After some great side work with Thelonious Monk, Miles Davis, and The Modern Jazz Quartet, as well as few excellent albums as a band leader, Sonny Rollins became a jazz giant with 1956’s Saxophone Colossus. He’s front and center from the get-go, leading a quartet through his signature “St. Thomas,” which melds calypso rhythms with his singular style of extemporaneous riffing....(展开全部) After some great side work with Thelonious Monk, Miles Davis, and The Modern Jazz Quartet, as well as few excellent albums as a band leader, Sonny Rollins became a jazz giant with 1956’s Saxophone Colossus. He’s front and center from the get-go, leading a quartet through his signature “St. Thomas,” which melds calypso rhythms with his singular style of extemporaneous riffing. Pure elegance follows, punctuated by a landmark version of “Moritat” (“Mack the Knife”), where he effortlessly turns the Three Penny Opera tune inside out.
27 有用 godannar 2011-03-17 23:35:15
《St. Thomas》的开头大概是我听过的Jazz里最柔软与温和的之一,并且是一个潜在的暗示。Sonny Rollins在专辑里表现出的风格是典型的hard bop:情绪化,大量的即兴表演,高超的萨克斯演奏技巧。但作品的情绪化似乎并不像传统的黑人音乐那样简单地服从于灵魂的召唤,而是多了一层技巧上的迷恋。这一略微的西海岸Jazz倾向,是这张专辑最有趣的地方。
0 有用 koukou.VS.靠靠 2012-02-26 10:11:12
drum赞
0 有用 蕉 2010-07-21 23:26:22
挺野的,喜欢blue啊!
7 有用 xhua 2021-08-07 14:48:58
开场带点加勒比风的“St.Thomas”之于Rollins就像“So What”之于老迈,“My Favorite Things”之于科川,是爵士乐史上最伟大带个人标记性的曲子之一。而这张名盘是罗林斯萨克斯演奏的技巧和风格的集中展现。就像你似乎一眼就能看到他演奏中的线条分明的八块腹肌,你又同时赞叹其非凡的柔韧性,在标准曲中有种独特的荒凉感。我尤其喜欢最后两曲,棱角分明。复杂又不失旋律感。这似乎是萨... 开场带点加勒比风的“St.Thomas”之于Rollins就像“So What”之于老迈,“My Favorite Things”之于科川,是爵士乐史上最伟大带个人标记性的曲子之一。而这张名盘是罗林斯萨克斯演奏的技巧和风格的集中展现。就像你似乎一眼就能看到他演奏中的线条分明的八块腹肌,你又同时赞叹其非凡的柔韧性,在标准曲中有种独特的荒凉感。我尤其喜欢最后两曲,棱角分明。复杂又不失旋律感。这似乎是萨克斯独奏应有的模样。 (展开)
0 有用 亲爱的猥琐猪 2013-04-26 11:09:15
很简洁直白的调调……
0 有用 xiaoH 2024-11-19 17:37:55 山西
甚至能想到如果在桥上听到是什么样的感觉。
0 有用 Mustang 2024-12-13 19:01:38 北京
第一首最好
0 有用 鱼子酱inDaHood 2025-02-20 00:00:44 浙江
喜欢!听第一首就想打五星
0 有用 鸟类观察员 2025-01-05 19:13:22 福建
好
0 有用 淡淡地亖了 2024-10-20 02:56:36 山西
😭好听呀