Pleasure Boy (豆瓣)

听相似歌曲

表演者: Hannah Cohen
流派: 民谣
专辑类型: 专辑
介质: Audio CD
发行时间: 2015-03-30
出版者: Bella Union
唱片数: 1
条形码: 5414939918315

豆瓣评分

6.4

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简介 · · · · · ·

　　Bella Union are thrilled to announce the release of Pleasure Boy, the new album from HANNAH COHEN, which will be available 30th March.
　　The album teaser is viewable here.
　　Music often comes from a deep place, and in the case of Hannah Cohen’s stunning and heartrending second album, it’s very deep indeed. Mainly inspired by a painful break-up and the anxieties that l... (展开全部) 　　Bella Union are thrilled to announce the release of Pleasure Boy, the new album from HANNAH COHEN, which will be available 30th March.
　　The album teaser is viewable here.
　　Music often comes from a deep place, and in the case of Hannah Cohen’s stunning and heartrending second album, it’s very deep indeed. Mainly inspired by a painful break-up and the anxieties that loss can trigger, Pleasure Boy cushions its sadness in an exquisitely nuanced soundscape of aching melancholy and lush melody where Hannah’s vocal conveys all the different shades of heartbreak. Following the album’s completion, she’s survived the calamity and found a new level of happiness, but to paraphrase the classic Sixties hit, there will always be something there to remind her with Pleasure Boy.
　　‘Pleasure Boy’, like her debut ‘Child Bride’, was produced by Thomas Bartlett, aka Doveman, whose work with artists such as The National, Antony Hegarty and David Byrne singles him out as one of America’s current finest producers and collaborators, though he’s also a talented pianist. The dynamics of ‘Pleasure Boy’ was the result of Hannah and Bartlett, “bunkering down with my songs, experimenting with different tones and sounds, and layering them. My first record was so airy and roomy, I didn’t have patience for that again, I wanted more movement, something more mysterious and witchier, so we created this sound wall together.”
　　“I wanted the music to hurt, to have a visceral effect,” Hannah says. Her voice sometimes sounds delirious or icy; other times she recalls the vulnerable, piercing beauty of Harriet Wheeler (The Sundays) and Karen Peris (The Innocence Mission). But Pleasure Boy‘s sound wouldn’t exist without the vision that launched it. The album title arrived as the record took shape. “Pleasure Boy is a character of who it’s about, someone who represents gluttony and decadence and richness,” Hannah explains. She admits it was a tough record to make, given she was aiming to heal emotionally while feeling “devastated and hurt. But it wouldn’t be the record it is if I hadn’t done that.”