表演者:
Billie Eilish
流派: 流行
专辑类型: 专辑
介质: CD
发行时间: 2019-03-29
出版者: Interscope Records
唱片数: 1
条形码: 0602577450365
流派: 流行
专辑类型: 专辑
介质: CD
发行时间: 2019-03-29
出版者: Interscope Records
唱片数: 1
条形码: 0602577450365
简介 · · · · · ·
Beginning with the haunting alt-pop smash “Ocean Eyes” in 2016, Billie Eilish made it clear she was a new kind of pop star—an overtly awkward introvert who favors chilling melodies, moody beats, creepy videos, and a teasing crudeness à la Tyler, The Creator. Now 17, the Los Angeles native—who was homeschooled along with her brother and co-writer, Finneas O’Connell—presents he...
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Beginning with the haunting alt-pop smash “Ocean Eyes” in 2016, Billie Eilish made it clear she was a new kind of pop star—an overtly awkward introvert who favors chilling melodies, moody beats, creepy videos, and a teasing crudeness à la Tyler, The Creator. Now 17, the Los Angeles native—who was homeschooled along with her brother and co-writer, Finneas O’Connell—presents her much-anticipated debut album, a melancholy investigation of all the dark and mysterious spaces that linger in the back of our minds. Sinister dance beats unfold into chattering dialogue from The Office on “my strange addiction,” and whispering vocals are laid over deliberately blown-out bass on “xanny.” “There are a lot of firsts,” says Finneas. “Not firsts like ‘Here’s the first song we made with this kind of beat,’ but firsts like Billie saying, ‘I feel in love for the first time.’ You have a million chances to make an album you're proud of, but to write the song about falling in love for the first time? You only get one shot at that.”
Billie, who is both beleaguered and fascinated by night terrors and sleep paralysis, has a complicated relationship with her subconscious. “I’m the monster under the bed, I’m my own worst enemy,” she told Beats 1 host Zane Lowe during an interview in Paris. “It’s not that the whole album is a bad dream, it’s just…surreal.” With an endearingly off-kilter mix of teen angst and experimentalism, Billie Eilish is really the perfect star for 2019—and here is where her and Finneas' heads are at as they prepare for the next phase of her plan for pop domination. “This is my child,” she says, “and you get to hold it while it throws up on you.”
Figuring out her dreams:
Billie: “Every song on the album is something that happens when you’re asleep—sleep paralysis, night terrors, nightmares, lucid dreams. All things that don't have an explanation. Absolutely nobody knows. I've always had really bad night terrors and sleep paralysis, and all my dreams are lucid, so I can control them—I know that I'm dreaming when I'm dreaming. Sometimes the thing from my dream happens the next day and it's so weird. The album isn’t me saying, 'I dreamed that'—it’s the feeling.”
Getting out of her own head:
Billie: “There's a lot of lying on purpose. And it's not like how rappers lie in their music because they think it sounds dope. It's more like making a character out of yourself. I wrote the song '8' from the perspective of somebody who I hurt. When people hear that song, they're like, 'Oh, poor baby Billie, she's so hurt.' But really I was just a dickhead for a minute and the only way I could deal with it was to stop and put myself in that person's place.”
Being a teen nihilist role model:
Billie: “I love meeting these kids, they just don't give a f**k. And they say they don't give a f**k because of me, which is a feeling I can't even describe. But it's not like they don't give a f**k about people or love or taking care of yourself. It's that you don't have to fit into anything, because we all die, eventually. No one's going to remember you one day—it could be hundreds of years or it could be one year, it doesn't matter—but anything you do, and anything anyone does to you, won't matter one day. So it's like, why the f**k try to be something you're not?”
Embracing sadness:
Billie: “Depression has sort of controlled everything in my life. My whole life I’ve always been a melancholy person. That’s my default.”
Finneas: “There are moments of profound joy, and Billie and I share a lot of them, but when our motor’s off, it’s like we’re rolling downhill. But I’m so proud that we haven’t shied away from songs about self-loathing, insecurity, and frustration. Because we feel that way, for sure. When you’ve supplied empathy for people, I think you’ve achieved something in music.”
Staying present:
Billie: “I have to just sit back and actually look at what's going on. Our show in Stockholm was one of the most peak life experiences we've had. I stood onstage and just looked at the crowd—they were just screaming and they didn’t stop—and told them, 'I used to sit in my living room and cry because I wanted to do this.' I never thought in a thousand years this s**t would happen. We’ve really been choking up at every show.”
Finneas: “Every show feels like the final show. They feel like a farewell tour. And in a weird way it kind of is, because, although it's the birth of the album, it’s the end of the episode.”
Billie, who is both beleaguered and fascinated by night terrors and sleep paralysis, has a complicated relationship with her subconscious. “I’m the monster under the bed, I’m my own worst enemy,” she told Beats 1 host Zane Lowe during an interview in Paris. “It’s not that the whole album is a bad dream, it’s just…surreal.” With an endearingly off-kilter mix of teen angst and experimentalism, Billie Eilish is really the perfect star for 2019—and here is where her and Finneas' heads are at as they prepare for the next phase of her plan for pop domination. “This is my child,” she says, “and you get to hold it while it throws up on you.”
Figuring out her dreams:
Billie: “Every song on the album is something that happens when you’re asleep—sleep paralysis, night terrors, nightmares, lucid dreams. All things that don't have an explanation. Absolutely nobody knows. I've always had really bad night terrors and sleep paralysis, and all my dreams are lucid, so I can control them—I know that I'm dreaming when I'm dreaming. Sometimes the thing from my dream happens the next day and it's so weird. The album isn’t me saying, 'I dreamed that'—it’s the feeling.”
Getting out of her own head:
Billie: “There's a lot of lying on purpose. And it's not like how rappers lie in their music because they think it sounds dope. It's more like making a character out of yourself. I wrote the song '8' from the perspective of somebody who I hurt. When people hear that song, they're like, 'Oh, poor baby Billie, she's so hurt.' But really I was just a dickhead for a minute and the only way I could deal with it was to stop and put myself in that person's place.”
Being a teen nihilist role model:
Billie: “I love meeting these kids, they just don't give a f**k. And they say they don't give a f**k because of me, which is a feeling I can't even describe. But it's not like they don't give a f**k about people or love or taking care of yourself. It's that you don't have to fit into anything, because we all die, eventually. No one's going to remember you one day—it could be hundreds of years or it could be one year, it doesn't matter—but anything you do, and anything anyone does to you, won't matter one day. So it's like, why the f**k try to be something you're not?”
Embracing sadness:
Billie: “Depression has sort of controlled everything in my life. My whole life I’ve always been a melancholy person. That’s my default.”
Finneas: “There are moments of profound joy, and Billie and I share a lot of them, but when our motor’s off, it’s like we’re rolling downhill. But I’m so proud that we haven’t shied away from songs about self-loathing, insecurity, and frustration. Because we feel that way, for sure. When you’ve supplied empathy for people, I think you’ve achieved something in music.”
Staying present:
Billie: “I have to just sit back and actually look at what's going on. Our show in Stockholm was one of the most peak life experiences we've had. I stood onstage and just looked at the crowd—they were just screaming and they didn’t stop—and told them, 'I used to sit in my living room and cry because I wanted to do this.' I never thought in a thousand years this s**t would happen. We’ve really been choking up at every show.”
Finneas: “Every show feels like the final show. They feel like a farewell tour. And in a weird way it kind of is, because, although it's the birth of the album, it’s the end of the episode.”
曲目 · · · · · ·
!!!!!!!
bad guy
xanny
you should see me in a crown
all the good girls go to hell
wish you were gay
when the party's over
8
my strange addiction
bury a friend
ilomilo
listen before i go
i love you
goodbye
bad guy
xanny
you should see me in a crown
all the good girls go to hell
wish you were gay
when the party's over
8
my strange addiction
bury a friend
ilomilo
listen before i go
i love you
goodbye
喜欢听"WHEN WE ALL FALL ASLEEP, WHERE DO WE GO?"的人也喜欢的唱片 · · · · · ·
WHEN WE ALL FALL ASLEEP, WHERE DO WE GO?的乐评 · · · · · · ( 全部 21 条 )
Billie Eilish: When We All Fall Asleep, Where Do We Go?
四星半。 就在两个多星期前她释出Bad Guy与Justin Bieber合作的新版本后,友邻连称这张曾经风靡因特网的专辑也不幸沾染上了臭味,可是就结果而言,她的做法并无意外--不仅因为他们都是信息时代的青少年偶像,还因为他们共同暗示了一种过度敏感的同时也过度空虚的生活方式。那么...
(展开)
> 更多乐评 21篇
"WHEN WE ALL FALL ASLEEP, WHERE DO WE GO?"的论坛 · · · · · ·
When the party’s over 前奏独白 | 来自Ssssimon | 2022-02-05 13:36:38 | |
关于bad guy的最后一段 | 来自长滩麦克 | 2021-10-15 23:30:10 | |
为什么那么恐怖那么黑暗 | 来自ƪ(˘⌣˘)ʃ | 2021-10-11 00:58:43 | |
全专歌词 | 来自䏍㐬 | 2020-06-12 05:00:52 | |
Billie Eilish is a goldfish. 自娱自乐 | 来自NathanaëlG | 2020-06-01 21:25:56 |
> 浏览更多话题
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订阅关于WHEN WE ALL FALL ASLEEP, WHERE DO WE GO?的评论:
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43 有用 Mr.Flop 2019-04-29 02:49:57
UTR,声音的设计足够弥补制作上的过于讨巧和歌曲创作上的不足。碧🍐的确就是另一个时空的横空出世的Lady Gaga—即将用属于自己的美学观念掀起一场流行音乐的革命:极简主义、ASMR、采样的泛用化、更小体积的歌曲、更割裂而不完整的主副歌、更精巧的声音设计和音效铺设,甚至是,更多风格的杂糅重组。她不是第一个另类攻向主流的音乐人,但她一定是下一个十年独立和主流逐渐完全融合的风向标。当然,这个再一次打破... UTR,声音的设计足够弥补制作上的过于讨巧和歌曲创作上的不足。碧🍐的确就是另一个时空的横空出世的Lady Gaga—即将用属于自己的美学观念掀起一场流行音乐的革命:极简主义、ASMR、采样的泛用化、更小体积的歌曲、更割裂而不完整的主副歌、更精巧的声音设计和音效铺设,甚至是,更多风格的杂糅重组。她不是第一个另类攻向主流的音乐人,但她一定是下一个十年独立和主流逐渐完全融合的风向标。当然,这个再一次打破壁垒的小女孩做音乐的各方面远不如当年的嘉嘉一样成熟,但依旧是犀利不减,锋芒毕露。或许她会在下个十年证明,流媒体时代不是难以造就巨星,而是任何人都可能成为巨星? (展开)
81 有用 耳田 2019-03-30 08:15:27
时代在推进、在反复,给出差评也遵循同一逻辑。当下最理所当然会出现的与时代浑然一体的声响。另,为什么要拿Lorde来比?前朝的剑能斩本朝的官?
121 有用 π 2019-04-16 20:46:27
A- 对流行音乐低频世界的探索雕琢,“靠制作撑起来”在国内居然是个贬义句。
73 有用 锐利修蕊 2020-01-28 00:41:24
打雷霉霉相争,碧梨得利:格莱美已死。
91 有用 sean cheung 2019-03-31 15:37:39
個性和另類都比較淺層,在用技巧硬做很多東西,不難聽,但也不能說很好。它確實是一件指向性很明確的產品,這很常見,但讓人困惑的是它以有內容為包裝,實際內容就是包裝。
0 有用 HTW 2024-04-13 20:25:54 中国台湾
2.bad guy 6.wish you were gay 7.when the party's over 13.i love you
0 有用 lotus 2024-04-09 16:37:48 广西
碧梨首张录音室专辑。也许是有点“装神弄鬼”,但这还不好听吗?
0 有用 麻烦关掉太阳 2024-04-11 20:28:15 广东
bad guy
0 有用 懋之 2024-04-08 11:59:56 江苏
補標。 (因為“景”說到流行,想到說“那你會不會喜歡這個?” 專輯發表的同年,那會兒拙一點的taste,聽過一段。)
0 有用 xtwhg 2024-04-14 20:06:17 山东
虽然但是不堪回首…