Instagram金属cd收藏家 maxen7xm 评论Mvltifission

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我将在这里强力描绘正在崛起的亚洲死亡金属乐团—Mvltifission。尽管披着芬兰老式死亡金属的外衣， “Decomposition in the Painful Metamorphosis(在痛苦的蜕变中分解)”还把原始的声音带进了他们的工艺。首张全长专辑于3月15日由黄泉唱片公司发行，来自中国的五重奏由Gut(人声)、Gore Whore(鼓声)、Tormentor(吉他)、Purulentreek(吉他)和Skeleton Hell(低音吉他)组成。mvltifission不仅展现了浑浊的连复段、古老的氛围和侵略性的怪异混合，而且还展现了令人印象深刻的技巧。这七首歌包括一首翻唱的戴米利希滋养芬兰死亡金属的老派融合。开场曲目“Vanishing the Mind till My Regurgitation”突出了领导吉他创造一个超凡脱俗的氛围。通过这些激动人心的时刻，乐队展示了他们的歌曲是如何巧妙地制作的。畸形扭曲的riff以令人作呕和丑陋的声音为背景，另一个奇特的特征可以从那些给音乐增添怪诞病态音调的粗糙的riff中察觉出来。歌曲的旋律很重，有共鸣的重复段和主奏吉他相结合。融合了Demigod, Demilich和Purtenance等乐队的核心元素，这种连复段出现在接下来的“Inner Perversity”歌曲中，以一种相当怪诞的形式与腐朽死亡金属的古老传统相联系。很容易就能推测出《痛苦的蜕变中的分解》实际上是在90年代发行的，因为歌曲的整体结构被塑造成一种经典的感觉。他们提供了许多扭曲的连复段，这些吉他编排是为了拥有那种复杂的感觉。在同样复杂的曲目上，Mvltifission运用了一种特殊的方法来进行死亡金属编排，“Mental-cybernetic Proliferation (Drowning Phantasm)”复杂的歌曲结构更接近Demilich歌曲里晦涩难解的元素。

这些因素使得专辑以其独特的方式与众不同，事实上，专辑中的即兴连复段都是原创的。其中厄运的部分创造了一个可怕和催眠的气氛，吸引听众进入黑暗朦胧的死亡金属领域，mvltifssion表现了侵略和残暴的完美结合。“Egocentric Moral Dilemmas”建立在缓慢的洞穴式连复段上，并结合了集中的过鼓震动和深沉咆哮产生的奇怪发散。不可思议的缓慢鼓声和吉他节奏慢慢向老式死亡/厄运金属蔓延。首张专辑强调氛围和创新，Demilich的翻唱表现得很娴熟。虽然专辑的大部分呈现了各种riffs, mvltifission依旧传达了不同的元素，因此这张专辑是一张连贯的整合。每首歌的节奏各不相同，但重要的是，这支乐队以其原汁原味的声音唤起了90年代死亡金属的古老氛围。五重奏使他们的想法得以实现，专辑中的许多重复片段都是高效的，而没有在一个特定的方向上强调，不知何故听起来是令人难以置信的扭曲。随着独特的吉他的旋律和快速隆隆鼓声，“Passage of Psychic Decomposition Part 1”转向了直接blastbeat爆炸节拍。这种快节奏继续沿着“Passage of Psychic Decomposition Part 2”到来，然后中间突然转向大气光谱般的氛围。黑暗缓慢的死亡/厄运模式渗透到歌曲结构中，使得节奏逐渐加快。Demigod对“Flow in the River of Decay”的独特影响是很明显的，通过对合成器的最小的接触，这首歌在沉重的鼓点，无调性的节奏和颤音为鼓的填充增加了强度。在outro “The Ominous Blaze from Distant Wasteland”中，有一段不祥的合成器段落作为一种幽灵般的结尾，最终mvltifssion明显地拥有了芬兰死亡金属的基本和奇怪的特点。

原文如下：

This review highlights the rising Asian death metal act known as Mvltifission. Despite wearing the influences of Finnish old-school death metal on their sleeves “Decomposition in the Painful Metamorphosis” takes the primitive sound into their craft. The debut full length was released on March 15th via Huanagquan Records, the Chinese quintet is consists of Gut (vocals), Gore Whore (drums), Tormentor (guitars), Purulentreek (guitar), and Skeleton Hell (bass guitar). Mvltifission doesn’t only displays a grotesque blend of murky riffs, archaic atmosphere, and aggression but of impressive technique as well. The seven tracks including a cover song of Demilich nourish on the old-school amalgamation of Finnish death metal. The opening track “Vanishing the Mind till My Regurgitation” gives prominence to lead guitars creating an otherworldly atmosphere. With these thrilling moments, the band shows how intelligently their songs are crafted. The malformed distorted riffs are backed by sickening and ugly vocalization, another peculiar characterization can be perceived by the gnarly riffs that add a bizarre morbid tone to the music. The songs are heavily textured with resonating riffs and lead guitars. Combining the core elements of bands like Demigod, Demilich, and Purtenance these churning riffs on the following track “Inner Perversity” have a rather grotesque form that interconnects with the ancient tradition of putrid death metal. One could easily surmise that “Decomposition in the Painful Metamorphosis” was actually released back in the nineties era, and this because the song structure is molded to create a classic perception. The Chinese quintet offers many twisted riffs the guitar arrangements were made to have that sense of sophistication. As complex as the song is Mvltifission takes an exceptional approach to death metal, the intricate song structure of “Mental-cybernetic Proliferation (Drowning Phantasm)” comes close to the convoluted elements of Demilich.

All these components make the album unique in its own alien fashion as a matter of fact the riffs on the album are original. The doomy sections create a ghastly and hypnotic atmosphere that draws the listener into the dark realms of obscure death metal. Mvltifission manifests a perfect blend of aggression and brutality. ”Egocentric Moral Dilemmas” build on slow cavernous riffs with the focused drum convulsions and deep growls producing strange emanations. The slow uncanny pace of the drums and guitars creep towards the notions of old-school death/doom metal. The debut emphasizes atmosphere and innovation, the cover song of Demilich “Inherited Bowel Levitation - Reduced without Any Effort” is masterfully executed. While most of the album presents a variety of riffs Mvltifission conveys diverse elements therefore the debut album is coherently integrated. Most of the songs contain diverse tempos but what matters here is that the band has conjured the archaic atmosphere of the nineties death metal in its prime authentic sound. The quintet has brought their idea to fruition many riffs on the album is brought with efficiency without accentuating on a particular direction the songs somehow feel incredibly twisted. With the distinctive melodies of the guitars and the fast rumbling of the drums “Passage of Psychic Decomposition Part 1” shifts to straightforward blast beats. The fast pace continues on the following track “Passage of Psychic Decomposition Part 2” then abruptly shifts to the atmospheric spectrum. With the dark slow patterns of death/doom oozing through the song structure the song progresses to a faster pace. The distinct influences of Demigod on “Flow in the River of Decay” is clear with the minimal touches of synth the song works on heavy drum paces and atonal riffs with the tremolos adding intensity to the drum fill. The spooky segment of foreboding synth in the outro “The Ominous Blaze from Distant Wasteland” works as a ghostly closure, in the end, Mvltifission has remarkably possessed the fundamental and the odd quality of Finnish death metal.