Hiromi's supergroup, Sonicbloom, has shattered the formula of making records written solely by the celebrated pianist/composer. Their latest outing, "Beyond Standard," finds Tony Grey (bass), Martin Valihora (drums), and Dave "Fuze" Fiuczynski (guitar and otherworldly sounds) helping Hiromi craft unique versions of familiar tunes such as Gershwin's "I Got Rhythm," Rogers & Ha...(展开全部) Hiromi's supergroup, Sonicbloom, has shattered the formula of making records written solely by the celebrated pianist/composer. Their latest outing, "Beyond Standard," finds Tony Grey (bass), Martin Valihora (drums), and Dave "Fuze" Fiuczynski (guitar and otherworldly sounds) helping Hiromi craft unique versions of familiar tunes such as Gershwin's "I Got Rhythm," Rogers & Hammerstein's "My Favorite Things" and even Jeff Beck's "Led Boots."
The group has been recognized for its energetic virtuosity by music industry and mainstream publications alike: Downbeat, JazzTimes, Keyboard, and The New York Times. Playing festivals such as Glastonbury, Fuji Rock, and Playboy Jazz proves that Hiromi's unique fusion nuevo has been accepted in the world of jazz as well as rock. "Beyond Standard" is a showcase for Hiromi and her band's abilities, with each player getting plenty of room to shine.
While most of the music on the album was penned by songwriters other than Hiromi, the album as a whole is a continuation of her previous release, "Time Control" (2007). "Beyond Standard" starts with a quick "Intro" that includes the popping and scratching sounds of a vinyl record, a signal that what you are about to hear are retro compositions performed in an updated and unique way. The music starts with an extension of her original tune, "Time's Up," the final track on "Time Control." Hiromi then gives a dramatic voicing to the theme of "Softly As In A Morning Sunrise." As the tune progresses, she and Fiuczynski trade some very playful fours, and Valihora takes a fresh approach, occasionally giving a backbeat to the jazz standard.
In keeping with her defiance of easy categorization, Hiromi then covers Debussy's eternally famous "Claire de Lune," followed by the driving jazz standard, "Caravan," written by Juan Tizol and made famous by Duke Ellington. Hiromi's rendition has an almost Zappa-esque feel with a heart-pumping drum solo.
Paying homage to the legendary Jeff Beck, the group covers "Led Boots," with Hiromi's keyboards sounding very much like the whah-whah effect on a guitar. In a complete 180, the band follows the Beck tune with Rogers & Hammerstein's "My Favorite Things," a song from the stage and film versions of The Sound of Music that later became jazz standard repertoire thanks to John Coltrane.
"Ue Wo Muite Aruko" ("I Look Up When I Walk") was the only Japanese pop song to make it to #1 on the American pop charts. The song was released in Japan in 1961 and in the United States in 1963. Hiromi takes the still popular song and turns it into a funky explosion.
"XYG" is Hiromi covering Hiromi. The track is an in-your-face adaptation of the song of the same name from her 2003 debut album, with the addition of Fiuczynski's roaring guitar. The album closes with Hiromi on solo piano, putting her spice on the Gershwin classic, "I Got Rhythm." She begins the tune with a playful, delicate touch that escalates to a landslide with bone-breaking riffs.