苹果的音乐

有意思的，会想起童话里戴着尖尖睡帽的小鬼，踢着袜子，拎着衣裾，在夜里踮着脚尖行走 还会想起i am robot and proud 还会想起haydn的101#时钟 又回复到自己一人居住的日子 可以随便穿一件睡衣披着毯子在小小的房间里行走坐卧 很快乐

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15世纪英国乡下民谣来的，而且还被卷入了arkansas的禁酒史。具体看这里http://www.oldstatehouse.com/exhibits/changing/john-barleycorn/who_is_john_barleycorn.asp 有的评论说Traffic had one of the most original (and interesting) sounds in British rock, and not only because of their eclectic musical influences, which embraced psychedelia, folk, jazz, soul, R&B, and even classical. Their unique sound was also the result of their unusual instrumentation. 包含了这么多风格，我是不是可以叫他们fushion rock捏？配器编曲倒没觉得什么，那年头的东西我觉得都这样，好像多用到jazz organ和长笛而已，应该也不算什么稀奇罢 附上麦粒儿必死的词 John Barleycorn Must Die! There were three men came out of the west, Their fortunes for to try. And these three men made a solemn vow: John Barleycorn must die. They've plowed, they've sown, they've harrowed him in, Threw clods upon his head. And these three men made a solemn vow: John Barleycorn was dead. They've let him lie for a very long time, Till the rains from heav'n did fall. And little Sir John sprung up his head, And so amazed them all. They've let him stand 'till midsummer's day, Till he looked both pale and wan. And little Sir John's grown a long, long beard, And so become a man. They've hired men with scythes so sharp, To cut him off at the knee. They've rolled him and tied him by the waist, Serving him most barb'rously. They've hired men with the sharp pitchforks, Who pricked him to the heart. And the loader, he has served him worse than that, For he's bound him to the cart. They've wheeled him 'round and around the field, 'Till they came unto a barn, And there they've made a solemn oath, On poor John Barleycorn. They've hired men with the crabtree sticks, To cut him skin from bone, And the Miller, he has served him worse than that, For he's ground him between two stones. And little Sir John in the nut-brown bowl, And the brandy in the glass. And little Sir John in the nut-brown bowl, Proved the strongest man at last. The Huntsman, he can't hunt the fox, Nor so loudly blow his horn, And the Tinker, he can't mend kettle nor pot, Without a little Barleycorn.

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once upon a time, there was a wonderwall, there was a kid a and there was a kid b kid a counted and studied wonderwall's bricks everyday kid a was about to write a book of its history and wanted to know everything about it then came kid b from nowhere kid b was interested in kid a for no reason or the only reason was passion whatever, they started to build a friend ship to memory their friendship time passed by, day and night kids were kids. they found new favorites and said bye to each other well, story is not truth. so let the truth be and leave the story here stories are nonsense. that's my point

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想我年轻的时候，还真是无比热情、碟碟不休。。。 我忘了用试听机之前怎么买磁带和cd了，不过用了试听机之后我的收藏量仍不见长，还是觉得仿佛已经没有人会沉下心做比较自我的音乐，听那种美妙的碟比每周一次大M的5号套餐还让人厌烦 你想小资么？你想愤青么？你想一边大骂这世界就是一坨屎一边享用你那或许曾经与众不同但最终还是回归大众的青春么？来买打口碟吧！！！ 打口是一个非常诱惑的词，就好像在一只耳朵上打了十几二十个耳洞一样，稍不留心就触动了某根神经让你的屁股拔地而起。有一阵我都觉得听摇滚不闹几张我就对不起那些辛辛苦苦在碟片上扎眼儿的同志和秉着革命大无畏精神孜孜不倦往外倒腾的有志中青年。但其实打口碟不一定有口，我就弄过两张jazz一张bing crosby & andrews sisters的纪念双cd是完好的原盘。另外一张mono盘心上有一个眼儿，如果要对其进行技术处理也就是把它尽量抹平，就要用到一种叫做‘弹’的技巧，细节在这里就不赘述了。但最终我还是一头扎进了d版的海洋，价格便宜量又足，虽然我的老48x的cd-rom有点儿挑盘，耐不住老板态度好啊，总能换到一张能读的，嘿嘿 暗箱是camera obscura，又是一个苏格兰indie pop，今天听的Biggest Bluest Hi-Fi（2002）和Underachievers Please Try Harder（2004）。02年有belle&sebastian的Stuart Murdoch操刀，所以你一听就觉得b&s，另外还有点儿paula kelley。04年依然b&s，唉，谁叫他们都苏格兰呢，不过。。。请看amazon给的文案：Camera Obscura create lilting, sophisticated melodies that draw similarities to the work of contemporaries such as Belle & Sebastian, The Clientele or Trembling Blue Stars, but are also rooted in more classic sounds such as Nick Drake, Donovan or Petula Clark. Songs drift and linger like clouds in a summer sky, with gentle hooks and breezy vocals that stick in your head like a pleasant memory.

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