e.的音乐

Chan Chan From Alto Cedro,I'm going to Marcane I get to Cueto,then go to Mayari The love I have for you,I cannot deny My mouth is watering.I can't help myself Juanita and Chan Chan,play together on the beach How her bottom shakes.How Chan Chan is aroused Clear the path of dry cane leaves Because I want to sit down On that trunk over there.Or I might not make it. 2 Asleep in my garden Amid the gladioli and the roses And the white lilies My soul feels sad and heavy From the flowers I wish to hide my bitterpain I don't want the flowers to know the torments that life gives me. If they know what I'm suffering for my sorrows, they would cry as well. Silence,for they are asleep The gladioli and the lilies I don't want them to know my sorrows For if they see me crying,they'll die. 3 Two Gardenias for you With them I mean to say I love you I adore you Pay them all your mind They'll be your heart and mine. Two gardenias for you With all the warmth of a kiss Kisses you'll never find in the arms of another They'll live beside you,and talk to you as I do. And you'll believe they're saying "I love you" But if one evening,my love's gardenias should die It's because they'll have discovered that you've betrayed me for the love of another. 4 What matter if I love you,if you don't love me any more? A love which is in the past should no longer be remembered I was the love of your life, once so very long ago But now I'm part of the past,and I can't agree to that If all the things we want were within our grasp Then you'd love still as much as twenty years ago With sadness we watch our love fade away A part of our souls so heartlessly torn apart 5 On a tree trunk,a young girl carved her name withjoy And the tree,touched to the core let a flower fall for the girl I am the tree,so sad and moved You are the girl who hurt me so I'll always treasure your dear name But tell me,what became of my poor flower? 6 Along the road by my house A merry cart-driver went by His songs came from the heart Like ajolly country boy he sang I'm going to the rail crossing,to unload my cart And so end another day of this back-breaking task I work without respite so that I can get married And if I can manage that I'll be a lucky country lad I'm a country lad and cart-driver,and in the country I live well. The country is the Garden of Eden,the loveliest in the world Let's ride our horses to the mountains 7 Cienfuegos has its Guaguanco Today I am very moved I will sing to my land To that famous region known as the Pearl of the South ( to be continued )

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这样，就不会乱了。 ~ Why does the sun go on shining? / 太阳为何依然照耀 Why does the sea rush to shore? / 海浪为何拍打着岩岸 Don’t they know it’s the end of the world? / 难道它们不知道这是世界末日 ‘Cause you don’t love me anymore / 因为你不再爱我了 Why do the birds go on singing? / 鸟儿为何依然歌唱 Why do the stars glow above? / 星星为何在天上闪耀 Don’t they know it’s the end of the world? / 难道它们不知道这是世界末日 It ended when I lost your love / 当我失去了你的爱 I wake up in the morning / 当我清晨醒来 And I wonder why everything’s the same as it was / 纳闷着为何一切如常 I can’t understand, no I can’t understand / 我无法了解，我真的无法了解 How life goes on the way it does / 生命怎会像往常一样运行 Why does my heart go on beating? / 我的心为何仍在跳动 Why do these eyes of mine cry? / 我的双眼为何在流泪 Don’t they know it’s the end of the world? / 难道它们不知道这是世界末日 It ended when you said goodbye / 当你说再见的时候

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Pandit Pran Nath（पंडित प्राणनाथ）生于1918年，逝于1996年6月。是世界著名的北印度声乐大师，还教育过重要的西方新音乐作曲家，特别是Terry Riley和La Monte Young。 　　Pran Nath的老师Ustad Abdul Wahid Khan逝于1950年，是20世纪公认的Kirana派大师。因为他在全印度广播电台（All India Radio）的演出，Kirana派成了那个时代最具影响力和最流行的古典流派。从30年代晚期开始，Pran Nath也被聘请去为全印度广播电台表演，并迅速成为该派的新一代大师。在印度长期的事业之后，Pran Nath于1970年遇上了美国作曲家Terry Riley和La Monte Young，以及La Monte Young的妻子视觉艺术家Marian Zazeela——三者都成了他的弟子。通过他们的努力，Pran Nath开始了他在西方的教育和表演生涯。 　　纵观Pandit Pran Nath的一生，他谢绝参与迎合现代流行趣味的演出（那在当时非常常见），即使那能给他经济待遇提升的机会。他的作品总是包含着对纯粹传递的探求，从音质和音调的细微差异中，来寻找适合的心情和恰当拉加（rage）音乐。 　　这张唱片是1971年录制于纽约的。其中，除了Pran Nath的声乐之外，还有塔不拉双鼓（Fayyaz Khan演奏）和坦布拉琴（La Monte Young和Shyam Bhatnagar演奏）。 http://deepseekeeper.blogbus.com/logs/42256384.html

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Rondo Veneziano的生涯真正开始于80年代早期。当时已成为知名的为意大利最重要的艺术家作曲、编曲的Gian Piero Reverberi决定，召集从意大利各个不同的音乐学院毕业的学生，组建一个乐队，把它命名为Rondo’ Veneziano。当时他可能并没有意识到，他所创造的会令他举世闻名。 这个在最初创建时的室内演奏乐队，后来被加进很多节奏性元素以改善18世纪的传统音乐形式。这就是古典元素（Oboe, Flauto, Corno, Archi, Pianoforte）和现代元素（Batteria, Chitarra Basso, Synth）如何在作品当中相互融合的过程。这支乐队最主要的特点就是它的独创力和它所有作品的独特性。有时他们会演奏贝多芬、维伐尔地、莫扎特和巴赫的作品，但是这支乐队主要演奏的还是由Gian Piero Reverberi自己创作的作品。乐队在台上演出的时候穿着的衣服和戴的假发都是流行于18世纪的。Rondo’ Veneziano录制的一张张专集在欧洲的很多国家都被认定为白金唱片，其销售量更是超过了2500万张。而这支乐队的发展仍在继续…… 名词解释： 回旋曲：古典时期一种节奏轻快的曲式。其中的主要乐段会与其他乐段 轮替出现。回旋曲大多出现于协奏曲或奏鸣曲的终结乐章，但也会独立乐曲的形式出现。 跃动的琴弓，温柔的木管,节奏鲜明的电子鼓,甚至他们的夸张服饰,,都成为人们疯狂热爱的对象.充满巴洛克风格的古典韵律,加上现代的电子结构,跨越流行于古典之间的沟壑.

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