pepper ann的音乐

还记得去年的5，12我也发了张chants专辑《mercy songs》 而今年还是觉得用自己的方式做点什么，如果明天黑白装出门，并且再次课堂默哀三分钟我也可以做到。只是很多时候我们对汶川的纪念被赋予了太多的概念或仪式。汶川之于我们其实更多是源于人之所以为人，你之所以为你的品质吧。 Scala and Kolacny brothers是一个比利时女子合唱团,现在团员已经超过200人，这张专辑就是他们用古典的方式演绎的经典曲目。 姑且希望这是一张童声合唱的圣曲，保佑在那边的你们，一年过去了，一切也必将好起来。 专辑下载 http://www.rayfile.com/files/10d992a8-3d3e-11de-81c7-0019d11a795f/ 个人很喜欢很喜欢的 mercy songs 地址在此 http://www.douban.com/subject/3065483/?i=0 试听http://www.tudou.com/programs/view/hcYDwMCI9Yo/ 要下载地址的话 留言或豆油我上传吧

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要不是新砖镜化般的观照我会以为我还是活在去年的日子里 被箱琴曲调包裹严实的冬天 还有电子节奏亢奋在空气中的夏天 似乎有这些介质四季就会真的不再显得寂寞了 letter from you，this house called love，this poison called love，miss underwater 就像lady sleep 一般唤醒一个沉睡的姑娘 抑或是一首在耳边唱一曲摇篮曲那般轻盈 舒心 我记得以前关于他的某段访谈他说过 睡眠就像是情人 在睡去的时候来到你身边 在醒来的时候离开 情人幻化为睡眠 细腻别致 那么就一起潜入湖底 共赏圆月 summerwaste 这首让我想起lady sleep那张砖里同样关于夏天的曲子《summer days in bloom》而这砖里面 轻盈的鼓点更加让人兴奋 电子节奏舞动出一个夏天的轮廓 没让我失望 one day 听起来是悠扬不息的 添加了大提琴的伴奏更加沉稳 一如胸腔积起的气场足以包容很多冷暖 这个冬天不冷 奉上王小波写给李银河的一首情诗来配合这张美好的专辑： 麦子熟了 天天都很热 等到明天一早 我就去收割 我的爱情也成熟了 很热的是我的心 但愿你 亲爱的 就是收割的人 并且奉上他在今年八月自己所写的一段关于自己音乐理念的解释：I write songs, because, to emotionally survive, I need to unblock the channel to my soul with the help of music to finally be able feel and to finally be able to express my deepest longing. A longing for disembodiment, a longing for an unsubstantial infinity, a longing for reunification with a lost entirety. Spoken psychoanalytically: the longing for reunification with the primary object to fill the fundamental gap that its lost has left. I am neither a depressed nor a sad nor a melancholic person. In my eyes, my music is all about BLISS. For me, bliss means being able to feel. It means being able to have intense, deep emotions, no matter if it's happy or sad emotions. It means wallowing in melodramatic emotions. It means living through the initiation rite of deep agony and feeling as free as never before when the agony is over("catharsis"). This all means bliss to me as, in my everyday life, I have a problem to feel, as my "emotion-free", strict, controlled and rational everyday life character suppresses my emotions and blocks the channel to my soul. As said before, my music eventually enables me to unblock this channel. It allows me to perceive my soul, my true Self. It allows me to finally feel. When I left my hometown and started to live my own life ten years ago, I started to wonder who I am and what I want. When you're on your own for the first time in your life, the first path that opens is "conformity": living a life according to the parents' and the society's values, also known as "superego". This is the path that I walk on most of the time in my everyday life . The superego forces me to be "emotion-free, strict, controlled and rational", like described before. The other, contrasting path that opens is "rebellion": doing and representing the opposite of what the superego demands. This path allows me to feel free and "godlike". Hence, my music for me means rebellion against my superego. My Music is the advocate of my soul. The general problem is that the "rebellion-path" is as non-emancipated as the "conformity-path" - as one still lives his life in a virtual dependence of his parents/the society. The third path now, almost invisible at first, has more and more unveiled over the last years. That path is the one I need to walk on. That one will finally lead me to my Self without the need of rebellion, without the need of artistic creation. Walking on this path and daring to finally cross the bridge to my soul for good, not just temporarily, like with the help of my songs, that is the actual initiation rite of becoming a human being. It's a hard task that might take a lifetime.

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这样的音乐看来只有半夜听才能进入这氛围 有自然万物的声音 夏至的雨滴声 人在草丛里走动的脚步声 鸟叫声 风摆声 铁轨声 地下室孩子的叫嚣声 海滩边人们玩乐的欢笑声 携带着这样的声音仿佛在旅途中走过了很多个自然风景 伴随着隆重的实验声效 实验的声响带进一片自然沼泽地边 让人畅想开来 就像封面那般明净自然 而女声在第二首 moonlight shadow 中缓缓推出 把歌曲融合进了甜美柔和 实验的空灵＋甜美飘逸的女声＋自然万籁声响----perfect! 关于歌曲的氛围推进之间有种光转琉璃的美感 女声出现在中间部分的歌曲 之后在末尾曲子中消失 一步步把人挽向最神往的景致之中 回首之间声音找寻不到了 可能只是一场回忆在上演 曲终人散

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quiet heart 2年前听到的 一直以为很英伦 厚重的贝司 伤感的词 不缓不慢的调调 庸懒的声线 是kent迷人的地方 原来他是瑞典的 认识了他

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