Section 1: All tracks of this section are based on material recorded in 1981 which was treated and recomposed in 1987. The idea was to work with early rock-recordings in a non-nostalgic way analysing the relations between actual and early-80 approaches. Section 2 consists of compositions featured on the Captured Music Festival, February 1987. Since the performance was d...(展开全部) Section 1: All tracks of this section are based on material recorded in 1981 which was treated and recomposed in 1987. The idea was to work with early rock-recordings in a non-nostalgic way analysing the relations between actual and early-80 approaches. Section 2 consists of compositions featured on the Captured Music Festival, February 1987. Since the performance was denominated by confrontation and combination of acoustic and optic elements, the tracks were rearranged as "pure acoustic" features. Section 3: Whilst the tracks of the other 3 section are composed with studio-techniques these are improvised direct-to-tape. Acrid Acme (Of) P16.D4 It's anti-social to play this record in public.
曲目
· · · · · ·
Section 1: 1981
P16.D4 - Maba 4. 12. 2:05
P16.D4 - Kriemhilds Rache 3:59
P16.D4 - Rotting Outscratched 5:41
Section 2: 1987
P16.D4 - 4 10 Up / 3 Down 3:11
P16.D4 - Sabine Mit Helmut ... 1:46
P16.D4 - ... Their Coffin-Shaped Clock 1:32
P16.D4 - Das Lamm, Der Dolch 3:37
P16.D4 - Acrid Addled Adze 2:26
Section 3: Musique Concrète Improvisée
P16.D4 - Half Cut Crows 10:14
P16.D4 - Interfaces 5:35
Section 4: P16.D4 & Merzbow
P16.D4 & Merzbow - Zur Genese Der Halbbildung 19:49
还没人写过短评呢
还没人写过短评呢