When I try, I'm full - wearing complexity like masks
complexities as bodies present in various forms:
but so does music in body/units,
so valuable is the moment where scintillating ideas come together
it can be solidified in an atmospheric surrounding, like being embraced by the fogs
but sometimes you have to have the beat
Kaitlyn Aurelia Smith's second album, EARS, has one of those songs -- When I Try, I'm Full.
I won't enumerate its elements, and neither need I remind you of her shifting technique employed. I make an instance of the associations within and tangent, and also how it helps me to concentrate on those complexities/faces
Fog is how it starts. It embraces you and mi/ystifies you
From one comes two and from two comes the universe (in forms of raindrops)
But don't forget her voice (or our voices), it's us the creeping creatures that creep upon the earth
How do you get from hair cells to worms? This is the philosophy of EARS, a cosmic choreograph, and also a transhumanistic vision
I end up with a quote from her art director with whom I think I share a similar vision
"An organic cell is born. Its birth drives us through a shamanic vision where it will evolve with music, becoming more complex while mineral, organic, and cosmic elements orbit around it to transform it to its final state. This is the source of endless possibilities." – Jules Guérin
