Claude Vivier – Anthologie De La Musique Canadienne/Anthology Of Canadian Music (豆瓣)

表演者: Claude Vivier
流派: 古典
专辑类型: 专辑
介质: CD
发行时间: 1990-03-16
出版者: Radio Canada International
唱片数: 4

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简介 · · · · · ·

　　Baritone – Michel Ducharne (tracks: 4.4)
　　Bass – Yves Saint-Armant (tracks: 4.4)
　　Cello – Claude Lamothe (tracks: 2.5,4.2)
　　Conductor – Lorraine Vaillancourt (tracks: 1.2,4.4), Pierre Beluse (tracks: 3.2), Serge Garant (tracks: 3.1,3.4), Walter Boudreau (tracks: 2.6), Yuli Turovsky (tracks: 3.3)
　　Flute – Lise Daoust (tracks: 2.4,4.2)
　　Mezzo-soprano Vo... (展开全部) 　　Baritone – Michel Ducharne (tracks: 4.4)
　　Bass – Yves Saint-Armant (tracks: 4.4)
　　Cello – Claude Lamothe (tracks: 2.5,4.2)
　　Conductor – Lorraine Vaillancourt (tracks: 1.2,4.4), Pierre Beluse (tracks: 3.2), Serge Garant (tracks: 3.1,3.4), Walter Boudreau (tracks: 2.6), Yuli Turovsky (tracks: 3.3)
　　Flute – Lise Daoust (tracks: 2.4,4.2)
　　Mezzo-soprano Vocals – Marie Laferriere (tracks: 4.4)
　　Narrator – Jacques Lavallee (tracks: 4.4)
　　Ondes Martenot – Jean Laurendeau (tracks: 2.1)
　　Other [Principal Voices, Soprano] – Marie-Danielle Parent (tracks: 1.2,3.4)
　　Other [Principal Voices] – Gail Desmarais (tracks: 1.2), Jocelyne Fleury Coutu (tracks: 1.2)
　　Other [Secondary Voices] – Christine Lemelin (tracks: 1.2), Diane Eberhard Bergstrom (tracks: 1.2), Helene Marchand (tracks: 1.2), Madeleine Jalbert (tracks: 1.2)
　　Percussion – David Kent (tracks: 4.3), Serge Laflamme (tracks: 2.1)
　　Piano – Jean-Eudes Vaillancourt (tracks: 2.3), Louis-Philippe Pelletier (tracks: 2.1,2.2,2.4,2.5,4.1,4.2)
　　Soprano Vocals – Lorraine Vaillancourt (tracks: 2.3,3.1,4.4)
　　Tenor Vocals – David Doane (tracks: 4.4)
　　Violin – Denise Lupien (tracks: 4.2)
　　http://www.discogs.com/Claude-Vivier-Anthologie-De-La-Musique-CanadienneAnthology-Of-Canadian-Music/release/2298372
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　　Vivier, Claude. Composer, b Montreal 14 Apr 1948 d Paris 12 Mar 1983. He studied 1967-71 at the CMM with Gilles Tremblay (composition) and Irving Heller (piano). His first publicly performed works - a String Quartet in two movements and Ojikawa for soprano, clarinet and percussion (1986), as well as Prolifération (1969) - attracted the attention of the public and the critics. Assisted by a Canada Council grant, he lived in Europe (1971-4), principally in Holland, where he studied at the Institute for Sound Research in Utrecht with Gottfried Michael Koenig. In Germany his teachers were Karlheinz Stockhausen and Hans Ulrich Humpert, and in France he studied conducting with Paul Méfano, among others. These years of study in Europe were notable for the writing of such compositions as Musik für das Ende (1971) and Désintégration (1972) which indicated a more solid craft of writing and a rich temperament, all while displaying his preoccupation with those themes which would become favourites, death, childhood, love and immortality. Vivier's compositions were performed during those years in Paris, Cologne, and Darmstadt.
　　His works which date from the period of his return to Montreal in 1974, such as Chants (1973), Lettura di Dante (1974), andseveral others, demonstrate his acquisition of a more flexible writing technique, and a more assertive personality. He was interested particularly in writing for the voice. The texts that he used were often written in an invented language. His treatment of the voice provided a means of expression capable of translating his spiritual preoccupations. His growing reputation brought him numerous commissions from reputable organizations such as the SMCQ (Liebesgedichte), the Festival Singers (Journal), the NYO (Siddhartha), the French Ministry of Culture (Chants), the Canadian Music Competitions (works for various instruments), the NMC (Zipangu), the Faculty of Music of the U de Montréal (Kopernikus), the CBC VancouverChamber Orchestra (Lonely Child), the CBC (Wo bist du Licht!), for the Paul-Gilson Prize (Prologue pour un Marco Polo), and the MSO (Orion).
　　Fascinated by the music of the Orient, Vivier undertook a long trip to several countries in 1977, principally to the island of Bali for a lengthy stay. This trip inspired several works and, on his return, he composed Pulau Dewata, Paramirabo and Shiraz. This visit marked all of his later work, and he preserved an indelible memory of Bali. In 1979 he wrote the opera Kopernikus, to his own libretto. The work was premiered at the Monument national in 1980.
　　1n 1980 two of his most successful works were also premiered, Lonely Child for soprano and chamber orchestra, and Zipangu for string orchestra. After composing Wo bist du Licht on a commission from the CBC, he returned to Paris in 1982 on a Canada Council grant. He had undertaken the composition of a second opera at the time of his tragic death by murder at the age of 34. He had just finished a work, Trois airs pour un opéra imaginaire, commissioned by Itinéraire, performed at a posthumous recital at the Centre Georges-Pompidou, and performed again in Berlin in 1988. He also left another unfinished work, Crois-tu en l'immortalité de l'âme, which had its world premiere in Montreal in the spring of 1990.
　　On the subject of Vivier's work, the critic and musicologist Harry Halbreich has written the following: 'His music really resembles no other, and he puts himself right on the fringe of all trends. His music, of a direct and disruptive expression, could bewilder only those hard-hearted people who are unfit to categorize this independent man of genius. Claude Vivier found what so many others have sought for, and still seek: the secret of a truly new simplicity' (Harmonie-Panorama Musique, April 1983). Vivier was named composer of the year by the Canadian Music Council in 1981. Volume 36 of RCI's collection Anthology of Canadian Music, issued on CD in 1990 (4-ACM 36), is devoted to him. His status as an associate composer is maintained by the Canadian Music Centre. In 1983 the society Les Amis de Claude Vivier was founded in Montreal; its goals are to promote the publication and the distribution of his compositions and writings.
　　http://www.thecanadianencyclopedia.com/articles/emc/claude-vivier

曲目 · · · · · ·

Documentaire Sur Claude Vivier Prepare Et Lu Par Maryse Reicher Journaliste 50:00
Chants (1973) 21:55
- Contemporary Music Workshop Of The Music Faculty Universite De Montreal/Atelier De Musique Contemporaine De La Faculte De Musique Universite De Montreal
Proliferation (1968-69) 14:40
Pianoforte (1975) 9:10
Hymnen An Die Nacht (1975) 5:30
Piece Pour Flute Et Piano (1975) 5:15
Piece Pour Violoncelle Et Piano (1975) 8:30
Siddhartha (1976) 27:05
Lettura Di Dante (1974) 25:55
Pulau Dewata (1977) 11:00
Zipangu (1980) 15:40
Lonely Child (1980) 19:05
Shiraz (1977) 12:55
Paramirabo (1978) 14:30
Cinq Chansons Pour Percussions (1980) 19:40
Prologue Pour Un Marco Polo (1981) 24:20