Tchaikovsky: Concerto in D for Violin and Orchestra, Op. 35 (豆瓣)

又名: Marche Slav / Andante Cantabile / Capriccio Italien
表演者: Itzhak Perlman / London Symphony Orchestra / Alfred Wallenstein
流派: 古典
专辑类型: 专辑
介质: CD
发行时间: 1994-06-23
出版者: Chesky Records
唱片数: 1
条形码: 0090368101228

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简介 · · · · · ·

　　Cellist and conductor Alfred Wallenstein was a prodigy on his instrument, and later became the principal cellist in two of America's finest orchestras. As a conductor, he made music over the radio on a regular basis, using that "podium of the air" to perform neglected works and those written by contemporary composers.
　　Wallenstein could boast of a distinguished lineage: ... (展开全部) 　　Cellist and conductor Alfred Wallenstein was a prodigy on his instrument, and later became the principal cellist in two of America's finest orchestras. As a conductor, he made music over the radio on a regular basis, using that "podium of the air" to perform neglected works and those written by contemporary composers.
　　Wallenstein could boast of a distinguished lineage: his Austrian father was a descendent of Count Wallenstein, who played a crucial role in Europe's seventeenth-century political arena. Soon after his birth, the family moved to Los Angeles. At age eight, Alfred was given a cello by his father and began lessons with the mother of composer Ferde Grofé. Following further studies with Julius Klengel, he made his debut in Los Angeles and swiftly gained a reputation as a child prodigy. After touring the country through the Orpheum theatre network, he returned to California and, at the age of 17, was appointed to the San Francisco Symphony. Subsequently, he was engaged by the famous dancer Anna Pavlova to perform as solo cellist in a South and Central American tour.
　　In 1919, Wallenstein joined the Los Angeles Philharmonic Orchestra, becoming that ensemble's youngest member. Engaged by the Chicago Symphony Orchestra in 1922, Wallenstein traveled back to the city of his birth to perform under Frederick Stock, often as featured soloist, and to take up a teaching position at the Chicago Musical College. In 1929, Arturo Toscanini engaged Wallenstein as principal cellist of the New York Philharmonic, a post he held until the Italian conductor's departure in 1936. There, too, Wallenstein was frequently presented as soloist in many of the most important cello concertos. From Toscanini, he also received the advice that he employ his exceptional musicianship as a conductor rather than remaining an instrumentalist.
　　In 1931, therefore, Wallenstein entered the conducting phase of his career by directing for a radio broadcast. The year following, he was appointed leading conductor for the Hollywood Bowl and, in 1933, he began conducting his own Sinfonietta on New York's radio station WOR. In 1935, he was made the station's music director.
　　Wallenstein held to the high road in matters of musical quality with both his Sinfonietta and the Symphony of Strings. Many neglected masterworks were revived and newly composed works were given a hearing, given exposure to audiences numbering in the hundreds of thousands. In addition to his regular orchestral programs, he undertook several special series. One, heard on Sunday evenings, was devoted to the music of Johann Sebastian Bach. Another, heard Saturday evenings, offered the operas of Mozart, some of which were not familiar to American audiences. A third series presented contemporary American choral works and yet another featured pianist Nadia Reisenberg in the piano concertos of Mozart.
　　Wallenstein's guest appearances included those with the Cleveland, Philadelphia, Los Angeles, and the NBC orchestras. Columbia Records issued several Mozart works with Wallenstein directing his Sinfonietta. In 1943, he returned to the Los Angeles Philharmonic as its music director, a post he held until 1956. In 1968, he joined the faculty at the Juilliard School of Music, becoming head of the orchestral department in 1971.
　　During the latter part of his conducting career, Wallenstein often accompanied some of the world's most distinguished artists, such as Artur Rubinstein and Jascha Heifetz.
　　In the latter twentieth and early twenty-first centuries, Itzhak Perlman has been acclaimed as being among the leading violinists before the public, and, without doubt, has been the most visible of them in media venues, from recordings and radio broadcasts to television and film appearances. No other concert violinist and few other serious musicians have achieved the widespread exposure and popularity attained by Perlman.
　　Itzhak Perlman was born in Tel Aviv on August 31, 1945. At the age of four he was stricken with polio, which caused permanent paralysis of his legs, leaving him to rely on crutches and braces for the rest of his life. Despite his handicap, young Itzhak began showing talent on the violin, and his father Chaim, a barber, quickly recognized his son's unusual abilities and arranged for lessons for him at the Music Academy of Tel Aviv. Soon Itzhak began giving concerts and attracting attention throughout Israel. American television talent agent Ed Sullivan learned of Perlman's abilities and brought the 13-year-old to New York for a 1959 appearance on his Caravan of Stars show.
　　Perlman and his parents subsequently took up residency in New York City, where the young virtuoso continued to attract attention. He enrolled at the Juilliard School of Music, studying with Ivan Galamian and Dorothy DeLay. He made his official debut in 1963 at Carnegie Hall with a performance of the F sharp minor Wieniawski Concerto and went on to win the Leventritt Competition, one of whose prizes was an appearance with the New York Philharmonic, then led by Leonard Bernstein.
　　After these triumphs Perlman was taken on by impresario Sol Hurok and given a heavy schedule of concerts in the United States, Europe, Asia, and Israel over the coming years. He also began making recordings with RCA and would eventually sign contracts with EMI, Sony, Teldec, and others. Over the next three decades, his recordings would include the concertos of Beethoven, Brahms, Sibelius, Mendelssohn, Berg, the two by Prokofiev, Tchaikovsky's Piano Trio, Dvorak's Sonatina, Paganini's Caprices, and many others. In 1966, Perlman married Toby Friedlander. The couple would reside in the Upper West Side of Manhattan, where they would raise five children. Perlman had begun teaching as well, and in 1975 took a faculty post at Brooklyn College.
　　Perlman's fame grew rapidly in the 1970s and he began appearing regularly on television programs, like the children's show Sesame Street, The Tonight Show, David Letterman, and various specials on the PBS network. He also became a frequent performer at White House events, especially during the Reagan administration. In 1986, President Reagan awarded him a Medal of Liberty, an award recognizing the contributions of foreign-born Americans. By 1990 Perlman had performed with virtually every major orchestra in the world and with almost every important conductor. He also signed a new contract that year with EMI, the label for whom he has made the most recordings.
　　In 1994, Perlman hosted a program on the PBS network called the Three Tenors, Encore!, that featured the singing of Luciano Pavarotti, Plácido Domingo, and José Carreras. He also made a television special in 1995 for the PBS Great Performances series entitled In the Fiddler's House. Perlman has recently taken up conducting, his concerts including a Tanglewood Festival performance in 2000 with the Boston Symphony Orchestra that included critically successful readings of the Mozart Symphony No. 29 and the Brahms Symphony No. 4.
　　In the twenty-first century, Perlman's career continues to yield him triumph after triumph, placing him among this age's top five or six musicians in the classical realm.