麦子熟了
要不是新砖镜化般的观照我会以为我还是活在去年的日子里 被箱琴曲调包裹严实的冬天 还有电子节奏亢奋在空气中的夏天 似乎有这些介质四季就会真的不再显得寂寞了 letter from you，this house called love，this poison called love，miss underwater 就像lady sleep 一般唤醒一个沉睡的姑娘 抑或是一首在耳边唱一曲摇篮曲那般轻盈 舒心 我记得以前关于他的某段访谈他说过 睡眠就像是情人 在睡去的时候来到你身边 在醒来的时候离开 情人幻化为睡眠 细腻别致 那么就一起潜入湖底 共赏圆月
summerwaste 这首让我想起lady sleep那张砖里同样关于夏天的曲子《summer days in bloom》而这砖里面 轻盈的鼓点更加让人兴奋 电子节奏舞动出一个夏天的轮廓 没让我失望
one day 听起来是悠扬不息的 添加了大提琴的伴奏更加沉稳 一如胸腔积起的气场足以包容很多冷暖 这个冬天不冷
奉上王小波写给李银河的一首情诗来配合这张美好的专辑：
麦子熟了
天天都很热
等到明天一早
我就去收割
我的爱情也成熟了
很热的是我的心
但愿你
亲爱的
就是收割的人
并且奉上他在今年八月自己所写的一段关于自己音乐理念的解释：I write songs, because, to emotionally survive, I need to unblock the channel to my soul with the help of music to finally be able feel and to finally be able to express my deepest longing. A longing for disembodiment, a longing for an unsubstantial infinity, a longing for reunification with a lost entirety. Spoken psychoanalytically: the longing for reunification with the primary object to fill the fundamental gap that its lost has left.
I am neither a depressed nor a sad nor a melancholic person. In my eyes, my music is all about BLISS. For me, bliss means being able to feel. It means being able to have intense, deep emotions, no matter if it's happy or sad emotions. It means wallowing in melodramatic emotions. It means living through the initiation rite of deep agony and feeling as free as never before when the agony is over("catharsis"). This all means bliss to me as, in my everyday life, I have a problem to feel, as my "emotion-free", strict, controlled and rational everyday life character suppresses my emotions and blocks the channel to my soul. As said before, my music eventually enables me to unblock this channel. It allows me to perceive my soul, my true Self. It allows me to finally feel.
When I left my hometown and started to live my own life ten years ago, I started to wonder who I am and what I want. When you're on your own for the first time in your life, the first path that opens is "conformity": living a life according to the parents' and the society's values, also known as "superego". This is the path that I walk on most of the time in my everyday life . The superego forces me to be "emotion-free, strict, controlled and rational", like described before. The other, contrasting path that opens is "rebellion": doing and representing the opposite of what the superego demands. This path allows me to feel free and "godlike". Hence, my music for me means rebellion against my superego. My Music is the advocate of my soul.
The general problem is that the "rebellion-path" is as non-emancipated as the "conformity-path" - as one still lives his life in a virtual dependence of his parents/the society.
The third path now, almost invisible at first, has more and more unveiled over the last years. That path is the one I need to walk on. That one will finally lead me to my Self without the need of rebellion, without the need of artistic creation. Walking on this path and daring to finally cross the bridge to my soul for good, not just temporarily, like with the help of my songs, that is the actual initiation rite of becoming a human being. It's a hard task that might take a lifetime.
summerwaste 这首让我想起lady sleep那张砖里同样关于夏天的曲子《summer days in bloom》而这砖里面 轻盈的鼓点更加让人兴奋 电子节奏舞动出一个夏天的轮廓 没让我失望
one day 听起来是悠扬不息的 添加了大提琴的伴奏更加沉稳 一如胸腔积起的气场足以包容很多冷暖 这个冬天不冷
奉上王小波写给李银河的一首情诗来配合这张美好的专辑：
麦子熟了
天天都很热
等到明天一早
我就去收割
我的爱情也成熟了
很热的是我的心
但愿你
亲爱的
就是收割的人
并且奉上他在今年八月自己所写的一段关于自己音乐理念的解释：I write songs, because, to emotionally survive, I need to unblock the channel to my soul with the help of music to finally be able feel and to finally be able to express my deepest longing. A longing for disembodiment, a longing for an unsubstantial infinity, a longing for reunification with a lost entirety. Spoken psychoanalytically: the longing for reunification with the primary object to fill the fundamental gap that its lost has left.
I am neither a depressed nor a sad nor a melancholic person. In my eyes, my music is all about BLISS. For me, bliss means being able to feel. It means being able to have intense, deep emotions, no matter if it's happy or sad emotions. It means wallowing in melodramatic emotions. It means living through the initiation rite of deep agony and feeling as free as never before when the agony is over("catharsis"). This all means bliss to me as, in my everyday life, I have a problem to feel, as my "emotion-free", strict, controlled and rational everyday life character suppresses my emotions and blocks the channel to my soul. As said before, my music eventually enables me to unblock this channel. It allows me to perceive my soul, my true Self. It allows me to finally feel.
When I left my hometown and started to live my own life ten years ago, I started to wonder who I am and what I want. When you're on your own for the first time in your life, the first path that opens is "conformity": living a life according to the parents' and the society's values, also known as "superego". This is the path that I walk on most of the time in my everyday life . The superego forces me to be "emotion-free, strict, controlled and rational", like described before. The other, contrasting path that opens is "rebellion": doing and representing the opposite of what the superego demands. This path allows me to feel free and "godlike". Hence, my music for me means rebellion against my superego. My Music is the advocate of my soul.
The general problem is that the "rebellion-path" is as non-emancipated as the "conformity-path" - as one still lives his life in a virtual dependence of his parents/the society.
The third path now, almost invisible at first, has more and more unveiled over the last years. That path is the one I need to walk on. That one will finally lead me to my Self without the need of rebellion, without the need of artistic creation. Walking on this path and daring to finally cross the bridge to my soul for good, not just temporarily, like with the help of my songs, that is the actual initiation rite of becoming a human being. It's a hard task that might take a lifetime.
