Founder of Berlins Digital Hardcore Recordings, Alec Empire created some of the most musically diverse works of the 1990s, recording both as himself and with the trio Atari Teenage Riot. Empire was often identified with (and pigeonholed because of) his ATR productions — lo-fi breakbeats played at the speed of thrash that simultaneously embraced the energy of punk, the uncompromising ferocity of industrial music, and the futurism of techno. On...(展开全部)Founder of Berlins Digital Hardcore Recordings, Alec Empire created some of the most musically diverse works of the 1990s, recording both as himself and with the trio Atari Teenage Riot. Empire was often identified with (and pigeonholed because of) his ATR productions — lo-fi breakbeats played at the speed of thrash that simultaneously embraced the energy of punk, the uncompromising ferocity of industrial music, and the futurism of techno. On his solo albums, however, Empire ranged through isolationist ambient, electro, breakbeat, hard techno, even twisted lounge music. As such, he gained fans in several fields while recording for the German experimental/electronic label Mille Plateaux. Still, his first American exposure came when the Beastie Boys Grand Royal Records signed Atari Teenage Riot in 1996.
Born on May 2, 1972, in West Berlin, Alec Empire was early influenced by rap and the breakdancing scene. Later he began listening to early punk and played in several bands during the late 80s. By the turn of the decade, Empire became fascinated by the sound of acid and techno, though he detested the drug culture inherent at raves. He began recording EPs for Force Inc — as well as their subsidiary, Mille Plateaux — and formed Atari Teenage Riot in 1992, with Carl Crack and Hanin Elias. A slightly more rock-oriented project, ATR nevertheless focused on the extreme: their political themes and screamed vocals were inspired by punk, but the music concentrated on acid synth and distorted breakbeats. After an Atari Teenage Riot deal with British Phonogram collapsed, Empire used the cash in hand from the Phonogram contract to found Digital Hardcore Recordings in 1994, releasing EPs that year by himself as well as EC8OR, DJ Bleed, and Sonic Subjunkies.
The Destroyer 8.9
