于莫扎特,以至于那种贝多芬作品里的沉重感和对命运的拷问,她很难将那种重感释放出来。然而,这到了晚期贝多芬走向抽象哲学的阶段,内田光子的特... 曾经一段时间,我一直都不觉得内田光子的贝多芬弹得出色。一是因为有太多珠玉在前,譬如古尔德、古尔达、肯普夫、米开朗杰利、甚至布赫宾德,这些人对于贝多芬的演绎已经登峰造极;二是内田光子的风格尽管内敛,但仍过于诗意、纯粹和透彻。再说直白一点,她是典范的莫扎特,但也因太过于莫扎特,以至于那种贝多芬作品里的沉重感和对命运的拷问,她很难将那种重感释放出来。然而,这到了晚期贝多芬走向抽象哲学的阶段,内田光子的特色在这个地方可谓得天独厚了。Op.101内田光子女士的弹奏真是精彩辉煌、充满哲学和歌唱性,起立鼓掌👏❤️ (展开)
0 有用 mulder 2018-09-05 01:06:21
音乐人生片既视感
0 有用 酱生蚝有毒! 2015-09-03 21:44:28
色彩丰富,感情浓厚
0 有用 水龙吟 2013-12-17 23:13:38
美不胜收
0 有用 ZG 2009-04-13 11:12:00
144