走走看看的音乐

或许你很难想象,但其实任何动物都会歌唱,只要你融入牠们的心扉,倾听牠们的心跳,便可以感受到牠们跟人类一样有着丰富的情感,有着动人的故事!从加拿大育空地区的<狼>开始,风潮谱出了接二连三的狼之音乐风云。 凄美悲壮的苏格兰乐风.上演着一出<狼>的音乐祭。由马修连恩率领的30位音乐工作者，以音乐与人性记录了在原野上被人们大量屠杀的狼群的故事。 狼群目睹着同伴　断气在人类枪下的　身影 它们的眼神中　没有恐惧　只露出一股沉静 那是原野上的傲气　天生的野性　随风而去吧。 在原野还能奔跑 血液尚未流尽之时　回首凝望 无法舔舐同伴的鲜血　就带着它的灵魂浪迹天涯 这就是狼……

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The long absence of Stoa from the musical world has been glaring since they left Hyperium Records in 1997. It also does not help that they have not released an album since 1995 with "Porta VIII" (a re-release is expected shortly). 　　Cut to 2002 and Olaf Parusel has re-emerged under the banner of the brilliant band which is Stoa. This is worth owning more than any number of the so-called "neo-classic" samplers which have exploited this style which creation Stoa was part of in the early nineties. Along with bands such as Ophelia's Dream, Anchorage and Love Is Colder Than Death, Stoa was part of Hyperium's elite in terms of this style. The pairing of synthetic instruments with classical arrangements is what neo-classic is all about and these bands, led by Stoa brought into the world a wonderous new style; truly a classical approach without any of the dreaded world music influences which later derailed pioneers Dead Can Dance. 　　The classic style of Stoa flourishes beautifully on this new album. Masterful string arrangements abound and are accompanied by some scorchingly astounding vocals by Antje Buchheiser. Add to this some sombre oboe work and crystalline cello playing and you have an album which will reduce you to a torrent of emotional jelly. 　　There is one thing and one thing only which angers me about this album, of the eleven tracks, only eight are new. The other three have been issued on compilations over the past eight years. It is for that reason they only get a seven. 　　This disc is a fine return to form for Stoa and I really hope they don't take so bloody long with the next one. 转载

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