Fascinatingly eclectic, Sweet Hands finds Dave Liebman’s band Lookout Farm exploring different styles such as funk, free jazz, Indian music, song forms, and even a surprisingly successful reharmonization of George Harrison’s Within You Without You from The Beatles’ 1967 album, Sgt. Pepper’s Lonely Hearts Club Band. Listening to Sweet Hands makes you nostalgic for a time...(展开全部) Fascinatingly eclectic, Sweet Hands finds Dave Liebman’s band Lookout Farm exploring different styles such as funk, free jazz, Indian music, song forms, and even a surprisingly successful reharmonization of George Harrison’s Within You Without You from The Beatles’ 1967 album, Sgt. Pepper’s Lonely Hearts Club Band. Listening to Sweet Hands makes you nostalgic for a time when music executives had enough respect for the public that they supported the creation of music that didn’t have an instantly exploitable marketing hook. Probably the standout is the opening track, Dr. Faustus. The inspiration for the tune, originally titled “Anxiety,” was an episode between Dave Liebman and his record label at the time. It opens with a free chromatic melody, tweaked for maximum dissonance, leading into a jazz rock vamp over which Liebman wails, egged on by Richie Beirach’s itchy clavinet. The pounding bass line that underlies the tune is meant to suggest, according to the liner notes, “New York City where so many high pressured situations are dealt with constantly.” The next tune, Dark Lady, is by Richie Beirach. The tone of the piece is fittingly ruminative, being a portrait of one of Richie’s female acquaintances. An A section is played by Richie alone, followed by a B section of simpler harmonic material, which is used as material for Liebman’s improvisation. A C section follows, a canon based on material from the B section. Finally the A section is reprised, ending the track. The next piece is an (unintentionally) humorous tune that combines an Indian rhythm supplied by Badal Roy with funk, courtesy of the bass and a rhythmic figure by Liebman’s overdubbed saxophones. It is not entirely successful, but it is hard not to applaud the group’s spirit of adventure, and at a brisk 4:11, it doesn’t overstay its welcome. Within You Without You, retitled Ashirbad, is treated to Badal Roy’s percussion before Liebman starts in with the theme, which Beirach reharmonizes on electric piano, under which the bass plays an E pedal point, with occasional countermelodies. Given that Liebman is particularly fond of Harrison’s lyrics, which he finds profound, one is grateful that Liebman’s musical taste far exceeds his literary judgement. Napanoch starts with a completely improvised duet between Liebman on tenor and Beirach on electric piano which segues into a section with a straight ahead jazz feel based on the F# Locrian mode, over which Liebman solos freely, accompanied by Beirach, who spontaneously reharmonizes to support Liebman’s melodic variations. While Liebman and Beirach continue to burn, swingtime is suspended and the rhythm becomes free, drawing the tune to a close. To summarize, Sweet Hands is quite an adventurous and almost entirely successful date from David Liebman and his band Lookout Farm. TRACK CREDITS : Dr. Faustus David Liebman : tenor saxophone, soprano saxophone Richie Beirach : fender rhodes electric piano, clavinet John Abercrombie : guitar Frank Tusa : electric bass Jeff Williams : drums Don Alias : congas, tambourine, bells Dark Lady David Liebman : soprano saxophone, alto flute Richie Beirach : piano, bell tree John Abercrombie : guitar Frank Tusa : acoustic bass Jeff Williams : drums Badal Roy : tabla Don Alias : shaker Sweet Hand Roy David Liebman : alto flute, tenor saxophone Richie Beirach : clavinet John Abercrombie : acoustic guitar Frank Tusa : electric bass Charlie Haden : acoustic bass Badal Roy : tabla, ektar, vocal Jeff Williams : drums Don Alias : tambourine Ashirbad David Liebman : alto flute Charlie Haden : acoustic bass Frank Tusa : acoustic bass Arooj Lazewal : sitar Gita Roy : tamboura Badal Roy : tabla Don Alias : bells, finger cymbals Within You Without You David Liebman : soprano saxophone, alto flute, wind chimes Richie Beirach : fender rhodes electric piano, wind chimes Charlie Haden : acoustic bass (1st solo, left side bass) Frank Tusa : acoustic bass acoustic bass (right side bass) Don Alias : congas, bells, finger cymbals Arooj Lazewal : sitar Gita Roy : tamboura Badal Roy : tabla Napanoch David Liebman : tenor saxophone Richie Beirach : fender rhodes electric piano Frank Tusa : acoustic bass Jeff Williams : drums Don Alias : congas Leane David Liebman : soprano saxophone John Abercrombie : guitar Jeff Williams : drums Don Alias : congas
和老迈真不是白混的,Dave Liebman的管子也是沾了仙气,爵士摇滚不够,加印度咖喱和Funk食材杂糅,还正儿八经找了几个东南亚人来翻玩哈里森的Within You Without You,Richard Beirach都把电钢弹得迷幻味横飞了,要是把John McLaughlin搞来和John Abercrombie组成双吉他就更嗲了
和老迈真不是白混的,Dave Liebman的管子也是沾了仙气,爵士摇滚不够,加印度咖喱和Funk食材杂糅,还正儿八经找了几个东南亚人来翻玩哈里森的Within You Without You,Richard Beirach都把电钢弹得迷幻味横飞了,要是把John McLaughlin搞来和John Abercrombie组成双吉他就更嗲了
0 有用 Overflow 2022-03-16 17:50:28
多少有点被封面唬了
0 有用 ZTM41 2019-07-02 13:31:04
其实不算太神秘,大开大合豁达开朗
1 有用 tata 2019-05-04 21:35:27
和老迈真不是白混的,Dave Liebman的管子也是沾了仙气,爵士摇滚不够,加印度咖喱和Funk食材杂糅,还正儿八经找了几个东南亚人来翻玩哈里森的Within You Without You,Richard Beirach都把电钢弹得迷幻味横飞了,要是把John McLaughlin搞来和John Abercrombie组成双吉他就更嗲了
0 有用 ZTM41 2019-07-02 13:31:04
其实不算太神秘,大开大合豁达开朗
1 有用 tata 2019-05-04 21:35:27
和老迈真不是白混的,Dave Liebman的管子也是沾了仙气,爵士摇滚不够,加印度咖喱和Funk食材杂糅,还正儿八经找了几个东南亚人来翻玩哈里森的Within You Without You,Richard Beirach都把电钢弹得迷幻味横飞了,要是把John McLaughlin搞来和John Abercrombie组成双吉他就更嗲了
0 有用 Overflow 2022-03-16 17:50:28
多少有点被封面唬了