Though it is now widely regarded as a classic, On the Corner won Miles Davis a fair amount of critical derision from jazz purists upon its 1972 release. Though Miles had laid the groundwork for On the Corner’s windswept, inhospitable funk with the release of 1970’s A Tribute To Jack Johnson, On the Corner’s disorienting textures and hyper-repetitive rhythmic assaults initiall...(展开全部) Though it is now widely regarded as a classic, On the Corner won Miles Davis a fair amount of critical derision from jazz purists upon its 1972 release. Though Miles had laid the groundwork for On the Corner’s windswept, inhospitable funk with the release of 1970’s A Tribute To Jack Johnson, On the Corner’s disorienting textures and hyper-repetitive rhythmic assaults initially took many listeners by surprise. Davis takes pleasure in revisiting the staccato, fleet-footed R&B rhythms of Jack Johnson, but On the Corner’s take-no-prisoners attitude, thinly veiled political subtext, and bracingly alien electronic interjections distinguish it from its younger, slightly more well-mannered cousin. On the Corner was a fully-fledged statement of purpose, possessed of an uncompromising will for sonic confrontation. When attempting to explain the radical stylistic turnaround he enacted with On the Corner, many Davis fans point to his growing infatuation with the futuristic funk of Sly Stone and Jimi Hendrix and his burgeoning romance with the hip young scenester Betty Mabry. Influences aside, On the Corner is an album of trailblazing, genre-defying music.
曲目
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On the Corner/New York Girl/Thinking of One Thing and Doing Another
这是groove的盛宴,groove是黑人世代相传的迷药,是黑人最纯种的吗啡。老迈在<on the corner>中将groove无限延伸,无限浓缩,funk节奏与非洲音乐节奏互为一体,肌肉,骨骼,鲜血的律动,每首作品均以sitar和tabla收尾,更添一份迷幻味道。自由乎?即兴乎?我们能听见老迈是...
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指挥组: Miles Davis – electric trumpet with wah-wah, Yamaha electric organ 打击乐组: Don Alias – drums, percussion Jack DeJohnette – drums Al Foster – drums Billy Hart – drums James Mtume – percussion Badal Roy – tabla 吹奏组: Carlos Garnett – so...
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0 有用 亲爱的猥琐猪 2013-04-26 19:24:20
单簧?是长笛吧!各种搞~~
3 有用 μ子 2019-02-26 18:41:55
note:出于黑人意识,灵感来自两个欧洲人,比远离更远离传统,无论是之前的爵士还是黑人之外的声音,反复地去听与理解,直到造出脱离时间的垂直的声音的织体,不同的乐器在每一个瞬间叠加形成新的音色。对黑人文化以外的人来说,它黑入骨髓;对黑人社群自身,它又是一张异国情调的唱片。录音室作为一种乐器带来的想象力和方法上的变化是非常重要又美妙的
16 有用 tlmgt 2019-01-25 22:58:55
其实比Bitches Brew更好消化一些,时长没那么长,密度没有那么大,留足空间。但信息量太丰富,加强版液化Jazz Funk, 包含了那么多 却并不像其他东西,这一点是不是也可以说它是"史前Alternative"?
1 有用 Rosyrain 2008-05-09 14:58:27
黑人节奏盛宴
4 有用 趙叔 2019-01-25 00:24:47
牛逼到下巴掉下来!这辈子听过最牛逼的音乐专辑排行前五
0 有用 鹳先生 2025-02-06 07:34:41 奥地利
masterpiece
0 有用 LitDinosaur 2024-12-09 16:17:41 广东
2024.12.5 #1129 90分 喜欢这张“现场”般的录制质感,以及非洲音乐的元素,有些部分真的很飞。
0 有用 樊熙的诗 2024-09-08 16:30:32 四川
10/10
0 有用 Riboruba 2024-09-21 23:07:00 湖南
寻根之旅
0 有用 喑驽 2024-12-04 09:58:24 湖南
非常好进入,连我都能在第一遍听就沉迷。老迈明确地借鉴了布朗的funk,Stockhausen的实验音乐,还有明显的非洲节奏,老迈把他们很融恰地和爵士放在了一起,据说是爵士史上对后世创作影响最大的专辑之一。