Sacramento’s Deftones spent most of the ‘90s feverishly navigating the fringes of alt-metal. By 2000’s White Pony, they had effectively seized that scene, drowning its rage and recklessness in a moody, muddy stew of experimental metal, shoegaze, post-hardcore, and ambient noise. Opener “Back to School (Mini Maggit)”—a tidier rewriting of final track “Pink Maggit”—documents th...(展开全部) Sacramento’s Deftones spent most of the ‘90s feverishly navigating the fringes of alt-metal. By 2000’s White Pony, they had effectively seized that scene, drowning its rage and recklessness in a moody, muddy stew of experimental metal, shoegaze, post-hardcore, and ambient noise. Opener “Back to School (Mini Maggit)”—a tidier rewriting of final track “Pink Maggit”—documents that takeover in radio-friendly format. Punctuated with adolescent angst, frontman Chino Moreno’s overblown raps bounce off the metallic squall as if ricocheting through locker-strewn hallways. But the rest of the album teases and torments within far more debaucherous environs, starting with the title itself, White Pony, a symbol of sex and a certain powdered stimulant. Lead single “Change (In the House of Flies)” speaks to the mania those corporeal pleasures can elicit—its menacing plod gives way to an explosive chorus, then a sinister request: “Give you the gun, blow me away,” Moreno chokes out at the bridge. It’s certainly not the only time he flirts with death. On “Digital Bath,” he daydreams about an electrocution, whispering seductively under the narcotic spell of a liquidy synth; on “Passenger,” he trades taunts with Tool’s Maynard James Keenan on a whiplashing ride that’s heading straight to either transcendence or hell. Guitarist Stephen Carpenter plays the willing accomplice throughout, slipping between silvery, snaking licks and atonal riffs. Meanwhile, keyboardist Frank Delgado washes it all in ghostly drones and gurgling effects, capturing a mood that ripples between paranoia and euphoria. It all makes for an intoxicating brew, one that Moreno blissfully bathes in on “Knife Prty,” in which he confesses: “I could float here forever.”
曲目
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"Back to School (Mini Maggit)" – 3:57 "Feiticeira" – 3:09 "Digital Bath" – 4:15 "Elite" – 4:01 "RX Queen" – 4:27 "Street Carp" – 2:41 "Teenager" – 3:20 "Knife Party" – 4:49 "Korea" – 3:23 "Passenger" – 6:07 "Change (In the House of Flies)" – 5:00 "Pink Maggit" – 7:32
0 有用 豆友55866737 2014-06-07 16:08:47
不一样的编曲,主唱的嘶吼,都太棒了
0 有用 Revlekt 2008-01-11 23:38:32
最爱的deftones专辑。
3 有用 陈水-欠扁 2013-01-09 20:09:21
很耐听的一张,主唱的声音必须给加分。Pink Maggit后段的爆发太赞了。
0 有用 ada 2012-04-05 16:33:25
偶尔听个金属还成...digital bath和knife party各加半颗星吧...
0 有用 |53/V> 2007-09-09 16:45:17
总的来说不好听
0 有用 Alexspiegel 2023-10-15 16:42:56 北京
太美了 Mini maggit到pink maggit的转向很像是对乐队创作理念发展的总结 但主要还是情绪质感和风格上面的变化
0 有用 假文青 2024-03-14 13:45:21 陕西
有一个好的outro会大大提高我对一张专辑的评分
0 有用 胡萝卜花之王 2023-10-28 14:17:15 江苏
唱的太好了
0 有用 苏联出租车 2024-03-15 04:39:58 美国
终于听进去了 混音还是不是很喜欢
0 有用 ♟👔☔∠ 2023-11-05 13:07:05 福建
新金属和我八字不合,但这张还是值得四星 @2022-03-28 12:04:11