Anna Netrebko: Sempre Libera (豆瓣)

又名: B0002999-02
表演者: Anna Netrebko / Claudio Abbado
流派: 古典
专辑类型: Stereo DDD
介质: Audio CD
发行时间: 2004
出版者: Deutsche Grammophon
唱片数: 1
条形码: 0028947480020

豆瓣评分

8.3

124人评价

5星

38.9%
4星

45.6%
3星

12.2%
2星

0.0%
1星

3.3%

想听在听听过

评价:

简介 · · · · · ·

　　"Anna Netrebko is called to be one of the stars of the operatic firmament, without any
　　doubt," says Plácido Domingo . . . "She has the beauty of the voice, she is a wonderful actress, and she has the personality that really appeals to the public. She's also a very beautiful woman." . . . "Her musicality is very, very strong," Domingo says. "If she sings the right reper... (展开全部) 　　"Anna Netrebko is called to be one of the stars of the operatic firmament, without any
　　doubt," says Plácido Domingo . . . "She has the beauty of the voice, she is a wonderful actress, and she has the personality that really appeals to the public. She's also a very beautiful woman." . . . "Her musicality is very, very strong," Domingo says. "If she sings the right repertoire and continues to be dedicated, to work as hard as she has, she has the qualities to be one of the greatest sopranos of the world for many years to come."
　　Miscellaneous / Tim Smith, Baltimoresun.com / 12 September 2004
　　
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　　. . . under the watchful ear of Claudio Abbado, Netrebko shows that she needs no promotional makeover to hypnotise listeners with the remarkable power and purity of her heavenly voice.
　　Record Review / The Observer (London) / 22 August 2004
　　
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　　Anna Netrebko's second CD is even more impressive than her first . . . a very satisfying -- even thrilling--program . . . Growing artistry and everything else aside, Netrebko's voice is just beautiful. Much of the fine effect of this recital is due to Claudio
　　Abbado's leadership -- he's infinitely sensitive not only to the music but also to his soprano's strengths. And the Mahler Chamber Orchestra is a fine group, its wind
　　players mellow and plangent, its strings sweetly ideal for bel canto.
　　Record Review / Robert Levine, ClassicsToday.com / 23 August 2004
　　
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　　. . . these arias showcase her talents, which include a lot of lovely tonal color, sweet lyricism, thoughtful character portrayal and confident attack of notes . . . it's exciting to watch a gifted singer mature and develop, and this album offers a chance to see Netrebko's artistry evolve.
　　Record Review / Anastasia Tsioulcas, Billboard (New York) / 28 August 2004
　　
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　　To my ears, Netrebko has lost none of the radiance that she displayed in her first appearances. If anything, her voice is more lustrous and more substantial than before -- the lower range darker and richer, the high notes brilliant . . . , the legato phrases luxuriously long . . . she sails through the music without apparent effort, navigating these arias as if they were a calm Aegean bay. What depths there are come from Claudio Abbado, conducting the Mahler Chamber Orchestra; few recitals
　　have an accompaniment so voluptuously nuanced. Until Netrebko becomes a recurring character on CSI: Salzburg," I'd say that she deserves the hype she has received.
　　Record Review / ALEX ROSS, New Yorker / 01 September 2004
　　
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　　. . . this CD is strong, cohesive and thoughtfully sung. Netrebko has a dynamic, immensely powerful old-fashioned voice that is perfect for this repertoire of Verdi, Bellini and Donizetti.
　　Record Review / Sydney Star Observer / 12 September 2004
　　
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　　Endowed with film-star looks as well as an extraordinarily beautiful voice, Russia's Anna Netrebko seems to have everything. Her second disc, of Italian arias (Bellini, Donizetti and Verdi), accompanied by Claudio Abbado and the Mahler Chamber Orchestra, certainly showcases her even tone throughout the compass, and her superb technical control, with a legato line that many a singer would envy.
　　Record Review / Barry Millington, Standard (London) / 17 September 2004
　　
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　　Ms. Netrebko has been called the Russian Callas. Though I understand the comparison, I don't completely agree. Her voice is meltingly beautiful, with its creamy legato and luminous sound, tinged by a plaintive quality that never disappears, even in cheerful music. But she is a clear-headed musician, temperamentally cooler than Callas . . . And Mr. Abbado's work here is revelatory . . . Her performance is disarming. A hint of things to come?
　　Record Review / ANTHONY TOMMASINI, The New York Times / 19 September 2004
　　
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　　Particularly affecting and fitting here is her movement from note to note and her subtle use of vibrato, and the inward feeling she brings in . . . In any case, all but the most fastidious will find the interpretations of this ever-improving voice and talent hard to resist and . . . the beauty, and often the pathos in the singing is its own advocate . . . she is greatly helped by Abbado's experience and understanding, and the sympathetic playing of the Mahler Chamber Orchestra.
　　Record Review / Alan Blyth, Gramophone Awards Issue (London) / 01 October 2004
　　
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　　This is a beautiful voice, no question . . . Luxury accompaniments from Abbado and co, and top-flight comprimarios . . .
　　Record Review / The Sunday Times (London) / 03 October 2004
　　
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　　Russian soprano Anna Netrebko has great stage presence and a voice blessed with a high top that puts belcanto as well as dramatic roles in her repertoire.
　　Record Review / Michael Shmith, The Age / 28 October 2004
　　
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　　Anna Netrebko gets back on form with this stunning collection of arias. Here is insightful, intelligent singing, beautifully phrased and impressively controlled -- and what a voice! Clear as a mountain stream, and evenly-weighted from top to bottom. But perhaps her greatest talent is to communicate passion and emotion with restraint and delicacy: there's nothing histrionic here, but you can really hear the blood pounding under everything she does . . . Claudio Abbado and the Mahler Chamber Orchestra provide a wonderfully sympathetic accompaniment . . .
　　Record Review / Warwick Thompson, Classic FM (London) / 01 November 2004

曲目 · · · · · ·

Verdi - La Traviata - "E strano!" - "Ah, fors'è lui"
Verdi - La Traviata - "Sempre Libera"
Bellini - La Somnambula - "Ah! se una volta solo rivederlo potessi"
Bellini - La Somnambula - "Ah! non credea mirarti"
Bellini - La Somnambula - "Ah! non giunge uman pensiero"
Bellini - I Puritani - "O rendetemi la speme - Qui la voce sua soave"
Bellini - I Puritani - "Ah! tu sorridi e asciughi il pianto!"
Bellini - I Puritani - "Vien, diletto, è in ciel la luna!"
Donizetti - Lucia di Lammermoor - "O giusto cielo!" - "Il dolce suono"
Donizetti - Lucia di Lammermoor - "Oihmè! Sorge il tremendo fantasma"
Donizetti - Lucia di Lammermoor - "Ardon gli incensi"
Donizetti - Lucia di Lammermoor - "Spargi d'amaro pianto"
Verdi - Otello - "Era più calmo?" - "Mia madre aveva una povera ancella"
Verdi - Otello - "Piangea cantando nell`erma landa"
Verdi - Otello - "Ave Maria"
Puccini - Gianni Schicchi - "O mio babbino caro"

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小仙草@_@兔兔孩西奈小仙草 2014-02-09 14:40:54

日本版多一首ecco la tomba

日版多的这首就是来自Vincenzo Bellini- I Capuleti e i Montecchi 这首九分钟的咏叹调非常美丽，轻盈以及忧郁。这首加在本专辑中，更觉得这张选曲偏bel canto。本来当年跟阿巴多合作时，大师就想合作出一张美声咏叹调专辑，最后出来的是这张美声曲目为主，真实主义为铺的唱... (展开)