[已注销]的音乐

Alcest,alcest,alcest...... 黄色基调的封面,两个依偎在一起的女童,好象泛旧的老照片.看似不纯正的黑金唱片封套,却引得人联想过去的日子.缓慢而清朗的木琴继后,是一阵仿若后朋克或白噪声鼎盛时期的细密Riff.吉他筑构的音墙,一丝女声扶摇直上...... 法国香颂式的田园浪漫,流迹于心......仿佛置身于一个晴朗的日子里长满青草的山坡上,感受着纷飞,回忆,生命,光,蒲公英,虫鸣,飞鸟...... 一张又一次对黑金的纯粹性做出挑战的唱片.复古怀旧的味道.死硬派也许嗤之以鼻也许视若家珍,管他呐.但我毕竟是一个容易想起过去的人. 细来想想,那关于她的一切,仍只是我狭窄记忆里的一面之词.记忆中的人,总是会随着时间的消失,变得模糊.感觉也变得不真实起来.我还是不了解她,或者说,我从来没有了解过她.过去的七年里一直如此. 原本黑金邪恶,狂热,仇恨的RIFF,轮拨却让人感觉非常亲切暖和,但又使人十分沮丧.我的话是矛盾的. 有时会去想想以后,仅关于感情.虽然,口口声声地偏执着.但这都只能算做一种不甘的抗挣.无力的抗挣.她和我,我和她,他和我,我和他...... 时间是在消亡,的的确确是这样.我们也是.像一只死去的鹿.不断地腐烂不断地.直至与泥土混淆...现在,我在地球的这面.他在地球的另一面,在我脚下.我在这一边,她在那一边.我在这里,他在那里,在北方...... 空间距离上的遥远还真是让人咋舌.可能,他们于我之间的距离加起来都可以够到月球了. 发表于：2007年12月10日 19时

> 1回应

General Dub - [battles 2042-2066 #01] nitroben General Dub - [battles 2042-2066 #02] akbar General Dub - [battles 2042-2066 #03] gracasfidel General Dub - [battles 2042-2066 #04] salam kapar General Dub - [battles 2042-2066 #05] akbar2 General Dub - [battles 2042-2066 #06] d.j tos General Dub - [battles 2042-2066 #07] han toy General Dub - [battles 2042-2066 #08] discour General Dub - [battles 2042-2066 #09] akbar3 General Dub - [battles 2042-2066 #10] akbar4 General Dub - [battles 2042-2066 #11] kÜ yin dông General Dub - [battles 2042-2066 #12] prophetie General Dub - [battles 2042-2066 #13] Pr xuro General Dub - [battles 2042-2066 #14] katsurezo General Dub - [battles 2042-2066 #15] d.j tos2 General Dub - [battles 2042-2066 #16] kÜ yin dông General Dub - [battles 2042-2066 #17] akbar5 General Dub - [battles 2042-2066 #18] frequence 66.6 mhz

> 0回应

秋光 冷画屏 扑流萤 这张唱片的第一首歌《Coo. Lio. Yin》 中，曾出现以上几个词的中文念白，应出自唐代杜牧的《七夕》这首诗。 银烛秋光冷画屏，轻罗小扇扑流萤。 描绘出一幅深宫生活的图景。在一个秋天的晚上，白色的蜡烛发出微弱的光，给屏风上的图画添了几分暗淡而幽冷的色调。这时，一个孤单的宫女正用小扇扑打着飞来飞去的萤火虫。“轻罗小扇扑流萤”，这一句十分含蓄，其中含有三层意思：第一，古人说腐草化萤，虽然是不科学的，但萤总是生在草丛冢间那些荒凉的地方。如今，在宫女居住的庭院里竟然有流萤飞动，宫女生活的凄凉也就可想而知了。第二，从宫女扑萤的动作可以想见她的寂寞与无聊。她无事可做，只好以扑萤来消遣她那孤独的岁月。她用小扇扑打着流萤，一下一下地，似乎想驱赶包围着她的孤冷与索寞，但这又有什么用呢？第三，宫女手中拿的轻罗小扇具有象征意义，扇子本是夏天用来挥风取凉的，秋天就没用了，所以古诗里常以秋扇比喻弃妇。 （以上说明来自百度）

> 0回应

Like so many '90s alt rock bands, Filter had "one" big hit (1995's "Hey Man, Nice Shot"), took a while to deliver their second album, wound up having another radio hit with that record (1999's "Take a Picture"), "one" big enough to camouflage how the group was essentially turning into a cult act, a metamorphosis confirmed by their next album two albums, 2002's The Amalgamut and 2008's Anthems for the Damned. And like so many '90s alt rock bands, Filter was obligated to spit out a wealth of non-LP songs, all the better to fill out multi-part U.K. CD singles and to earn a showcase on soundtracks. Rhino's 2009 Filter: The Very Best Things (1995-2008), the group's first compilation, attempts to take all these factors into consideration. It has all the hits, sometimes present in single edits as in the case of "Welcome to the Fold," cherry-picked album cuts, and a host of stray tracks: there's "Jurassitol" from The Crow: City of Angels; the Crystal Method collaboration "(Can't You) Trip Like I Do" from the Spawn soundtrack; a cover of Nilsson's "One" from the X-Files: The Album and "Thanks Bro" from Songs in the Key of X. All this is sequenced non-chronologically, not so much to give the album a rhythm of a set list but to illustrate the connecting threads in the music of lead singer/guitarist/songwriter Richard Patrick, whose songs do seem of a piece when presented here. That may not be enough to win over skeptics convinced that "Hey Man, Nice Shot" made Filter a one-hit wonder, but it's more than enough to make this an effective summary and introduction of Patrick's work ------------from- top100.cn

> 0回应