Released: 23 March 1973 Recorded: January – February 1973 at Command Studios, Piccadilly, Westminster, London, England Producer: King Crimson Band Members: Robert Fripp – guitars, Mellotron, electric piano, devices John Wetton – bass, vocals, piano on "Exiles" Bill Bruford – drums, timbales, cowbell, wood block David Cross – violin, v...(展开全部) Released: 23 March 1973 Recorded: January – February 1973 at Command Studios, Piccadilly, Westminster, London, England Producer: King Crimson Band Members: Robert Fripp – guitars, Mellotron, electric piano, devices John Wetton – bass, vocals, piano on "Exiles" Bill Bruford – drums, timbales, cowbell, wood block David Cross – violin, viola, Mellotron, electric piano, flute on "Exiles" Jamie Muir – percussion, drums, "allsorts" (assorted found items and sundry instruments) Additional personnel: Richard Palmer-James – lyrics Nick Ryan – engineering Tantra Designs – cover design
))周末两天循环云雀舌肉冻都快听疯了))觉得有些必要记点笔记 从In the court of King Crimson跳脱到Lark's tongue in aspic,我们很难再听到类似一专中21st Century Schizoid结构严谨的歌曲(虽然自由爵士占比很大,但整体还是遵循了ABC的传统乐式结构),就像一个严肃的保守主义...
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第一首同名part1毋需多言 第二首Book of Saturday拖后腿,是凑数的。 第三首Exile的人声也一般 到了Easy Money,则回归了布鲁斯根基,后半程是创意和技术一起调制出的完美冷盘。 The Talking Drum:满分节奏小品!U could never imagine its 贝斯和鼓的每一次变拍,当低频噪音...
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5 有用 East_end_boy 2021-10-20 09:24:38
国王哪哪都好 就是有点过于缺少人性了
6 有用 法兹豹儿 2021-01-20 13:09:00
被评论区的装b人尬到头皮发麻
0 有用 FiΙTн 2009-11-07 13:38:28
3.5
7 有用 核桃很睿智 2016-06-20 01:15:33
Lark's Tongues In Apsic的Part 1比往后的所有部分都要好听(对我而言)与独特,因为后续几个部分的编曲有些许极简主义印记,并且Part 3开始及其后续更像是Part 2的延续与变奏,但是后续几个部分尤其是Part 2对于Post-Hardcore, Post-Rock, Progressive Metal的影响非常大,同样影响大的是他们下一张专辑Red的同名曲。
36 有用 KOOK 2010-06-10 12:06:02
KC竟有取代PF于我心中的地位,实在是KC拥备了太多让人爱不释手的组体,古典、前卫、精密、冷酷、高技、迷幻、诗意、柔情、无调、阴森、大气、诡谲、真实、繁复、超现实、预言性、激进、孤立……它太变化万端,细细密织,又时常轻歌慢步,田园闲若,它对无数尝试的驾驭能力令人无比着迷,40年了,它愈久弥醇,又永远走在最前端,它怎能不让人倾倒醉迷?
0 有用 Freudlaire 2024-10-13 17:05:13 浙江
生猛
0 有用 埃德鲁大学校长 2024-10-16 12:37:16 海南
那个时候就有那么前卫的音乐
0 有用 KafYa 2024-11-10 16:01:20 广东
诡谲。
0 有用 Goo 2024-10-26 13:01:05 贵州
还是得用音响听
0 有用 泪桥. 2024-10-18 08:24:52 江苏
8