Bach: The Art of Fugue

1. Contrapunctus 1: Simple Fugue On the Subject In Its Original Form
2. Contrapunctus 3: Simple Fugue On The Inverted Form Of The Subject
3. Contrapunctus 2: Simple Fugue On The Subject In Its Original Form, Counterpointed With A Dotted Rhy
4. Contrapunctus 4: Simple Fugue On The Inverted Form Of the Subject
5. Canon Alla Duodecima In Contrapunto Alla Quinta: Canon At The Twelfth, Two Voices
6. Contrapunctus 5: Counterfugue On A Variation Of The Subject And Its Inversion, In Equal Note Values
7. Contrapunctus 6 A 4 In Stylo Francese: Counterfugue On A Variation Of The Subject And Its Inversion
8. Contrapunctus 7 A 4 Pear Augment Et Diminut: Counterfugue On A Variation Of The Subject And Its Inv
9. Contrapunctus 8 A 3: Three-Voiced Triple Fugue On Two New Subjects And A Variation Of The Main Subj
10. Contrapunctus 9 A 4 Alla Duodecima: Double Fugue On A New Subject And The Main Subject
11. Contrapunctus A 3 C: Three-Voiced Mirror Fugue On A Variation Of The Subject And Its Inversion
12. Contarapunctus Inversus A 3: Complete Inversion Of The Previous Piece
13. Contrapunctus 10 A 4 Alla Decima: Double Fugue On A New Subject And A Variation Of The Main Subject
14. Contrapunctus Inversus 12 A 4: Mirror Fugue On Variants Of The Subject In 3/2 Time
15. Contrapunctus Inversus 12 A 4: Complete Inversion on The Previous Piece
16. Contrapunctus 11 A 4: Triple Fugue On Two New Subjects And A Variation Of The Main Subject
17. Canon Alla Ottava: Two-Voiced Canon At The Octave
18. Fuga A 3 Soggetti: Incomplete Fugue On Three New Subjects