Flush Real Pharynx is the title of sound designer/junglist/composer and DJ Lee Gamble's new three-part album for Hyperdub, which will be revealed in a series of EPs. The triptych sonic documentary loosely explores three stages of the Semioblitz - the aggressive onslaught of visual and sonic stimuli of contemporary cities and virtual spaces. The first part of the series In a P...(展开全部) Flush Real Pharynx is the title of sound designer/junglist/composer and DJ Lee Gamble's new three-part album for Hyperdub, which will be revealed in a series of EPs. The triptych sonic documentary loosely explores three stages of the Semioblitz - the aggressive onslaught of visual and sonic stimuli of contemporary cities and virtual spaces. The first part of the series In a Paraventral Scale - zooms in on the seductive/destructive nature of present-day reality through a symbolic prism inhabited by snakes, vehicles and mirages. From the sound morphologies of BMW Shuanghuan X5 where recordings of high performance cars melt and spectrally morph into synthesized orchestral timbres, through the arpeggiated neon hyper patterns of the beautiful Folding and the electro slam of Moscow , this chapter veers into a crystalline, neon sound mirror of In The Wreck Room , where 21st century jungle meets footwork and electro, takes a ride on board a hypothetical super highway in the rain at night, leaving us in the haunted tension of Lee's most emotive tracks to date Many Gods, Many Angels - to await the second part of the triptych. In A Paraventral Scale is a clash of Gamble s brand of hyper-concrte, where unmanned vehicles hover around us, steel ball bearings roll and scatter, jet engines end up as smashed objects, voices instruct, orchestral instruments morph into the sounds of doppler-shifting vehicles all this distilled into signature jungle mirages, with brash, restless DJ Stingray-style 160bpm electro and haunting ambience. Gamble exposes us to a new type of digital theater, a unique and futuristic filmic world blurring the distinction between non-musical sound, music and dance floor, a push and pull between reality and fictional worlds. All sonics co-exist in an unreal place whose spatial and temporal location is left for us to assemble. TRACKLIST :A1. Fata Morgana A2. Folding A3. Moscow A4. BMW Shuanghuan X5 B1. Chant B2. In The Wreck Room B3. Many Gods, Many Angels
0 有用 大周竹 2019-02-01 09:58:09
Folding
3 有用 Matt 2019-02-01 13:56:07
宝马软广实锤
0 有用 milandroid 2019-02-02 20:00:13
都是听不出正弦波的奥妙因此数次重听造成folding成了头号热门吗? 初听Moscow联想起La Veshter Du Aumber不过拿出来比较一下没有后者雕琢得精美 嗯还是太正弦 Wreck Room太棒 可惜不能重蹈初次听到鼓点蓦然呈现自己时整个人灯亮的覆辙了
0 有用 tlmgt 2019-02-25 22:47:21
:(
2 有用 IDKAboutYou 2019-02-01 17:38:57
B+(77)后现代主义在音乐中的最佳展现,犹如一场超前、先锋、未来的装置艺术展。声音设计在Lee Gamble的音乐中一直处于一种中心地位,这次他用实验化的Progressive Electronic和IDM电子声响去表现抽象的虚拟空间与现代都市,和他之前做的那些abstract club和ambient相比,这次十分具象化,甚至构筑出了一个扭曲、延展的空间。期待接下来的两个part
0 有用 milandroid 2019-02-02 20:00:13
都是听不出正弦波的奥妙因此数次重听造成folding成了头号热门吗? 初听Moscow联想起La Veshter Du Aumber不过拿出来比较一下没有后者雕琢得精美 嗯还是太正弦 Wreck Room太棒 可惜不能重蹈初次听到鼓点蓦然呈现自己时整个人灯亮的覆辙了
0 有用 ^ ^!! 2020-02-10 01:36:48
打游戏打着打着忘记听...
0 有用 Next 2019-02-12 10:34:26
73 Moscow、Chant
0 有用 𝚃𝚑𝚎𝟶𝚞𝚝𝚜𝚒𝚍𝚎𝚛. 2020-04-29 18:45:41
Feel like entering a sound factory.
0 有用 tlmgt 2019-02-25 22:47:21
:(