Maria Maria/Último Trem (豆瓣)

又名: 玛利亚，玛利亚 / 末班列车
表演者: Milton Nascimento
流派: 爵士
专辑类型: Import
介质: Audio CD
发行时间: 2004-03-23
出版者: Far Out Recordings
唱片数: 2
条形码: 5030094093324

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简介 · · · · · ·

　　Milton Nascimento: Maria Maria/Ultimo Trem (Far Out)
　　Published February 24, 2020 in JazzTimes
　　by Britt Robson
　　The serenity of Brazilian vocalist/composer Milton Nascimento is one of the most reliable virtues in all music. These two soundtracks for ballets—originally recorded early in his career, released on CD decades later, and now available on vinyl for th... (展开全部) 　　Milton Nascimento: Maria Maria/Ultimo Trem (Far Out)
　　Published February 24, 2020 in JazzTimes
　　by Britt Robson
　　The serenity of Brazilian vocalist/composer Milton Nascimento is one of the most reliable virtues in all music. These two soundtracks for ballets—originally recorded early in his career, released on CD decades later, and now available on vinyl for the first time—use Nascimento’s signature sound as a foil to create the most gripping, politically charged music he has ever made.
　　Maria Maria is a saga about the legacy of slavery in Brazil, first performed in 1976, a few years after Nascimento’s breakthrough disc Clube da Esquina. The title song is structured as a classic folk tune, with Nascimento leading rich vocal harmonies over the guitar of Toninho Horta, one of the many young musicians on the two soundtracks who would go on to be national stars. (Others include percussionist Naná Vasconcelos and saxophonist Paulo Moura.) But the persistently gentle backdrop is soon overrun by the depiction of Brazil’s harrowing history, as anguished voices sob over the sound of whips on skin, simulated with an unamplified dullness that provides “Trabalhos” and “Lilia” with raw emotional power. This leads into “A Chamada,” which thrives on the tension between beatific vocals and the heated cries and tumult of jungle birds and African percussion. (Like a handful of songs on both ballets, “A Chamada” became part of Nascimento’s repertoire.)
　　Performed five years later in 1981, Ultimo Trem (Last Train) deals with the closing of a railroad line connecting the mining communities within the Minas Gereis state where Nascimento was raised to the coastal urban centers of Rio and São Paulo. The themes of this soundtrack are less ambitious but musically richer and more accessible to fans of his later work. The welcome addition of pianists Wagner Tiso and João Donato is immediately apparent on “Minas,” and vocalist Naná Caymmi is exquisite on “Ponta de Areia,” named for the last stop on the train line. There’s a smattering of train-whistle effects and some spoken-word narration, but mostly Ultimo Trem is a procession of gorgeous vocals and folk melodies. Teardrop laments of loneliness and bygone days (the string-supplemented “Olho d’Água,” the aboriginal-sounding chant-prayer “Oração”) are delightfully counterpointed by happier songs like the chorally robust “Bicho Homem,” the rollicking, organ-inflected “Roupa Nova” (“New Clothes”), and the flash flood of joy with whistles, guitars, and marimbas tumbling out of it that is “Bola de Meia, Bola de Gude” (“Stickball and Marbles”).
　　Through it all, even amid the slave whippings and the toot-toot of the trains, Nascimento’s trademark serenity lingers in the mix, like groundwater or the low, humming assent of a choir. His abiding soundtrack is the gentle persistence of the human spirit.

曲目 · · · · · ·

Maria Maria

Cozinha

Pilar (Do Pilá)

Trabalhos (Essa Voz)

Lilia

Chamada

Era Rei E Sou Escravo

Os Escravos de Jó

Tema Dos Deuses

Santos Católicos X Candomblé/Raça/Tema Dos Deuses/S. Francisco ...

Pai Grande

Sedução

Francisco (Pas-De-Deux)

Maria Solidária

De Repente Maria Sumiu

Eu Sou Uma Preta Velha Aqui Sentada Ao Sol

Boca a Boca

Maria Maria (Nova Maria)

Minas

Ponta de Areia

Povo da Raça Brasil

Viagem/Testamento

Encontros E Despedidas

Lua Girou

Bicho Homem

Decreto (Políticos)

Olho d'Água

Último Trem

E Daí?

Saídas E Bandeiras

O Velho

Bola de Meia, Bola de Gude

Oração

Itamarandiba

Roupa Nova

Ponta de Areia (Epílogo)

我来说两句

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Maria Maria/Último Trem

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短评 · · · · · · ( 全部 3 条 )

1 有用别叫我萨尔 2023-01-14 11:23:20 上海

1 有用 Xiong 2016-04-16 20:10:57

1 有用恒河猴 2023-02-04 09:42:20 法国

1 有用恒河猴 2023-02-04 09:42:20 法国

1 有用 Xiong 2016-04-16 20:10:57

1 有用别叫我萨尔 2023-01-14 11:23:20 上海

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谁听这张唱片?

Maria Maria/Último Trem

简介 · · · · · ·

曲目 · · · · · ·

短评 · · · · · · ( 全部 3 条 )

1 有用 别叫我萨尔 2023-01-14 11:23:20 上海

1 有用 Xiong 2016-04-16 20:10:57

1 有用 恒河猴 2023-02-04 09:42:20 法国

1 有用 恒河猴 2023-02-04 09:42:20 法国

1 有用 Xiong 2016-04-16 20:10:57

1 有用 别叫我萨尔 2023-01-14 11:23:20 上海

"Maria Maria/Último Trem"的论坛 · · · · · ·

谁听这张唱片?

1 有用别叫我萨尔 2023-01-14 11:23:20 上海

1 有用恒河猴 2023-02-04 09:42:20 法国

1 有用恒河猴 2023-02-04 09:42:20 法国

1 有用别叫我萨尔 2023-01-14 11:23:20 上海