AllMusic Review by James Christopher Monger
【第一次写乐评】搬运并翻译一下国外乐评人的文章吧。
AllMusic Review by James Christopher Monger 得分60分
(首先介绍歌手或演奏者的相关背景)
Dancer, violinist, Manga and dubstep enthusiast, composer, performance artist, America's Got Talent contestant, and Elder Scrolls-loving internet celebrity, Salt Lake City, Utah native Lindsey Stirling is the Faerie Queen of millennial new age music,
舞者,小提琴家,漫画?和 Dubstep 达克斯踏步?爱好者,作曲家,表演艺术家,美国达人秀的参赛者以及热爱长卷轴?的网络红人,犹他州盐湖城人林赛·斯特林(Lindsey Stirling)是千禧年新时代音乐的“精灵女王”。
(评论作品的整体形象和音乐风格,它的歌词意境等等)
and her sophomore studio album, the 12-track, largely conceptual Shatter Me, offers up a spirited set of high-octane classical crossover confections that occupy the barbed wire and flower petal strewn middle ground between Evanescence, Riverdance, Skrillex, and Narnia.
“Shatter Me”作为林赛·斯特林的第二张唱片(共12首歌),为听众提供了一组“充满生气的经典跨界甜品”。这些甜食散落在Evanescence(伊凡塞斯,"女版林肯公园"),Riverdance(大河之舞(爱尔兰的传统的踢踏舞舞剧)),Skrillex(桑尼·约翰·摩尔,美国电子舞曲乐手)和Narnia(拉丁舞演员和世界级编舞)之间的铁丝网和花瓣中间。(其他歌手信手拈来!)
(个人听此作品的感受,听音乐是很个人的体验,把你的感受和想法表达出来才是最重要的)
Like her 2013 debut, Shatter Me is essentially a showcase for Stirling's instrumental prowess, and she delivers the heat with all of the fire, fury, and mad, pixie-ish sweetness that drew millions of people to her Lindseystomp YouTube channel, especially on standouts like "Beyond the Veil," "Master of Tides," and "Roundtable Rival," which weave sharp, confident melodies over a backdrop of glitch-heavy, yet largely conventional slabs of radio-ready electro-pop.
像她2013年的处女唱片"Lindsey Stirling"一样,”Shatter Me“本质上是林赛·斯特林的乐器技艺的展示。她散发着强烈的火力,愤怒和疯狂,怪诞的甜味(这形容词!),吸引了无数人来到她的”Lindseystomp“YouTube频道,尤其是"Beyond the Veil","Master of Tides" ,"Roundtable Rival"等优秀作品。它们在充满干扰但又很常规的无线电就绪电子流行板的背景下编织了清晰而自信的旋律(从乐理方面评论作品的整体构架,器乐的选择,演奏技巧等等)。
She applies that same formula to the two non-instrumental tracks as well, both of which revolve (lyrically) around the album cover, which finds Stirling encased in a cracked crystal ball, and features Halestorm vocalist Lizzy Hale ("Shatter Me") and Meg & Dia lead singer Dia Frampton ("We Are Giants") giving the Auto-Tune processor a full eight-hour day.
她也将相同的”法则“应用到两个非乐器音轨,这两个音轨都围绕专辑封面旋转(抒情地旋转)(封面上林赛·斯特林被包裹在破裂的水晶球中),并采用了Halestorm硬摇滚乐队的主唱Lizzy Hale(“Shatter Me”)和 Meg&Dia乐队的主唱Dia Frampton(“We Are Giants”)为自动调谐处理器提供了整整八个小时的服务。