Passive Soul (豆瓣)

表演者: Orlando
流派: 流行
专辑类型: 专辑
介质: CD
发行时间: 1997-09-01
出版者: Blanco Y Negro ‎
条形码: 9858652352401

豆瓣评分

7.0

60人评价

5星

15.4%
4星

33.3%
3星

35.9%
2星

15.4%
1星

0.0%

想听在听听过

评价:

简介 · · · · · ·

　　Nobody wanted romo, but the music industry didn't realize that until it was too late. It wasn't until Melody Maker's Fiddling When Romo Burns tour went up in flames that the industry and journalists realized that Simon Price and Taylor Parkes' grand folly wasn't going to work. Just about 100 people attended the tour throughout the entire nation in 1996, but a few recordings w... (展开全部) 　　Nobody wanted romo, but the music industry didn't realize that until it was too late. It wasn't until Melody Maker's Fiddling When Romo Burns tour went up in flames that the industry and journalists realized that Simon Price and Taylor Parkes' grand folly wasn't going to work. Just about 100 people attended the tour throughout the entire nation in 1996, but a few recordings were stuck in the pipeline. Mostly, they were singles, but there was one full-length record ready to be unleashed -- Orlando's brilliant Passive Soul. Even if there had been competition within the romo world -- in other words, if other romo bands had been allowed to release a full-length album -- Passive Soul would still stand as the movement's Sgt. Pepper since it is so fully realized and accomplished. After all, Orlando had a broader reach than their peers, digging back to the past to draw on Motown, Northern soul, and Philly soul, all crossed with an ironic detachment borrowed from Bowie and Brian Ferry, of course, but also pitched at the intimate scale and deliberate introspection so reminiscent of the Sarah Records roster. So, yes, this album masterminded by Tim and Dickon is clearly studied and careful, but that earnestness of ambition is endearing, especially since it's tempered by the bedsit fascinations and obsessions of these effete misfits. That means there are some bewildering moments on Passive Moments -- the "Oh Tennenbaum" introduction to the album, the crooning of Tim, Dickon's weirdly personal confessions, such as "a brown carpet will hide all stains" -- but it's ultimately a triumph of unabashed style and shyness, filled with lively hooks and impassionedly fey sentiment. Yes, it is all too precious -- even Sebadoh fans will find this entirely too sensitive -- but that's its charm, since Orlando is about being delicate outsiders who find life within pop music, especially when it's awkward, geeky, and just waiting to bloom. This album captures that outsider sentiment as well as any other pop album, which means that it's not just the best romo album ever (and it still would have been the best, even if another romo group would have had the chance to record), but it's one of the best indie pop records of its time. ~ Stephen Thomas Erlewine, All Music Guide
　　passive soul - album credits
　　Paul Newton Trumpet
　　Orlando Main Performer
　　Ray Hedges Producer, Vocal Producer
　　Dickon Edwards Arranger, Guitar (Rhythm)
　　Adam Barnes Photography
　　Alex Postlethwaite Violin
　　Charlotte Glasson Viola
　　Martin Brannigan Engineer
　　Ilid Jones Oboe
　　Eos Counsell Violin
　　John Brant Assistant Engineer
　　Neil Turner Guitar, Percussion, Piano, Drums, Producer, Vocals (Background), Organ (Hammond), Guitar (Bass), Arranger
　　Mike Austen Guitar, Programming, Producer, Vocals (Background), Piano, Percussion, Arranger
　　Eric Watson Photography
　　Mark Bradley Trumpet
　　Gerry Kitchingham Engineer