Sailplane♪的音乐

112+3 = aqxf4duw 2002—《Tristesse des Mânes》 14 songs, composed in the spirit of the French classical musicians of the end of 19th century. These “neo-classical” compositions (pieces for cello, piano, viola and voices), the poetry of the lyrics, present more emotion than ever, and Chloé’s heavenly voice evokes a very dark and deep romantism, as if time didn’t exists anymore… “This band remains one of the best and most original parts of the gothic scene! Simply brillant” Side Line (B) Collection d'Arnell~Andréa is a French darkwave band founded by Jean-Christophe d'Arnell (main composer, writer, piano/keyboards), Pascal Andréa, and Chloé St Liphard in 1986. Andréa left the band shortly after its founding, before its first performance.[1] However, d'Arnell left Andréa's name in the band name. Their music features proeminently keyboards, cello, and Chloé's vocals. The band is known for including a large collection or ensemble of musicians in its live performances and has performed at numerous international music festivals including Germany's Wave-Gotik-Treffen. Many of their albums have focused on late 19th and early 20th century themes. (from wikipedia Interview: > How did you first get interested in music? What were your favourite bands, the ones that influenced your musical career? Are you still emotionally attached to these bands? As far as I remember, I’ve always been listening to a lot of music… classical music at first probably because I used to practice piano (Chopin, Mahler, Ravel, Debussy and all the French Melodies of Duparc, Fauré….); later I kept on listening to classical music but I began to discover some “alternative” or “electronic” stuff: Clash, Cramps, Tuxedo Moon, Minimal Compact, Bauhaus, Joy Division, Christian Death….. And now, I am still deeply emotionally attached to old bands like: Dead Can Dance, Cocteau Twins or even Joy Division (we recently recorded a cover of Isolation, for a tribute, on a French label called Infrastition!). Collection d’Arnell-Andrea’s story had already begun, when I discovered Dead Can Dance for the first time, but of course, their vision of music (artwork, and dark atmospheres) deeply influenced us, and, in a certain way authorised us to continue on the personal way we choose to make music at this time. As you know, CDAA at the beginning, was often compared to DCD… there weren’t many bands (especially in France) trying to produce a music based on a female voice, with very dark atmospheres and a very dark artwork! > Where could you find music/records? Was it difficult to get good music? At the end of 80′s I used to buy records (vinyls) from little and independent record shops…like anyone! I read some underground fanzines, and that was the best way to discover some original music. I also made some tape compilations to exchange with friends; > Did you go to concerts? Tell me about the people, the vibe. Was there attrition between the different sub cultural groups? Of course I always used to go to many concerts: OMD, Virgin Prunes, Cocteau Twins, dead Can Dance, New Order… The underground world could seem very small, but it was also really active: fanzine, small labels, radios gathered together always the same persons!! I still really appreciate to go to concerts now: Nine Inch Nails(I really like their music !), Radiohead (twice…), VNV nation, Tindersticks…. > When did you join the band? Nearly from the beginning! I was present on the stage for the first concert in 1986! CDAA was the support band for The Appartments, for a concert in Tours (France) > How do you describe your music/what are your songs about? The main theme of all our records, is probably the past, the nostalgia I feel for the past…..and the particular relationship between the human feelings and the Nature (wind, landscapes, woods, seas, Autumn and so on…) Our music is the result of the collaboration between different influences, different people coming from classical area (alto, cello) and more “underground” backgroud… We’ve always been trying, from the beginning, to mix different sounds, or instruments, to get a kind of universal music, in a universal emotion language: electronic keyboards, rhythm box, and acoustic instruments (cello, viola, piano) My voice, and probably the way I sing, much contribute to CDAA’s own musical language.We also choose to integrate the lyrics with a poetry form, a little “old-fashioned” some times, but always the more coherent possible with the different concepts of the albums! > Do you receive different treatment for being a woman musician? Really difficult to answer this question! All the relationships between the musicians are really friendly, especially in this kind of underground music! So I’m not sure that a woman particularity really exists! The record companies, and the other bands in this kind of music (darkwave, gothic) have the conscience, in a certain way, to belong to the same “family”. And I also think, that CDAA, like main of the other bands, has always tried to stay close to fans, or journalists; it’s easy to meet the band after the concerts! > Did you fit in, within the music scene, or have you encountered some barriers? What has been your biggest challenge as a band/musician? No I haven’t really encountered some barriers… our biggest luck was probably to make our first record (4 tracks EP) with a small English label in 1988; this attention payed to our music, at the beginning, contributed to give us all the confidence we need at this time! Later, the famous french label New Rose / Lively Art started to have faith in our music… One of our biggest “challenges” was probably, our first concert in London, in the mythical Rock Garden: we were young and really impressed to play music on the stage where Bauhaus had played a few years before! > Do you believe that music, as we know it, will continue to exist? The de-objectification (?!) of the record, the sub-cultures risen from the ashes, will they endure, and contribute with maybe something new, or just mimic? The de-objectification of the record is engaged but I think that a new “underground” culture has already started to rise…it’s just the beginning! Of course it’s sometimes difficult to admit the end of the material support, especially when you are, like me, very attached to the artwork of the records! For CDAA, the artwork really belongs to the record; we pay a great attention to the coherence between the design of the record and the general concept of the music. > Weirdest situation on stage /The best gig was Maybe our first concert in Leipzig (Wave Gotik Treffen): we had asked for a minimum of lights on the stage because we wanted the movies we project on the back of the scene to be seen by the audience, that’s was our priority; and when we started to play, there was a total obscurity on the stage…really weird indeed! So I asked the technicians for a little more light, and then we all discovered that the venue was really full of people (about 1500!). If this concert were also a very nice one, my others “best gigs” could be our first concert as a chamber music orchestra (piano, cello, viola and voices) in Paris (Caves St Sabin) and more recently another concert acoustic in Orleans (Salle de l’Institut): in a very beautiful old theatre from the 19th century! > With whom would you like to play With Brendan Perry and Trent Reznor! from the ethereal to the industrial… > A tough one, what’s your favourite albums/books/movies ever “Les ailes du désir” (Win Wenders) ; “Le bannissement (Andreï Zviaguintsev) « Crime et châtiment” (Dostoïevski) and any book from Virginia Woolf… “Treasure” (Cocteau Twins), “Within the realm of dying sun” (DCD) and a lot of other ones!!! PJ Harvey, Radiohead, NIN…. > A time machine, the best concert would be A concert of Bauhaus in Berlin or “le sacre du printemps” (Stravinski) for its creation in Paris! > Plans for the future A concert in Leiria the 28th august… We are really excited because this concert will be the first one in Portugal! We are also keeping on mixing a new album

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当搂得~ 113+2 = e60kbg84 《The last party》 之前的一张EP 里面有那张砖的歌《The Hype》 呃没有专辑惊艳，，嘛，反正是之前的EP而已~ 。。我评论不知道写什么了，让我短一点好么。。。。。。。。。。。。

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我太喜欢这张砖了 只是想留个歌词罢了,,10和14待补全... 壹壹伍咯~ dn4z6ods 01.The Belljar (Summer In The Hamptons) Bought a new one yesterday. It never suited me anyway But I'm not the only one Who looks bad in Louis Vuitton Something burns me out My only hope is by the sea I'm feeling uptight, nothing on the inside Soaking up the sunlight Trying to make it alright At home I keep a bar It means I never have to travel far To be near the only thing That's worth the pain it brings Something burns me out My only hope is by the sea I'm feeling uptight, nothing on the inside Soaking up the sunlight Trying to make it alright Can't believe it's so hot I could buy a sports car Take it to the Hamptons And drive into the water 02.Generation Y I'm sick and tired of apathy And Cobain tributes Buy some time and make a bid for Generation Y Why can't I get it together? Meet me tonight on myspace, I'll be there waiting A Backlit sky could be nuclear, or just a late sunrise The day is waiting Another stolen glance, on a friday night But you could never know This not a life, it is an addiction Across the bar I watch you dance But nevermind, it's over now for Generation Y French Vogue knows that spiders cling to model's faces Another high rise A facsimile of the mottos of our youth So long ago I don't recall them (A beating heart in a dark club You're not from the town that I grew up in My friends do all the thing that other folks do To keep the world from closing in Take my hand And come back to the town that I grew up in) 03.Hands In The Ground lyrics If you're gone before I'm there And your yellowing walls appear Through the scrubbed graying sheets Look inside and see If you can't believe it's me Hiding out beneath eiderdown skies You are so hard to deceive Forget everything I go outside To virgin ground and dig a hole And bury my hands in the soil Because I don't like how I'm feeling If you can shake your head And break through my shadowy walls of sleep Draw the blinds above your bed And try hard to see Through the windows into the street At little patches of ironed out lawn It is so hard to believe you can do anything I don't know Everybody's on their backs And I don't know if they're sleeping I go outside To virgin ground and dig a hole And bury my hands in the soil Because I don't like how I'm feeling (Go outside, Shake your head Draw the blinds above your bed Feel the sun on the street and the dirt beneath your feet Take a chance Leave your home Pack your bags before you go Call your friend Shake his hand And then set off and don't look back) If you're gone before I'm there And your yellowing walls appear Through the scrubbed graying sheets Look inside and see If you can't believe it's me Hiding out beneath eiderdown skies You are so hard to deceive Forget everything I go outside To virgin ground and dig a hole And bury my hands in the soil Because I don't like how I'm feeling If you can shake your head And break through my shadowy walls of sleep Draw the blinds above your bed And try hard to see Through the windows into the street At little patches of ironed out lawn It is so hard to believe you can do anything I don't know Everybody's on their backs And I don't know if they're sleeping I go outside To virgin ground and dig a hole And bury my hands in the soil Because I don't like how I'm feeling (Go outside, Shake your head Draw the blinds above your bed Feel the sun on the street and the dirt beneath your feet Take a chance Leave your home Pack your bags before you go Call your friend Shake his hand And then set off and don't look back) 04.Asleep On The Lawn Wondering why you never sleep It's in your dreams That you don't know Please don't change nothing at all The futures blank and everlasting But I can see The clouds through channelling, fencing, explode From the ground And consume me I fell asleep Out on the lawn I work out a barn Way down the road I am young but I don't belong I am no one who can see your soul Your soul Oh no So limelight comes In different states Shadows fall with no intention But if only you'd answer your phone Come tonight I'm going no where I can see The clouds through channelling, fencing, explode From the ground And consume me I fell asleep Out on the lawn I work out a barn Way down the road I am young but I don't belong I am no one who can see your soul Your soul Oh no But I told you You're not the one You're not the one You never were I fell asleep Out on the lawn I work out a barn Way down the road I am young but I don't belong I am no one who can see your soul Your soul Oh no 05.The Hype I don't even know where you're coming from There's all this silence I can't take Everything you do is incessant I'm trying hard just to calm down But, Don't believe the hype (3 times) Don't believe Don't believe the signs they sold you now Yes because it's cold, it's cold and it's getting colder Down where you go every time. And I don't know why. I don't know, do you feel? Heat rises from the ground as the nails fall from the sky I don't know, do you feel? Women stop and stare as my face dissolves away Yes it's going a little more each time But all you say All the time is 'I agree' 06. Forget To Begin You're always on my mind. You're the voice inside my head. As I travel through this life I try to stay ahead But I'll never see you again. I disappear when you turn on the lights. You've got to forget to begin this time. Even if it's going to hurt somehow, You've got to forget to begin somehow. If I'd want to stay in line I'd never leave my bed. And I wonder all the time If you meant the things you said You life me up, I'm so wrung out But now it's coming back I'll never be just forgotten and alone. 07.Croupier Yes I saw you today. When things go I don't know. It's all in what you're telling. I see where it went it's too hard to be there again. But it's close it's rubbing off. At the Grand is where swear I left you, all alone. At the Grand is where I swear I saw your face. See it's hurting me and I when I can see it hurts you too. It hurts so bad. But maybe not? When things go I don't know. It's all in what you're telling. There's danger it's special it's like I'm waiting for a sign. And I'm close I'm on the edge 08.The Last Party There's lead in the water (you've seen the sun) Paranoia is my favourite word (so far away) I'm a social X-ray (you've come undone). I define my generation. I'm Jaded But I took all the things you said Just to please you, But I've lost all track of time At the last party You're going off your head once again No one hears you say A thousand blank voices No one hears your sigh. Once again. What are you going to do once the party ends? My second favourite word is future (you've seen the sun). Television tells me I need help (so far away). I'm an intimate void (you've come undone). I dream of digital displays 09.Far Away miner bird flying down, into the window Everyone turns around, thinking its children What is it that he sees, his reflection, or you Remember last year in the phone I think it was April You were sitting on the floor, playing Gingle The tower looked tall and strong, until I entered was it me? I can’t be far away from you. I can’t be far away from you, from you. I was drinking wine alone, at the table Feeling sally cold and drunk, but little unstable You were in the other room, making a phone call To that other girl I can’t be far away from you. I can’t be far away from you from you I ............... If you hear the song, remember me Miner bird flying down, into the window Everyone turns around, thinking its children What is it that he sees, his reflection, or you I can’t be far away from you. I can’t be far away from you from you 10.Social Suicide 11.Burnt Out Sundays Where do we go from here? When everything we know has been changing And how do we make it clear? That our lives are not so varied Waiting now for a sign to make it all worthwhile To make it all worthwhile I don't think that I can face another burnt out Sunday And I don't think that I can lie to myself Where do we go from here? When all our friends have run for cover Why do we even care? When everything looks like crumbling Oh no, you're moving away so far from me 12.The District Sleeps Alone Tonight Smeared black ink... your palms are sweaty And I'm barely listening to last demands I'm staring at the asphalt wondering what's buried underneath Where I am Where I am I'll wear my badge... a vinyl sticker with big block letters adherent to my chest That tells your new friends I am a visitor here... I am not permanent And the only thing keeping me dry is Where I am Where I am Where I am You seem so out of context in this gaudy apartment complex A stranger with your door key explaining that I am just visiting And I am finally seeing Why I was the one worth leaving Why I was the one worth leaving D.C. sleeps alone tonight Where I am Where I am Where I am You seem so so out of context in this gaudy apartment complex A stranger with your door key explaining that I am just visiting And I am finally seing Why I was the one worth leaving Why I was the one worth leaving Where I am Where I am Where I am The district sleeps alone tonight after the bars turn out their lights And send the autos swerving into the loneliest evening And I am finally seeing Why I was the one worth leaving Why I was the one worth leaving Why I was the one worth leaving Why I was the one worth leaving 13.Miami Open your heart, open your eyes Look into the haze, I am the light I am the one buried in ice So pull back the mask of cold surprise Relax your face, let yourself down Lie on your back, in a Slimane gown Wait for the signs to enter your head And hope for the best dreams you've had Everytime you speak I wonder You were not high, you were not there But I don't know why it doesn't even work out It feels like Miami's going to burn into a haze-filled afternoon And I don't know why you're here Tell me your name, not where you're from I saw you at the Tate on level 1 Miami's a dream, up on a wall A shark behind glass in a mall Everytime you speak I wonder You were not high, you were not there But I don't know why it doesn't even work out It feels like Miami's going to burn into a haze-filled afternoon And I don't know why you're here It feels like Miami's going to burn into a haze-filled afternoon And I don't know why you're here (Open up shop for me, you don't even know that it's over) It feels like Miami's going to burn into a haze-filled afternoon And I don't know why you're here It feels like Miami's going to burn into a haze-filled afternoon And I don't know why you're here It feels like Miami's going to burn into a haze-filled afternoon And I don't know why you're here 14.Lucky Man

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当搂得~ 112+3 = bhb80e7r 昼海幹音和美国女的乐队嘛。。。 女VOICE和diving with andy的voice有点像诶~~~~~ 此女还有个乐队c.cedille 喜欢《beautiful》嘛~❤

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