Kill the Sun (豆瓣)

听相似歌曲

又名: 弑日
表演者: Xandria
专辑类型: Drakkar Records
介质: Audio CD
发行时间: 2003
出版者: Scarhorow Records
唱片数: 1
条形码: 0804147125226

豆瓣评分

8.0

365人评价

5星

21.6%
4星

58.4%
3星

19.2%
2星

0.8%
1星

0.0%

想听在听听过

评价:

简介 · · · · · ·

　　The debut album. All songs
　　which were to be found on the demo already plus another five which had been
　　written in the meantime were recorded for it with producer Dirk Riegner, also
　　known as the keyboard player of Secret Discovery and recently as the producer of
　　Milú. After a short period of pre-production at Dirk Riegner's studio, which
　　then was ... (展开全部) 　　The debut album. All songs
　　which were to be found on the demo already plus another five which had been
　　written in the meantime were recorded for it with producer Dirk Riegner, also
　　known as the keyboard player of Secret Discovery and recently as the producer of
　　Milú. After a short period of pre-production at Dirk Riegner's studio, which
　　then was located right beside the grounds of the Zeche Bochum, the band entered
　　the snow-covered Principal Studio in Münster about New Year 2003. Within one
　　week the instruments were recorded, for the vocal recordings the band again went
　　to Bochum to the small studio of the producer. Afterwards, the album was mixed
　　on the grounds of the Horus Sound Studios (also Guano Apes etc.) in Hannover at
　　a small studio of mixing engineer Modo Bierkamp. Three months later, the result
　　- provided with an artwork by Kai Hoffmann (also Secret Discovery) - hit the
　　stores on 5 May, 2003, and at once met with as much approval as to enter the
　　German charts: On number 98 it only just hit them, but this was quite remarkable
　　for a German band whose sound mainly was and still is influenced by Gothic
　　Metal. The press also was very much taken with the band and the album without
　　exeption gained good marks in the reviews of the scene magazines well-known and
　　unknown.
　　"Of course
　　everything was very new and fascinating for us. The time spent together at the
　　studio also today still seems like a dream to us, it was big fun to record our
　　songs in a great, professional studio. Beforehand we were slightly suspicious
　　because as a guitar-oriented band we were to be produced by a keyboard player,
　　but then it all turned out well, although there were differences every now and
　　then. I kind of got my teeth into the decision not to be singing anymore, but in
　　retrospect it was good - I'm no singing talent, you can convince yourselves with
　　the demos, haha! Finally, it became a nice album with everything we wanted at
　　that time: Rocking guitars, a few spacy sounds, much atmosphere. Tiamat and
　　Paradise Lost then were important influences, and you can right hear that. We
　　still are very concerned about many of those songs, and no matter we already
　　have played them a thousand times, they still are fun." (Marco)