Brief comment by Robert Christgau

Why is this easy-listening rock different from all other easy-listening rock, give or take an ancient harmony or two? Because myths of love lost and found are less invidious (at least in rock and roll) than myths of the road? Because the cute-voiced woman writes and sings the tough lyrics and the husky-voiced woman the vulnerable ones? Because they've got three melodist-vocalists on the job? Because Mick Fleetwood and John McVie learned their rhythm licks playing blues? Because they stuck to this beguiling formula when it barely broken even? Because this album is both more consistent and more eccentric than its blockbuster predecessor? Plus it jumps right out of the speakers at you? Because Otis Spann must be happy for them? Because Peter Green is in heaven? A