破落户·天棚鱼缸石榴树的音乐

http://www.douban.com/subject/2296439/ 只有一两首没重复，出两张唱片还有什么意义？

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中文名称：Crooked Crosses For The Nodding God 资源类型：MP3! 发行时间：1989年 专辑歌手：Current 93 地区：英国 语言：英语 简介： 专辑介绍： David Tibet和Current 93能够产生如此巨大的影响力，是因为David Tibet与工业噪音/实验工业噪音有着十分深厚的关系。实际上，Current 93的成立正是从1983年，David Tibet、John Balance和Fritz Haaman的合作开始的，首度发表的作品是单曲“Lashtah”。当时的成员中John Balance是工业噪音重要乐队Throbbing Gristle分支之一Psychic TV早期的主要成员，后来又自行组建了另一个十分重要的工业噪音乐队Coil。Fritz Haaman则是另一工业噪音乐队23 Skidoo的主要成员。而像前面提到的实验工业噪音乐队Nurse With Wound的核心Steven Stapleton，就经常出现在Current 93唱片制作群中。而David Tibet本人也常以个人或Current 93的名义参与Nurse With Wound、Coil，以及著名后工业噪音厂牌Dark Vinyl旗下众多乐队的唱片制作。如果从后工业噪音的角度来看，在其众多的重要人物主线中，David Tibet—Steven Stapleton—John Balance是不可或缺的一条。这一主线因为John Balance的关系上承工业噪音核心乐队Throbbing Gristle的正宗工业血统（Coil的另一成员Peter Christopherson也是这个乐队的四分之一）；同时它又以其阴暗低调、反基督、异质声音而直接引导出阴暗乐派，特别是阴暗工业噪音（Dark Industrial/Death Industrial）。由此我们不难看出在David Tibet/Current 93的音乐里，上承下启着两种重要的地下音乐，体现着工业噪音音乐的发展。同时，又由于Tibet曾经参与过Death In June的关系，在原Death In June成员Douglas P的参与下，Current 93也有真正属于死亡民谣的作品。因而我们也不难看出David Tibet/Current 93的音乐其实是成分混杂，处于过渡阶段的一种音乐类型。若想仅凭一两首作品就可窥视其全貌是不可能的事。以Current 93的作品为例，它既有像《Dogs Blood Rising》这样离经叛道，充满邪教血腥味道的噪音专辑，也有《Thunder Perfect Mind》这样表面清淡平和，实际充满内在张力的邪异民谣作品。在Current 93不同时期的专辑中随风格的不同会有不同的制作班底。一般来说比较噪音的作品大多会有上文提到的Steven Stapleton的参与；而较民谣的作品则会有Douglas P的参与。而在这当中起作用的人物当然就是David Tibet。其实Current 93一直以来就仿佛是David Tibet一人的代名词，其他人都不是固定成员。 透过Current 93的音乐历程，我们可以更深切的体会到David Tibet的内心世界。早期乐队在音乐所表现出的离经叛道、血腥暴力，在文字中流露出的耶路撒冷沉沦的末日景象，其实正是现实中工业社会下人们对残酷生活的扭曲梦境反应。工业技术的进步，日益增加的信息无法解决现代人类的空虚和孤独。人们恍如丧失灵魂一般地生活着。乐队后期的作品虽然趋于平和，但对宗教的执著却始终不减。David Tibet曾经表示，他最向往的是他童年的生活。因为在那时不会有成年后的不快经历，也不必强迫自己去做很多违心的事情。现实生活的空虚和孤独源自于谎言和不信任，这些都是Tibet所不愿看见的。于是Tibet只好通过神话来找寻自己的灵魂——摆脱空虚和孤独的困境。这是死亡民谣，以及众多低调音乐的共同特征。这也反映出这样的事实：我们是在通过音乐达到通往神话境界的目的，然后又通过神话回归人类最原始的精神境界，让我们的灵魂在音乐中回到自身。 专辑曲目： 1.He Is Everywhere Nowhere 2.Nortforth 3.Hail 4.The Return Of The Final Church 5.Snow 6.Oh Thou Coal Black Smith 7.From Boyd's Bunker 8.Ending Ending 9.The Summer Past 10.The Sickstair Song 11.Toytown Awakes 12.Dark Wood Too Awakes 13.After Tomorrow 14.Hey Ho The Nodding God Comes! 15.Looney Runes

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Various Artists -《伊斯兰音乐:十五卷》(The Music of Islam)(Celestial Harmonies Series) 中文名称：伊斯兰音乐:十五卷 英文名称：The Music of Islam 资源类型：MP3! 版本：(Celestial Harmonies Series) 发行时间：1998年04月14日 专辑歌手：Various Artists 地区：伊朗,埃及,其他 语言：土耳其语,印度语,阿拉伯语,其他 简介： 专辑名称：The Music of Islam: Vol.1-15 专辑艺人：Various Artists 专辑类别：其它音乐 17CD 发行公司：Celestial Harmonies 发行日期：April 14, 1998 音乐流派：World Music/Ethnic Music/Sacred Music 采 样 率：CBR 320 专辑介绍： 来自美国的厂牌Celestial Harmonies致力于世界/民族音乐的整理与推广传播，其在80年代末发起的‘伊斯兰音乐系列’工程共历时10年，参与创作的音乐家200余人，录制于三大洲10个国家：埃及、摩洛哥、突尼斯、土耳其、也门、巴基斯坦、印度尼西亚、伊朗、卡塔尔等，最终完成了最广泛的、具有代表性的伊斯兰声音记录文献。 伊斯兰教作为世界三大宗教之一，其历史可以回溯至公元622年，14个世纪的发展以及其受世界文化的影响极大地展现在其音乐中。今天，占世界五分之一的人口信奉伊斯兰教，十几亿的穆斯林主要分布在大西洋北海岸、中东、南亚以及东南亚群岛，延续至印度、西欧、北美、东亚、南非，这样全球化的群体文化与世界文化不断的产生着巨大的互动。 这套由15卷17CD组成的声音记录文献，不但录制了近20小时的丰富的伊斯兰传统音乐，而且包括由世界各地的重要学者、民族音乐学家写成的800多页的介绍文字（压缩文件中包括其所有的高质扫描图），代表了人种/民族音乐整理工作的最高水准，并为之树立了新的典范。 关于这一工程的具体描述以及各卷的音乐地域、风格、音乐家等介绍资料，见官方主页http://www.harmonies.com/releases/19907.htm。 专辑曲目： Volume 1: Al-Qahirah, Classical Music of Cairo 1 KHATWET HABIBY (Footsteps of my love) 4'00" 2 EL HELWA DAYER SHEBBAK (The beautiful girl in the window) 6'08" 3 'UD SOLO (An improvisation) 4'14" 4 ANA FI ENTIZARAK KHALET (I got tired of waiting for you) 13'05" 5 NAY SOLO (An improvisation on flute) 2'42" 6 SAMRA YA SAMRA (Oh you brown girl) 5'35" 7 QANUN SOLO (An improvisation on the Egyptian boz zither) 2'50" 8 BINT AL-BALAD (Daughter of the country) 4'26" 9 TABALAH SOLO (An improvised drum solo) 3'45" 10 SAMA'I BAYATI (AL-ARYAN) (Refering to an Egyptian scale) 6'22" 11 RIQQ SOLO (An improvised solo on tambourine) 2'57" 12 HABIBI WA ENAYA (My darling, my dear) 6'46" Volume 2: Music of the South Sinai Bedouins 1 BA'AD AL- 'ASAHA (After Dinner) 5'56" 2 FI SOLAM AL TAEIRA (On the Aircraft Steps) 2'56" 3 LALA TODAYWQOUIN AL-TARFI (Do Not Bother al-Tarif) 4'30" 4 EL BANAT METALEMAT (The Girls are Educated) 3'18" 5 IBNATTAN 'ARABIYATTAN (Arab Girl) 3'18" 6 MILI 'ALLAYA MILI (Lean on Me, Lean) 5'29" 7 QASIDAH (Poem) 4'07" 8 YA RIM (Oh Gazelle) 4'07" 9 ALLAH ANI TALABTAK, MA TALABT AL-BAKHIL (God I Asked You) 3'44" 10 YA WARID AL- MA, ASQINI SHARABAN (You Who are Going to the Water Hole) 4'24" 11 SID EL 'ARAB (Master of the Arabs) 3'07" 12 NARTIJI WA AL- RAJA FI ALLAH (We hope in God) 2'47" 13 KHELLI YA KHELLI (Beloved Oh Beloved) 4'22" 14 GAL AL WADA' (She Said Farewell) 3'34" 15 BARHUM YA BARHUM (Abraham, oh Abraham) 4'56" 16 AHLAN WA SAHLAN (Welcome, Welcome) 3'38 Volume 3: Music of the Nubians 1 QUAM NA DIMI 7'27" 2 ISH LONAK INI 5'55" 3 TAQSIM I 3'40" 4 YA GARIYA KHABIRINI 6'05" 5 AL HAJR 7'12" 6 MAROU ALYAA EL-HELWEN 4'24" 7 TAQSIM 2 6'21" 8 BEAD KONTO 6'40" 9 LAMA BADA YATASANA 3'45" 10 TAQSIM 3 5'50" 11 YA HELO YA ABU EL-SEDARA 5'52" Volume 4: Music of the Arabian Peninsula 1 QUAM NA DIMI 7'27" 2 ISH LONAK INI 5'55" 3 TAQSIM I 3'40" 4 YA GARIYA KHABIRINI 6'05" 5 AL HAJR 7'12" 6 MAROU ALYAA EL-HELWEN 4'24" 7 TAQSIM 2 6'21" 8 BEAD KONTO 6'40" 9 LAMA BADA YATASANA 3'45" 10 TAQSIM 3 5'50" 11 YA HELO YA ABU EL-SEDARA 5'52" Volume 5: 'Aissaoua Sufi Ceremony Disc 1: 1 DIKR (PART 1) 11'21" 2 DIKR (PART 2) 9'07" 3 FATHA 0'31" 4 DIKR (PART 3) 8'50" 5 INVOCATION 0'35" 6 'ADA (PART 1) 17'49" 7 'ADA (PART 2) 7'31" Disc 2: 1 SCENE INAUGURATION 14'47" 2 DIKRA REBBANIA 40'26" 3 CLOSING MUSIC 11'02" Volume 6: Al-Maghrib, Gnawa Music 1 ULAD BAMBARA (The Sons of Bambara) 10'39" 2 YOBATI/KALKANI BULILA 6'36" 3 'ADA 9'25" 4 BUDERBALA/BUHALA 8'50" 5 ITCHALABA TITARA 12'52" 6 YOMALA 5'58" 7 MIMUNA 6'31" Volume 7: Al-Andalus, Andalusian Music 1 ESHBEHAYN 8'49" 2 MKDAM SHARKI 9'08" 3 RASHDAYL 4'06" 4 ESTHLAL 13'33" 5 TIMES MKDAM SHARKI 10'36" 6 RASHDFA 7'22" 7 HIJASOUL (CHAHSHAHACHHI) 11'04" 8 ELHIJAZ 10'36" Volume 8: Folkloric Music of Tunisia 1 MEDLEY 7'15" 2 MAWWAL I 4'27" 3 BABA SALEM 9'50" 4 LELIRI YA MANA LOFTI JORMANA 4'06" 5 HAY LELI LELI & ALA BAB SOUIKA 10'44" 6 EL GUELB ELY 6'56" 7 MAWWAL 2 3'41" 8 DHAOUIT AYEMEK & MA INDICH ZAHAR 10'13" 9 NEMDAH LAKTAB 6'55" Volume 9: Mawlawiyah Music of the Whirling Dervishes 1 NA 'T-I SHERIF 5'45" 2 NAY TAKSIM (Nay improvisation) * 3'35" 3 PESHREV (Prelude) 2'54" 4 SUZIDILARA AYIN 25'19" 5 KAMANCHE TAKSIM (Kamanche improvisation) 1'35" 6 FEEYNEMA TUVELLU 3'45" FESEMME VECHULLAH (Wherever you turn you see God's Presence) 7 SUITE IN SEGAH 12'45" PART I, PESHREV (Prelude) PART 2, SOL CENNETIN IRMAKLARI AKAR ALLAH DEYU DEYU (The river's of paradise flow saying "Allah Allah".) PART 3, EY ALLAHIM BENI SENDEN AYIRMA (O My God, do not separate me from you) PART 4, CANIM KURBAN OLSUN SENIN YOLUNA (Let my soul be sacrificed to your way) 8 TANBOUR TAKSIM (Bowed tanbour improvisation) 1'53" 9 SUITE IN RAST 14'07" PART I, KA'BENIN YOLLARI (The ways of Ka'be) PART 2, EY ASIK-I DILDADE (Oh, beloved lover) PART 3, ERLER DEMINE DESTUR ALALIM (Prayer for permission for whirling) PART 4, ALLAHUMME SALLI ALEL MUSTAFA (God's benediction for the Prophet) Volume 10: Qur'an Recitation 1 EZAN (Call to Prayer) 1'53" 2 FATIHA (The Opening Chapter) 1'16 3 BAQARA I (The Heifer) 3'00" 4 BAQARA 1 (During Ascension) 3'19" 5 FURQAN (The Distinction) 12'46" 6 YA-SIN 20'22" 7 RAHMAN (Most Gracious) 14'57" 8 HASHR (The Banishment) 2'04" 9 ASR (The Ages) 0'54" 10 IKHLAS (Purity of Faith) 0'43" 11 FALAQ (The Dawn) 0'49" 12 NAS (Mankind) 1'00" 13 TEKBIR (Unification) 1'37" Volume 11: Music of Yemen 1 YA RABBAT EL-HUSN (Oh Goddess of Beauty) 10'16" 2 TABA ' AN LIQA (It was nice to meet) 6'39" 3 ANA ATARAJJAK (I implore you) 6'39" 4 TABI' 'S-SAMAR (After the nocturnal enjoyment) 13'30" 5 LEH LEH WA-HAJIRI (Why, Oh why are you leaving me) 8'37" 6 YA SHARIKH EL-HAWEL (Oh, young shepherd) 11'09" 7 LI-LLAHI MA YAHWEH HATHA 'L-MAQAM (Indeed, how wonderful is this gathering) 9'38" Volume 12: Music of Iran 1 TASNIF-E MAHALLI KURDI 1'24" 2 TASNIF-E DASHTI 1'48" 3 AVAZ SHOOSHTARI 5'10" 4 BEDAH-E NAVZAI SANTUR (impromptu on the santur) 12'38" 5 RENG 3'03" 6 BEDAH-E AVAZ, TASNIF-E KURDI (Avaz improvisation) 19'16" 7 BEDAH-E NAVAZI TOMBAK (Improvisation on the tombak) 3'10" 8 TASNIF-E ESFAHAN (Song to the Esfahan-Tune) 5'07" 9 TANIF VA SO'AL VA JAVAB-E KEMENCHE 7'35" 10 FARHANG-E A'VAM 2'34" 11 GAT-E KURDI 1'55" Volume 13: Music of Pakistan 1 RAGA BAIRAGI BHAIRAVI (Early Morning) 21'16" 2 RAGA PURIYA DHANASHRI (Early Evening) 24'55" 3 RAGA YAMAN (Evening) 26'02" Volume 14: Mystic Music Through the Ages 1 SEMI-I RUHUNA CISMINI PERVANE DUSURDUM 7'11" (My body is a moth drawn to the flame of your spirit.) 2 EY KI HEZAR AFERIN, BU NICE SULTAN OLUR 2'17" (Oh, the Creator of thousands of beings...) 3 BAHRI UMMAN DURRIYEM, YERIM MEKANIN KANDEDIR 2'29" (I am an ocean pearl, Where is my Home?) 4 UYAN EY GOZLERIM GAFLETTEN UYAN 2'15" (Wake up! O my eyes, waken from sleep.) 5 YA RABBI ZATIN SIRRIDIR BU GULLERI HANDAN EDEN 4'33" (Oh my Lord, the secret of your Essence makes these roses smile.) 6 CUN SANA GONLUM MUBTELA OLDU 2'14" (Because you have consumed my heart...) 7 TEKBIR: ALLAHU EKBER, ALLUHU EKBER, LA ILHANE ILLALLAH 3'49" (God is the greatest, God is the greatest.) 8 YA HAZRETI MEVLANA, HAKK DOST 8'09" (Oh, our holy master Mevlana, beloved of God...) 9 SULTAN-I MENI, SULTAN- MENI, ENDER DIL-U CAN IMAN-I MENI 2'48" (My Sultan, my Sultan, I believe with my heart and soul...) 10 HIZ KI IMRUZ CIHAN AN-I MAST CAN-U CIHAN SAKI-VU MIHMAN-I MAST 2'22" (The world is ours today; the soul is our cupbearer and the world our guest.) 11 GELIN GIDELIM ALLAH YOLUNA 3'20" (Come, let us take God's path.) 12 ALLAH EMRIN TUTALIM - RAHMETINE BATALIM 2'06" (We will carry out God's will and fall back upon his mercy.) 13 ALMA TENDEN CANIMI - GORMEDEN CANANIMI 2'13" (Do not take my soul from my body, until I see my beloved.) 14 SEVELIM HAZRET-I MEVLANA'YI 3'37" (Let us revere Saint Mevlana.) 15 EY ALLAHIM BENI SENDEN AYIRMA 2'17" (Ah, my God, do not separate me from you.) 16 HOR BAKMA SEN TOPRAGA 4'23" (Don't see the earth as despicable...) 17 GORMEK ISTERSEN SENI - CAN ICRE ARA CANI 2'31" (If you seek yourself, look for your self in your soul.) 18 VELILLAHIL MESRIKU VEL MAGRIB FEEYNEMA TUVELLU FESEMME VECHULLAH 3'22" (East or West, it all belongs to God; wherever you turn God is there.) Volume 15: Muslim Music of Indonesia, West Sumatra and Aceh Disc 1: 1 DENDANG MANANGKOK/MARINDU HARIMAU 1 5'17" (Muslim prayer preceding a tiger-capturing song.) 2 DENDANG MANANGKOK/MARINDU HARIMAU 2 6'26" (A tiger-capturing song.) 3 BASOSOH (Warring Rhythm played by tasa and dol drummers 6'51" at a Takbuik [BM] [Tabut BI] ceremony.) 4 MATAM 4'42" (Matam [Ali Mahatam] Rhythm played by tasa and dol drummers processing down the street at a Tabuik ceremony.) 5 MARATAPI JARI-JARI (Mourning the Hands.) 6'27" 6 DOL-TASA 1 (Drumming competition) 8'06" 7 DOL-TASA 2 (Drumming competition) 4'33" 8 DOL-TASA 3 (Drumming competition) 0'28" 9 DOL-TASA 4 (Drumming competition) 0'43" 10 RAPAI 1 (Improvised texts) 1'00" 11 RAPAI 2 (Improvised texts) 0'53" 12 RAPAI 3 (Improvised texts) 0'32" 13 RAPAI 4 (Improvised texts) 0'46" 14 INDANG MAIN TALI (Playing the Rope indang.) 3'04" 15 DABUIH (BM), DABUD (BI) (excerpt from ceremony) 0'28" 16 DABUIH (excerpt from ceremony) 2'42" 17 SALAWEK DULANG: LAGU MERIAM PENANGKIS 12'53" (Song of the Canon Interceptor) 18 SALAWEK DULANG: LAGU BOLANDO BERANGKEK 8'48" (The Dutch Leave) Total Time: 76'12" Disk 2: 1 RATEP MASEUKAT 4'52" 2 PHO 1'51" 3 SEUDATI INONG 1 (Female Seudati) 6'15" 4 SEUDATI INONG 2 9'19" 5 SEUDATI INONG 3 8'33" 6 RAPAI DABOIH 1 29'21" 7 RAPAI DABOIH 2 3'04" 8 SEUDATI 1 8'06" 9 SEUDATI 2 3'23"

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