magnovich的音乐

已经不是the diary of alicia keys那个时候的ak了，不好听，不真诚，不聪明。以前喜欢过的女人现在变傻掉了。

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Original Release Date: December 18, 2007 Number of Discs: 1 Format: Soundtrack Label: Wea/Atlantic/Nonesuch ASIN: B000XA50M Guitarist Jonny Greenwood has composed a hauntingly dramatic instrumental score for Oscar nominated writer-director Paul Thomas Anderson s ambitious new film, There Will Be Blood. An adaptation of the Upton Sinclair novel Oil!, the movie features Daniel Day-Lewis in what The Hollywood Reporter has described as a powerhouse performance... it s a certain awards contender. Greenwood s remarkable compositions, written primarily for strings, have already garnered considerable praise in advance reviews. The score resembles his rock compositions only in the level of daring and inventiveness to be found throughout these tracks and in the unsettling atmosphere he is able to conjure at key moments. Greenwood s score is more indicative of his current collaborations with the BBC Orchestra as Composer In Residence activities closely followed by Pitchfork Media and The Daily Swarm. In fact, the score incorporates material from two orchestral pieces he created in that position, smear and Popcorn Superhet Receiver, which will have its U.S. concert premiere this January when Greenwood appears at the Wordless Music Series in New York City. There Will Be Blood takes Anderson in a radically different direction than his celebrated earlier films, Boogie Nights and Magnolia dazzling, attention-grabbing movies marked by multiple plot lines, ensemble casts and surreal visual elements. His last project,Punch Drunk Love, was a sophisticated comedy-drama with a smart pop score by composer-producer Jon Brion, released on Nonesuch in 2002. Anderson s new work is a stark period piece filmed on arid Texas plains; critics have likened it to the brilliantly austere work of such revered directors as Stanley Kubrick and Terence Malick (Days Of Heaven). The Hollywood Reporter called Greenwood s score captivating...greatly contributing to the sense that tectonic forces lie beneath the drama. The soundtrack to There Will Be Blood will appeal to serious movie-music fans, who will appreciate this rare find: an intelligent, beautiful and deeply cinematic orchestrated score performed by the BBC Orchestra and London Sinfonietta that can hold its own next to the classic work of such composers as Bernard Herrman, Elmer Bernstein and Ennio Morricone. 1. Open Spaces - Jonny Greenwood 2. Future Markets - Jonny Greenwood 3. Prospectors Arrive - Jonny Greenwood 4. Eat Him By His Own Light - Jonny Greenwood 5. Henry Plainview - Jonny Greenwood 6. There Will Be Blood - Jonny Greenwood 7. Oil - Jonny Greenwood 8. Proven Lands - Jonny Greenwood 9. HW/Hope Of New Fields - Jonny Greenwood 10. Stranded the Line - Jonny Greenwood 11. Prospectors Quartet - Jonny Greenwood This album marks Radiohead guitarist Jonny Greenwood\'s first high-profile soundtrack--and one that\'s also easily among the most striking offerings of 2007. Music is particularly important for director Paul Thomas Anderson (remember Magnolia and Punch-Drunk Love?) and here, his choice of Greenwood is a gamble that more than paid off. The score is extremely string-heavy, and tension (of which there\'s plenty in the Upton Sinclair-based movie) derives from them instead of the usual percussive Hollywood tropes (indeed, percussions are almost entirely absent from the CD). \"Henry Plainview\" and \"Proven Lands\" are part of a larger piece, Popcorn Superhet Receiver, that Greenwood wrote as Composer-in-Residence at the BBC; both cues display the musician\'s imaginative use of strings, suggestively scary on the first, pounding and creepy on the second. But Greenwood also knows when to bring in a new instrumental voice, as with the Satie-like piano on \"Prospectors Arrive.\" Equally at ease writing for a string quartet and for a larger orchestra, Greenwood has come up with compositions closer to the new-music world that to the vast majority of scores coming out of Tinseltown--something we should be really grateful for. This is a new, exciting direction for film music. --Elisabeth Vincentelli

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依旧是jarring effects出品，这帮法国农民兄弟出唱片真快呀，简直比我写稿还快，而且要卖12点几欧，不便宜。 《x-ray》很熟，貌似去年在rojam演出的时候就听到过这首，里面还有《999朵玫瑰》的采样，犹如某同学借尸还魂，昏过去了！ 听到hip hop的影子，jungle的节奏，唤起我老人家在几年前的某些夜晚跟着drum & bass跳到脚软的回忆，乌烟瘴气，浑身乏力，还可以看到世界民族音乐大团结的光辉音景。 总体感觉较为dirty and dark，倒是符合一贯的high tone风格。 最初几遍听下来，的确是track 3和track 4比较出色。track 4《ask the dust》极富映画感，一种非常强烈的在半夜三更看film nior的感觉，那种让人精疲力竭的电影！ 最后并且最为重要的是：封套设计得真嗲。 封套大图： http://jarringeffects.net/media/artistes/high_tone/full_fx66.jpg

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前几天sonybmg的人寄来这张唱片，才发先居然有引进版了，这个小子看起来最近很红。《too magazine》第一期采访《theme》杂志主创人员，也提及，如今纽约最值得期待的音乐就是mark ronson的，看到这段搞得我对theme的印象一下子变得无比好。 我最早喜欢上此男因为网上流传的那首《just》的MV，那是2006年初……long long ago了。该MV用了很多街头涂鸦的元素，无比好玩，还有一个“radiohead”的动画形象──因为歌就是翻唱radiohead的，我觉得比原唱好听。 然后就开始explore此名funky佬。感谢风子同学给我弄到了他的所有音乐！ 他的音乐么，听整张有时候会腻味，但是一首首打散到playlist里去听就很好听，每一首的制作都很好，用了好多funk。我觉得我期待他制作的音乐多过期待他的dj set，不过后面这个其实至今都还没有听过。但是如果有机会的话，我也会很期待copy他电脑硬盘里的音乐，应该蛮丰富的。 JUST是被收入到2007年的《Version》专辑里的(也曾被收入到著名radiohead翻唱专辑“Exit Music: Songs with Radio Heads”)，整张专辑除了转场音乐都是重新制作现成歌曲，请来不同音乐家合作，属于“creating new music with reproducing existing songs”的高级玩法。每一首都是既featuring someone，又covering someone，很像一个才能非凡的杂志编辑所做的事情。 个人觉得《Version》比上一张《Here Comes the Fuzz》好，上一张太像一个DJ出的专辑了，还用了一些Hip Hop。《version》就比较象一个制作人出的专辑。 但是《Here Comes the Fuzz》有几首很雌的歌曲被我放到party music random list里去了，比如《Ooh Wee》。 反正，两张专辑都显示了mark ronson的非凡音乐才能，此人要是变成未来流行音乐界的金牌制作人，我是一点都不会吃惊的。 说起来，他也是很早就开始和lily allen合作的，在她名声还没有现在大的时候。 ×××× 《Just》MV： http://www.youtube.com/watch?v=fxu5CUPRU-U MR先生的myspace一直是我了解他的唯一渠道： http://www.myspace.com/markronson

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