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《Regő Rejtem》匈牙利文歌词及英文翻译
从互联网收集整理的~非常棒的英文翻译。暂缺的歌词我会尽快补上。 括号内的为英文翻译。 01. Regő Rejtem Hát szöki most Lélek, csontbörttönből azúr égbe, balzsam-szárnyú szellő szárnyán Hej hej hej regő rejtem Hát nílj most meg ég ősök szavát visszha...(0回应)
从互联网收集整理的~非常棒的英文翻译。暂缺的歌词我会尽快补上。 括号内的为英文翻译。 01. Regő Rejtem Hát szöki most Lélek, csontbörttönből azúr égbe, balzsam-szárnyú szellő szárnyán Hej hej hej regő rejtem Hát nílj most meg ég ősök szavát visszhangzó tér ajtód Hét-világra tárd ki, Hej hej hej regő rejtem Őserő, törj elő Ég torkából Föld gyomrából Hát éldj most láng Lélek mélyén izzó parázs mutasd utam szellemvilágban Hej hej hej regő rejtem Hát nyílj most meg ég, ősök szavát visszhangzhó tér ajtód Hét-világra tárd ki, Hej hej hej regő rejtem 【Rise now light begotten Spirit, from thy earthly abode to the azure aether, on the balmy breath of welkin Hey hey hey regö rejtem Open now celestial vastness, echoed with the whispers of the Elders, open thy gate to the Seven-Worlds Hey hey hey regö rejtem Spring forth Power Divine, from the throat of Sky, from the womb of Earth Burn up now inner flame, living fire of the soul, guide me in the realm of the astral Hey hey hey regö rejtem Open now celestial vastness, echoed with the whispers of the Elders, open thy gate to the Seven Worlds Hey hey hey regö rejtem】 02. Örökké (Amaranthine) 匈牙利文歌词暂缺 【Cover me with the mantle of Earth my fair one, let blissful dream embrace me, let the rain wash out my blood, let the depth of fallen, russet leaves entomb me Spread my ashes Brother Wind, carry my remains Sister Stream Let me be the seed of a new beginning, the cradle of the new-born Weep no more my beloved, I stay here in this world I, reborn as a child of the fathomless firmament, a star that rises at evening, bright, toward heavens 】 03. Avarálom (Lament of the Long Forgotten) Rozsdás erdő mélyén fekszem, magány-szőtte csönd a leplem, őrzöm kéregbe zárt korok titkát, vén világok parázs-hamvát Elhagyott mind az Ember Fia Futott tova sötét korba Hívta falka sűrű éjbe Vadat űzni dühben égve S elhal lassan at Ősök szava Nincs már fül ki meghalgassa Táltos világ hull a porba Én maradok cask egymagamban Rozsdás erdő mélyén fekszem Magány-szőtte csönd a leplem őrzöm kéregbe zárt korok titkát, vén világok parázs-hamvát 【I lie hidden deep in rustry wood, solitude-woven silence is my shroud I guard the secrets of bark-imprisoned aeons, the dormant embers of elder worlds Alas ! The Son of Man has left me, running forth into the Kaly Yuga, into the lightless realm of Maya, to chase a game that never was And slowly fades the voice of the Ancients, left no ears to listen, Behold, an arcane world falls into ashes, and I stay here forlorn and forgotten I lie hidden deep in arusty wood, solitude-woven silence is my shroud I guard the secrets of bark-imprisoned aeons, the dormant embers of elder worlds】 04. Szarvaslélek (Deerspirit) 匈牙利文歌词暂缺 【Awake my spirit from thy bed of bones, unfetter thyself my bounded soul, on the path of Luna, on the Ancient's wake, rise towards the Sun-god's realm Wise Elder of Heavens and Earth, re-awaken my Deerspirit, let me gallop like in times bygone, freely on the Celestial Fields】 05. Föld Szíve Dobban (The Awakening of the Soul Unfettered) 匈牙利文歌词暂缺 【I am the one that runs with the balmy wind, the Sun-antlered stag, I am the one that wanders the Night, the wolf that greets the Moon opiate The one that holds the Sun, the one that greeds the Moon I am the seed that waits to be born, the bent, aged oak of the wilderness I am the crystalline water of the spring, the dancing flame of ancient fires The crystalline water, the dancing flame My heart beats with thine, I feel thy power deep inside, I am one with thee now, Elder Spirit of the Earth An arcane world, its gates are open now, a world that knows no time, infinite and bournless】 06. Csillagnász (Stellar Wedding - instrumental) 07. Rögből Élet (The Soil Bound and Sky Begotten) Egy vagyunk mind, rögből Élet maggyermek Föld-bölcsőben Fény vagyunk mind, tüzes Lélek, mely izzik, lüktet, újul, szület Egy vagyunk mind, röből Élet Mélyről törünk magos, Égre Fény vagyunk mind, tüzes Lélek, Vágy hajt minket új ösvényre Napagancsos Öregisten Erőd zúgjon ereinkben Holddal ékes Istenanya Vezess vissza csillaghonba Mutass utat, Égi ösvényt Lélekben megbúvó Fényt Hulljon világ árnyfala Nyíljon öröklét ajtaja 【One we are, substance soil-bound, seed-children in hoary Earth's womb Light we are, fiery-winged Soul, that glows, throbs and reborns One we are, substance soil-bound, from the Great Void we rise skyward Light we are, fiery-winged Soul, led by the deathless Desire Sun-antlered Father of All lend us thy ardent might, Moon-adorned Mother of All lead us back to our sidereal home Lay bare our star-wrought path, the Light eternal, hidden deep inside let the Veil of Isis fall, open wide the gate of Eternity】 08. Éjköszöntő (Prayer to the Night Mother) 匈牙利文歌词暂缺 【Silver-shaded Mother of Night, by the skirts of gray cloud, come, long-sought, and cover us now with thy mantle, star-inwrought Awake stellar-manifested world, mystery-entolted realm of stars, cradle us in thy somniferous arms, weaver of dreams, Mother of Night Let us forget and dream, bathe in thy silver moonlight, let our souls return, to the Empyrean Abode Let us forget and dream, let the sorrow be absorbed, let our tears dry up, in thy Stellar Home】 09. Holdtánc (Moondance - instrumental) 歌词版权为The Moon And The Nightspirit所有,这里提供的歌词仅为欣赏和教育目的。 The Moon And The Nightspirit lyrics are property and copyright of it's owners. Lyrics are provided for educational purposes only.
中世纪复调咏唱(Notes)
St. Martial de Limoges Polyphonie Aquitaine du XIIe siècle Ensemble Organum - Marcel Pérès Harmonia Mundi 901134 Reissued as Harmonia Mundi "musique d'abord" 1901134 & in Harmonia Mundi 2908042/44 Contents: Domine labia mea aperies Deus in adjutorium meum Christus natus est nobis...(0回应)
St. Martial de Limoges Polyphonie Aquitaine du XIIe siècle Ensemble Organum - Marcel Pérès Harmonia Mundi 901134 Reissued as Harmonia Mundi "musique d'abord" 1901134 & in Harmonia Mundi 2908042/44 Contents: Domine labia mea aperies Deus in adjutorium meum Christus natus est nobis Psalm: Venite, exultemus Domino Hymn: Christe redemptor omnium Versus: O primus homo coruit Jube Domine Lectio: Primo tempore alleviata est Repons: Hodie nobis caelorum rex Prosa: Laude jocunda melos Repons: Angelus ad pastores Versus: Veni solis radius Lectio: In omnium requiem quesivi Repons: O magnum misterium Benedicamus Domino Stirps Jesse Deo gratias Performers: Gérard Lesne, Dominique Vellard, Josep Benet, Josep Cabré, Philippe Balloy, Marcel Pérès Playing time: 53' Recording date: November 1983; re-released: 1987 This is an all-male vocal recording, interspersing chant & polyphony. Although the Notre Dame repertory is probably more central to the historical development of polyphony, and certainly better-known, the Aquitaine repertory is earlier and presents some interesting harmonic features of its own. The contemporaneous recording of a similar program from Notre Dame: École de Notre Dame (Période romane) Messe du Jour de Noël Ensemble Organum - Marcel Pérès Harmonia Mundi musique d'abord 1901148 Another important recording of similar material, but without plainchant interspersed: Shining Light Music from the Aquitanian Monasteries, 12th century Sequentia Deutsche Harmonia Mundi 77370 A couple of recordings devoted to related material in similar styles: Hortus Deliciarum Hildegard von Bingen / Herrad von Landsberg Discantus - Brigitte Lesne Opus 111 30-220 Fulbert de Chartres Chantre de l'an mil Ensemble Venance Fortunat - Anne-Marie Deschamps L'Empreinte Digitale 13036
RU姐啊RU姐啊,我喜欢你的老歌和前奏。。
嗯,比起之前的作品,风格明显转变了,这张个人不算特别喜欢。感觉没有那么独特了,像一些流行乐,还是喜欢她以前的歌一些。 老曲子的重编曲版都还不错,个人觉得Behind the blue在新曲子里还算不错的,刚开始听官网上的试听的时候,就比较期待这一首。前奏很好听。Behind the blue的midnight story remix的开头一出...(0回应)
嗯,比起之前的作品,风格明显转变了,这张个人不算特别喜欢。感觉没有那么独特了,像一些流行乐,还是喜欢她以前的歌一些。 老曲子的重编曲版都还不错,个人觉得Behind the blue在新曲子里还算不错的,刚开始听官网上的试听的时候,就比较期待这一首。前奏很好听。Behind the blue的midnight story remix的开头一出来,质感啊惊艳啊(这个版本的前奏是我这张专辑里最喜欢的东西了。。),感觉编曲也比原版的好。 Rainbow和花綴り(silky jazz ver)感觉一般,就是比较普通的温馨的治愈系曲子,不过也还说得过去,挺温暖的听着,花綴り(silky jazz ver)的前奏也不错(又是前奏。。) Rainbow(alegria dance remix),说真的,觉得好雷啊!那个舞曲,那个高潮,那个鼓点,那个电子音,RU姐你不能这样啊!真的好雷。。(有的地方感觉像商场里放的流行(口水?)歌。。)RU姐,RU姐啊。。听完这一首之后,我真的什么都不想说。 如果我听到的第一首RU的歌,是这一首,我还会喜欢上RU姐吗? 总体来说,觉得有点失望,也许我不愿意承认。 作为一个歌迷,我应当尊重RU的选择和改变。也许,创作的心境,已与以前不同,也许,RU想往更加广阔的音乐领域发展,想挑战新的风格。。 真的很喜欢RU姐,所以,相信RU能带给大家很多好听的音乐,支持着RU。不过,还是真的真的很想RU继续唱以前那种有些黑暗,有些神秘,却又很治愈,很深入心灵的歌曲。













An Introduction to the Album
Alabaster Producer: Brett Taylor, Pilgrim Arts: www.pilgrimarts.com Label: Prikosnovenie, with artwork by Sabine-Adelaide: www.prikosnovenie.com Composers: Louisa John-Krol, Mark Krol, Brett Taylor Guest Artists: Daemonia Nymphe Francesco Banchini (GoR / Ataraxia) Samantha Tayl...(0回应)
Alabaster Producer: Brett Taylor, Pilgrim Arts: www.pilgrimarts.com Label: Prikosnovenie, with artwork by Sabine-Adelaide: www.prikosnovenie.com Composers: Louisa John-Krol, Mark Krol, Brett Taylor Guest Artists: Daemonia Nymphe Francesco Banchini (GoR / Ataraxia) Samantha Taylor Harry Williamson (Faraway) Gianluigi Gasparetti Olaf Parusel (Stoa) Introduction: ...the light shades bound to Pluto's realm... with swift bark passed by the Sirens' shore. Tibullus Vocals & mandolin by Louisa John-Krol. Other instruments include percussion, table harp, charango, piano, lyre, bass, ocarina, clarinet. 12 songs, recorded in 7 studios across two hemispheres, overseen by engineer Brett Taylor, crossing genres of dream-pop, neo-classical, gothic-medieval, folk-rock, synth-pop and ambient. "Alabaster" the album title is a tribute to lines by the poet Emily Dickinson. Mythical basis for this album (and its twin to come) is the union of Persephone and Hades: an embrace between life and death. Recordings are "cut" like fruit; a pomegranate ready to nourish - or cast a spell. "The harvest of bliss or woe will be according to the seed-time of this life." Bathsua Makin Alabaster Individual Track Information #1. The Throng on the Pier (3:57) with Greek neoclassical band Daemonia Nymphe Refers to a battle-scene in 'The Iliad' by Homer and to Dante's 'Inferno'. But a ferryman is no longer enough. Today they are bringing in trains to carry the dead�. #2. The Lily and the Rose (5:09) with Francesco Banchini (GoR/Ataraxia) An anonymous 16th century love poem, which might describe plague, rape, or love. #3. Waterwood (2:17) For my niece Lucy, after she had an operation on her eyes. I was thinking of how in 'A Midsummer Night's Dream', Puck sprinkles magic dew into eyes of mortals. Can we see the world through the eyes of a child, with wonder? Initial tracks made with Lys in France #4. Stone Lake (5:38) Lakes around Melbourne (Blue-Stone Lake� Moondarra�) shine with translucent light. Our oceans are pristine yet treacherous. I have swum in waves coming up from Antarctica, wild and clear. The sand is like velvet, the shoreline shines like a mirror, but the tide is stronger than human will. #5. Me and the Machine (5:07) A parody of ego / alter-ego, identity / image in our technocratic age. What powers are unleashed? What feelings are repressed, denied or forbidden? A reference to Gurdjieff, who suggests many of us are just sleeping machines, feeding energy for the moon. #6. Light on the Wall (4:22) How much of our experience is bound to this dimension? How much of this world is a dream, how many other versions of us dwell in Parallel lives? #7. The Seventh Ingress (3:24) with Olaf Parusel (Stoa) An improvised piece with Olaf Parusel made in Germany 2001. Part of a series of sketches, we kept this one in its original form. From his window I could see the buildings and skies over Halle. #8. Paint the Wind (3:45) Dedicated to the artist Karan Wicks, who contributed cover-paintings for my 3rd CD 'Ariel' and Australian edition of my 2nd CD 'Alexandria'. Initial tracks made with Lys in France #9. How should I your true love know? (3:29) Ophelia's song from 'Hamlet' (Shakespeare/Walsingham) when she goes mad with grief at her father's death and Hamlet's apparent estrangement, after which she drowns herself. For me, Ophelia's death is more poignant than Shakespeare's other female suicides such as Lady Macbeth or Juliet, for they had power over men, whereas Ophelia strikes me as the sweetest, loneliest and most fragile of women. #10. The Search for Lost Souls - Midnight (7:49) Poem 419 by the American poet, Emily Dickinson. #11. Approaching the Island of Sirens (9:45) with Gianluigi Gasparetti (Oophoi) The voyager is led by sirens whose intentions are ambiguous: to guide you to safety, or draw you more deeply into the depths of the sea? #12. Dancing over Acheron (8:15) The ghosts of a bride and her groom dance over one of the five rivers of Hades.
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