Taco (The First Album) (豆瓣)

又名: タコ
表演者: Taco (タコ)
专辑类型: Import
介质: LP
发行时间: 1983
出版者: Pinakotheca Records
条形码: 4948722009375

豆瓣评分

8.8

37人评价

5星

46.4%
4星

46.4%
3星

7.1%
2星

0.0%
1星

0.0%

想听在听听过

评价:

简介 · · · · · ·

　　其实在当年TACO应该属于日本比较出名的地下迷幻乐队了，因为他们的一首歌“天国注射の昼”还登上了83年日本新音乐排行榜的第四位，可惜也只是个昙花一现的乐队。TACO是由原Gaseneta主脑山崎春美和大里俊晴组成的新乐队，82年签约著名的Pinakotheca厂牌，83年初就发行了首张专辑《TACO（THE FIRST ALBUM）》，凭借乐队成员在日本地下音乐界的深厚关系，找来工藤冬里（Tori Kudo）和当时还是光束夜成员的成田宗弘（Munehiro Narita）协作完成，并请到著名漫画家花輪和一（Kazuichi Hanawa）设计封面，专辑推出后大受好评，之后在短短几个月内，乐队内部出现严重裂痕几尽解散边缘，可与公司还有一张专辑的合同，所以只好弄了张乐队以前的现场敷衍了事，这就是TACO的第二张也是最后一张唱片《TACO（SECOND... (展开全部) 　　其实在当年TACO应该属于日本比较出名的地下迷幻乐队了，因为他们的一首歌“天国注射の昼”还登上了83年日本新音乐排行榜的第四位，可惜也只是个昙花一现的乐队。TACO是由原Gaseneta主脑山崎春美和大里俊晴组成的新乐队，82年签约著名的Pinakotheca厂牌，83年初就发行了首张专辑《TACO（THE FIRST ALBUM）》，凭借乐队成员在日本地下音乐界的深厚关系，找来工藤冬里（Tori Kudo）和当时还是光束夜成员的成田宗弘（Munehiro Narita）协作完成，并请到著名漫画家花輪和一（Kazuichi Hanawa）设计封面，专辑推出后大受好评，之后在短短几个月内，乐队内部出现严重裂痕几尽解散边缘，可与公司还有一张专辑的合同，所以只好弄了张乐队以前的现场敷衍了事，这就是TACO的第二张也是最后一张唱片《TACO（SECOND LIVE）》（1983年底推出），之后乐队迅速解散，成员各奔东西，山崎和大里后来还在很多乐队里呆过，与灰野敬二和不失者合作等等，另两位就不知所综了。
　　工藤冬里后来组建了MSHB，而成田则有了自己的乐队 - High Rise。。。说来说去，在80年代的日本还有不少这样的流星乐队，一闪而过却留下永恒的回忆吧。
　　Released at the beginning of 1983 by the legendary and ultra collectible Pinakotheca Label. Taco was an outfit erected out of the ashes of Gaseneta and centered on core members Yamazaki Harumi and Ozato Toshiharu who were assisted on this studio recording by Tori Kudo, Machida Machizo, Narita Munehiro and Sakamoto Ryuichi amongst others. The disc was comprised out of various music styles ranging from full blown punk, new wave, cinematic soundtrack like interceptions, demented howling, new wave induced pop songs with psychedelic influences, sound collages, short wave radio crackles, backward tape collages, raging free jazz saxophone insertions and free form guitar terrorism. Some of the album's tracks evoke images of a recording session taking place in a mental asylum with a vocalist strapped in a straight jacket. One could say that avant-garde meets demented insanity on the brink of a valium induced nervous break down, while other compositions evoke images of spaghetti-western like sound escapades infused with nasty guitar onslaughts clashing head first into baritone sax improvisations.
　　成田宗弘访谈中对TACO的回忆：
　　Munehiro Narita was born in 1959. Joined Tokyo in 1979, and played at Minor in Kichijoji. Formed Kyoaku no Intention in 1980. While that group was still active, he also participated in Kosokuya as a drummer from 1981. Joined Taco in 1982 for a recording session. In the same year he formed Psychedelic Speed Freaks, the original High Rise, with Asahito Nanjo on bass and vocals, and Ikuro Takahashi on drums. In 1984, they changed the name of the group to High Rise, and their first album Psychedelic Speed Freaks was released on PSF. The band is still extant, though it has undergone many changes of drummer. To date they have released five full albums, including one live one.
　　......
　　Did he use the name High Rise then?
　　No, that name didn't come about until much later. The original members were Nanjo on bass and vocals, (Ikuro) Takahashi on drums, a guy called Mitani who left before the record came out on guitar, and then me. Before I joined they called themselves Conformist, and then they changed the name to Psychedelic Speed Freaks. That was around `82. I was helping out in another band at the same time - that was Taco.
　　Was Taco a real band?
　　It was at the start. After Gaseneta split up, the remaining members - (Harumi) Yamazaki and (Toshiharu) Ozato - formed Taco. I remember them playing at Minor. I wasn't a member then, but I can't remember who else was in there. Shiraishi and Tori (Kudo)[19]were in and out of the lineup. The people who played on the record and the people who played live were different. By the time I joined, the band had already split up. It's probably better to say that I helped out on the recording, rather than that I was a member of the band. When they split up, there was a record contract outstanding, so I just joined to help out on that. I could play a bit of guitar and drum a bit, so they asked me along to help out. I'd known Yamazaki from the time when he was in Gaseneta. Anyway, the record came out and we played live a few times, and the band just drifted apart. I was already in High Rise by this time and we'd played out a couple of times. Yamazaki asked us to play a few Gaseneta tunes as well.

曲目 · · · · · ·

Side A
免疫
仏の顔は今日も三度までだった
きらら
赤い旅団
人捨て節
嘔吐中枢は世界の源
エニグラム
Side B
な·い·し·ょのエンペラーマジック
鵺(ぬえ)
人質ファンク
非情の生殺し
小さなチベット人
宇宙人の春
Taco (Kazuichi Hanawa Cover Art)「タコ（花輪和一ジャケ）」 [1983] Pinakotheca Records PRL#10
TACO are:
Guitar - Toshiharu Ohsato（大里俊晴）
Piano - Fumihiro Nonomura（野々村文宏）
Tapes, Percussion, Drums - Kaoru Sato（佐藤薫）
Vocals - Harumi Yamazaki（山崎春美）
制作者名单：
山崎春美、栗沢いずみ、工藤冬里、町田町蔵、ロリータ順子、遠藤みちろう、杉山晋太郎、宮沢正一、篠田昌巳、坂本龍一、大里俊晴、佐藤薫、上野耕治、成田宗弘、香山リカ、野々村文宏、山本土壺、菅波ゆり子、今井次郎、石渡明廣、武邑光裕、井上重明、細川周平、高橋文子、川島バナナ、遠藤昌美、クー、０１２３、ゼロ、後飯塚僚、NON、奥田大三、ガセネタ etc.