After much speculation, 4AD can confirm that Scott Walker will release Bish Bosch this December, his first studio album since 2006’s The Drift. Scott began writing new material around 2009 - whilst also scoring the ROH 2’s Duet For One Voice ballet - recording it sporadically over the following three years. The end result is Bish Bosch, a tauter but more colourful exper...(展开全部) After much speculation, 4AD can confirm that Scott Walker will release Bish Bosch this December, his first studio album since 2006’s The Drift. Scott began writing new material around 2009 - whilst also scoring the ROH 2’s Duet For One Voice ballet - recording it sporadically over the following three years. The end result is Bish Bosch, a tauter but more colourful experience than The Drift, with greater emphasis on processed, abrasive guitars, digital keyboards and thick silences. Aided again by co-producer Peter Walsh and joined by a regular core of musicians, Ian Thomas (drums), Hugh Burns (guitar), James Stevenson (guitar), Alasdair Malloy (percussion) and John Giblin (bass). Musical director Mark Warman also played a prominent role, both as conductor and keyboardist, while guests include trumpeter Guy Barker and pedal steel guitarist BJ Cole, who worked on three of Scott’s mid-seventies LPs. For tracks 'SDSS1416+13B (Zercon, A Flagpole Sitter)', ‘Dimple’ and ‘Corps de Blah’, Scott drafted in an orchestra, recording them in The Hall at Air Studios last November. For the cover art, Scott worked closely with painter Ben Farquharson and designer Philip Laslett.
令人颅内高潮的声音仪式,如同巫师淌过荆棘密布的沼泽,Scott Walker几乎是充满宗教性地以其浑厚、磁性、强穿透力的歌剧式vocal,艰难跋涉于鬼魅丛生般的器乐氛围中,除了状似狗吠(Corps De Blah)、磨刀(Tar)这类俯拾皆是的独特小音色,更多稀碎、急促、肥厚、密密麻麻的打击乐也如万千小鬼的呼号回应着他空旷而孤独的声音,一副末日图景朝我们大敞其门道,最后在听起来像是萨满招魂的铃铛声...令人颅内高潮的声音仪式,如同巫师淌过荆棘密布的沼泽,Scott Walker几乎是充满宗教性地以其浑厚、磁性、强穿透力的歌剧式vocal,艰难跋涉于鬼魅丛生般的器乐氛围中,除了状似狗吠(Corps De Blah)、磨刀(Tar)这类俯拾皆是的独特小音色,更多稀碎、急促、肥厚、密密麻麻的打击乐也如万千小鬼的呼号回应着他空旷而孤独的声音,一副末日图景朝我们大敞其门道,最后在听起来像是萨满招魂的铃铛声中,竟然传来一声短暂的Jingle Bells,被欢快地宣告的却是("Conducator"的)死亡。(展开)
1 有用 Clash-Cash-Car 2015-05-13 04:18:10
对得起我自己专辑那时想要的感觉 数学幽暗传说感 他探索了真正的灵魂 我则做不了
0 有用 哒哒biang 2013-01-06 10:33:53
我原以为我能接受多种风格的音乐 有很喜欢 但没有不喜欢 可是 自从我听完这一张 bish bosch之后 我真心相信 总有些什么 让人忍受不了。
0 有用 (゜ω゜) 2014-02-06 23:11:36
“這是難以理解的複雜作品,甚至是一張你聽過一遍就不會想自虐的專輯。” 哈哈哈哈哈。。。安达臣你就做一张这样的solo好了,p4k会发你终身成就奖的。
0 有用 Summer 2013-06-18 20:33:08
aaaaa...wait another 20 years to understand....
0 有用 crascopy 2022-06-26 03:26:05
80/100 听多了未免会感觉有些累,但说故弄玄虚还是过了点,至少他专辑里的起承转合都听起来是在“控制”当中的,有些音效就是在那给你一种难以名状的折磨感,而不是随手扒拉乐器 出啥声音算啥,如果不好听就美其名曰“先锋即兴”
0 有用 不ྀ死ྀ者 2022-11-21 05:45:48 印度
+,獨白多幕音樂劇,以scott walker的人聲為主軸渲染的即興儀式。
0 有用 季亚 2019-05-08 11:58:15
nope
1 有用 Alain 2020-03-19 22:10:12
令人颅内高潮的声音仪式,如同巫师淌过荆棘密布的沼泽,Scott Walker几乎是充满宗教性地以其浑厚、磁性、强穿透力的歌剧式vocal,艰难跋涉于鬼魅丛生般的器乐氛围中,除了状似狗吠(Corps De Blah)、磨刀(Tar)这类俯拾皆是的独特小音色,更多稀碎、急促、肥厚、密密麻麻的打击乐也如万千小鬼的呼号回应着他空旷而孤独的声音,一副末日图景朝我们大敞其门道,最后在听起来像是萨满招魂的铃铛声... 令人颅内高潮的声音仪式,如同巫师淌过荆棘密布的沼泽,Scott Walker几乎是充满宗教性地以其浑厚、磁性、强穿透力的歌剧式vocal,艰难跋涉于鬼魅丛生般的器乐氛围中,除了状似狗吠(Corps De Blah)、磨刀(Tar)这类俯拾皆是的独特小音色,更多稀碎、急促、肥厚、密密麻麻的打击乐也如万千小鬼的呼号回应着他空旷而孤独的声音,一副末日图景朝我们大敞其门道,最后在听起来像是萨满招魂的铃铛声中,竟然传来一声短暂的Jingle Bells,被欢快地宣告的却是("Conducator"的)死亡。 (展开)
1 有用 Clash-Cash-Car 2015-05-13 04:18:10
对得起我自己专辑那时想要的感觉 数学幽暗传说感 他探索了真正的灵魂 我则做不了
0 有用 🌟🌨🌈🪐 2022-01-05 10:45:37
啊啊啊啊啊啊啊啊啊啊啊啊啊啊啊