Released in early 1969, Neil Young's first solo album is essentially an extension of "Broken Arrow" and "Expecting to Fly," his two most inventive contributions to Buffalo Springfield. Jack Nitzsche arranged and produced several of the tracks, fusing haunting strings and even funky female backing vocals to acoustic-oriented songs like "Here We Are in the Years" and "The Old L...(展开全部) Released in early 1969, Neil Young's first solo album is essentially an extension of "Broken Arrow" and "Expecting to Fly," his two most inventive contributions to Buffalo Springfield. Jack Nitzsche arranged and produced several of the tracks, fusing haunting strings and even funky female backing vocals to acoustic-oriented songs like "Here We Are in the Years" and "The Old Laughing Lady." "The Loner" is the one song from Neil Young to achieve classic-rock immortality, but "I've Been Waiting for You" is almost as good, and the rambling "Last Trip to Tulsa" presages the dark acoustic epics of On the Beach. Though it's not an essential album, Neil Young-like the man himself-is rarely less than interesting. --Dan Epstein
在乐队时他曾折中地创作了如摇滚的灵魂先生和组曲断箭,而在单飞首专中,他与乐队二专制作人Jack Nitzsch(一起成就了Expecting to Fly)继续合作,在配器上下大力,杨主导叠录自己,并加入素雅弦乐。
首曲回顾了乐队老曲A Child's Claim to Fame。仍不够自信,他用一种平静的高音唱歌,抓耳的同时又显疲倦和尖细。最无吸引力的是九分半木琴伴奏的末曲The Last Tr...在乐队时他曾折中地创作了如摇滚的灵魂先生和组曲断箭,而在单飞首专中,他与乐队二专制作人Jack Nitzsch(一起成就了Expecting to Fly)继续合作,在配器上下大力,杨主导叠录自己,并加入素雅弦乐。
首曲回顾了乐队老曲A Child's Claim to Fame。仍不够自信,他用一种平静的高音唱歌,抓耳的同时又显疲倦和尖细。最无吸引力的是九分半木琴伴奏的末曲The Last Trip,印象派歌词或许源自迪伦的61公路。好在双声道与女和声改善了演唱,而且在The Loner中,杨加入了噪音电琴演奏,区别出了他在疯马中的风格。
杨仍以一种不平衡、低调的方式推出了首专,也是他唯一未上榜的专辑。几月后他重混时突出了声乐并再叠录了几轨,在美国把老版取代,不过海外还能找到老版。5(展开)
老扬从bufallo springfield单飞之后,于1969推出了个人首张同名专辑,客观些讲,唱片不能算十分出色,这当然是同他以前的作品相比较而言。整张专辑虽然没有特别出色的作品,但还是有两首经典流传下来,一首是摇滚的 The Loner ,另一首就是民谣作品:The Old Laughing Lady。这...
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0 有用 poiuny 2014-01-16 12:53:42
1969 // "step aside, open wide, it's the loner"
0 有用 宠物的丝绒纸杯 2023-11-04 23:35:13 北京
挺青涩哈哈
0 有用 囧老伯 2013-11-22 11:21:39
还是老了好
0 有用 丑老妹 2014-07-11 15:44:18
曲子很棒!
0 有用 海鹰 2017-06-23 07:20:57
真村儿
0 有用 loooli 2024-02-22 15:31:47 福建
《Here We Are In The Years》
0 有用 宠物的丝绒纸杯 2023-11-04 23:35:13 北京
挺青涩哈哈
0 有用 土地测量员小K 2024-10-11 11:05:58 北京
青涩的老杨,内在的声音。
0 有用 Harry 2024-12-15 23:37:19 北京
只喜欢最后一首
0 有用 Antevasin 2024-01-24 01:29:04 浙江
在乐队时他曾折中地创作了如摇滚的灵魂先生和组曲断箭,而在单飞首专中,他与乐队二专制作人Jack Nitzsch(一起成就了Expecting to Fly)继续合作,在配器上下大力,杨主导叠录自己,并加入素雅弦乐。 首曲回顾了乐队老曲A Child's Claim to Fame。仍不够自信,他用一种平静的高音唱歌,抓耳的同时又显疲倦和尖细。最无吸引力的是九分半木琴伴奏的末曲The Last Tr... 在乐队时他曾折中地创作了如摇滚的灵魂先生和组曲断箭,而在单飞首专中,他与乐队二专制作人Jack Nitzsch(一起成就了Expecting to Fly)继续合作,在配器上下大力,杨主导叠录自己,并加入素雅弦乐。 首曲回顾了乐队老曲A Child's Claim to Fame。仍不够自信,他用一种平静的高音唱歌,抓耳的同时又显疲倦和尖细。最无吸引力的是九分半木琴伴奏的末曲The Last Trip,印象派歌词或许源自迪伦的61公路。好在双声道与女和声改善了演唱,而且在The Loner中,杨加入了噪音电琴演奏,区别出了他在疯马中的风格。 杨仍以一种不平衡、低调的方式推出了首专,也是他唯一未上榜的专辑。几月后他重混时突出了声乐并再叠录了几轨,在美国把老版取代,不过海外还能找到老版。5 (展开)