The first trap is to write that this is another phenomenal Evan Parker recording. It would be accurate because it is, and it would also be accurate to claim that this is a further step not only in Parker's development as an improviser, but in the development of improvised music as well. Another trap. But the entire picture is somewhat murkier while being even more monumental:...(展开全部) The first trap is to write that this is another phenomenal Evan Parker recording. It would be accurate because it is, and it would also be accurate to claim that this is a further step not only in Parker's development as an improviser, but in the development of improvised music as well. Another trap. But the entire picture is somewhat murkier while being even more monumental: This is Evan Parker's first album using multi-tracking technology and using the studio itself as a concert platform to capture, in the flux of the moment, the permanent sound, and, as Alfred North Whitehead (whose legendary philosophical tome this album is named for) pointed out, the flux that is always inherent in the permanent. Process and Reality is comprised of short pieces, 16 of them in fact. All but one are improvisations on the notions of the sonic, harmonic, and timbral thematics Parker was exploring at the time of this recording (who knows where he's off to now), and one is an improvisation based on Steve Lacy's "The Cryptosphere." The first half-hour features Parker "warming up," playing straight, live, moving through angular scales and tonal variations on whichever theme he states. From track six, "Amanita," on, the multi-tracking begins and the tonal balances fall off the roof; here, shocking reams of sound run against skittering skeins of atonal noise and shimmering notes, cascading in ribbons through the tape machines and creating a weave of "absolute sound," no more temporal or permanent than a flash of light that touches everything around it. This is a fascinating, and even maddeningly awakening, ride through Parker's tonal and psychological soundscape. It is an essential recording for anyone interested in improvised music. ~ Thom Jurek, All Music Guide Name Credits Dagmar Gebers Photography Evan Parker Sax (Soprano), Producer, Sax (Tenor), Main Performer Jost Gebers Engineer, Producer, Layout Design Steve Lake Liner Notes
0 有用 金蛇郎君 2019-05-14 20:07:04
这时候是他的第二巅峰期
0 有用 glum puppies 2016-01-28 17:07:54
!!!
0 有用 RizzySpot! 2024-05-01 22:51:30 四川
太神了ep太伟大了,对萨克斯发出声音的掌控无与伦比了。有时候觉得ep有点像derek bailey,都在用结构性而非旋律性的声音构建一个晦涩难懂的精神世界
0 有用 視力低下.com 2023-08-15 11:03:24 河南
刚开始高音太尖锐弗可刃靡,顺次切到T4逐势代进去了,很神奇:听音乐、而没注意声音,注意(、呼吸不已)的是演奏之意。/和观书法同理 简介说得也好啊:这吹奏不亚于跳亮周围一切的闪光 本纪的超速与坠毁。即帐斩头,无一还心。 (同样是看了简介哲思想到)有必要用心德勒兹了,八月又半 —— 再听一遍。两月又过 书还未读 18岁,今年要认真读哲学
0 有用 不万能的老黑 2021-09-13 14:36:01
疯狂循环 @2021-09-13 14:36:01 @2022-08-23 12:48:25
0 有用 镶鬼琉璃鉴 2022-09-08 22:36:37 江苏
通透
0 有用 龙三 2024-04-24 17:12:45 日本
抖腿听完,怎么能这么好
0 有用 金蛇郎君 2019-05-14 20:07:04
这时候是他的第二巅峰期
0 有用 不万能的老黑 2021-09-13 14:36:01
疯狂循环 @2021-09-13 14:36:01 @2022-08-23 12:48:25
0 有用 glum puppies 2016-01-28 17:07:54
!!!